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Wsu history of jazz essay 1
Wsu history of jazz essay 1
Legacy of jazz history
Don’t take our word for it - see why 10 million students trust us with their essay needs.
More handpicked essays just for you.
Wsu history of jazz essay 1
Wsu history of jazz essay 1
Legacy of jazz history
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Jump Jive an’ Wail was written and performed in 1939 by Louis Prima. He was a popular nightclub singer/trumpeter in 1930’s and 1940’s and a big band leader. As a trumpet player Prima composed and recorded some of the biggest hits of the big band era and wrote numerous swing music pieces. In 1956 he became the most popular act in Las Vegas as a live act. He recorded his album “The Wildest” live in April of 1956 at a casino lounge in Las Vegas.
From 1937 to '44, Gillespie performed with important swing bands, including those of Benny Carter and Charlie Barnet. He also began working with musical greats such as Ella Fitzgerald, Earl Hines, Jimmy Dorsey and Charlie Parker around this time. Working as a bandleader, often with Parker on saxophone, Gillespie developed the musical genre known as "bebop. "A reaction to swing, clear for off-key harmonies and polyrhythms. "The music of Charlie Parker and me laid a foundation for all the music that is being played now," Gillespie said years later.
She came out of Jazz age, the Roaring 20s, the Golden Twenties. The Great War had destroyed old perceived social conventions. The 1920’s were a break from the traditional set-up in America. Jazz symbolized the decade's spirit of liberation, with its rhythms, beats, and new dance styles,that involved spontaneous movements and closer physical contact. The most famous jazzmen were Louis Armstrong, Fats Waller and Benny Goodman.
Jazz is most often thought to have been started in the 1920s as this explosive movement, but that is in fact not the case. Starting in the late nineteenth and early twentieth century many African American musicians have started to explore their taste in improvising, and where better to do that than New Orleans (Anderson). Before the 1920s these jazz musicians have already been going around sharing the unique sound, but up until then, jazz had remained majorly in New Orleans. Interestingly during this period, a common jazz band would consist of a cornet, a clarinet, a trombone, and a rhythm section when at this period of time the clarinet is not commonly associated with being a jazz instrument, it moved into being the saxophone rather. A big
The short story suitably named “Sonny’s Blues” was written by James Arthur Baldwin. Baldwin sets the story in the late 1940’s, in Harlem, New York right after World War II. The Characters in this short story are The Narrator, who we ultimately learn is the round Character, Poverty plays the role of the flat character, Sonny and the others are the supporting characters. The plot of the story is the struggle of seeking salvation. Moreover the plot is revealed through two general conflicts, Man vs. Society, and Man vs. Himself.
Print. Geoffrey C., and Ken Burns. Jazz: A History of America's Music. New York: Alfred A. Knopf, 2000. Print. Kallen, Stuart A.
Music 1920s You can call it what you want, start of the great depresion, The Roaring 20s. But when look at that time, I see the decade my grandpa was born. Along with some of the best music in history. Yes, it is jazz. If you hate it, that is your mistake.
In this paper, I plan to examine the influences that Miles Davis had on jazz. Starting with the bebop era, when his career first began, to his final collaboration released following his death. While in school Davis had learned how to play the trumpet, and following graduation he attended Julliard in New York. However, he dropped out of Julliard in 1945 in order join one of bebop’s pioneers, Charlie Parker. It was
One of the most popular genres of music known to mankind today is the music of jazz. During the mid 1910’s, many of the nation 's population were living in the urban areas causing for ethnic diversity and a era for people to learn to express themselves. The 1920s brought many advancements to today 's society especially in music. Jazz was making its debut in the 1920s, which is why it is known as the ‘Jazz Age’. From the 1920 's through the late 1950 's jazz was shaped from the absolute entirety of African American.
A more streamline form of jazz that existed in direct opposition to big bands was beginning to take shape. This subgenre, bebop, deconstructed the almost rigid form that swing had imparted on jazz. Bebop favored speed and improvisation over the structure and rhythm that was typical of swing. Bebop often started and ended with a melody and was nearly entirely improvisation in between. These improvisations took front and center as bebop favored few back up instruments.
The “New Negro Movement”, later called The Harlem Renaissance, was all about self expression through art (Opinde). Jazz was derived from the experience of black americans, borrowing from European and African musical traditions. Music in this genre
Initially, bebop jazz was characterized by significantly more complex chord progressions and melodies with a strong focus on the rhythm section. Although the irregular and unpredictable lengths of solos and increased sophistication made the music less suitable for dancing, it was nonetheless entertaining. Jazz had gained higher respect from a widestream audience, as it was no longer just dance music. Bebop lasted well into the 1950s, and the next stylistic revolution came during the revolutionary decade of the 1960s: fusion. Jazz fusion came into fruition when musicians combined aspects of jazz harmony and improvisation with styles such as funk, rock, rhythm and blues, and Latin jazz.
Beboppers ‘spoke’ at whirlwind speed, almost as if to say ‘you can’t catch me’ to their white counterparts. Although some elements of the music carried on from the Swing Era, such as the 32 bar song form and the 12 bar blues foundations, the harmonic and rhythmic complexity was stretching the boundaries further and further from the mainstream popular swing style. Heavy use of flattened ninths, sharpened elevenths and other altered intervals in solos and the speed at which they were used as well as the phrasing of these notes gave the music an off balance quality. Dizzy Gillespie’s tendency towards desceding whole or halfstep patterns such as in “Con Alma” and “A Night in Tunisia”, Charlie Parker’s favoured ii-V substitutions in the famous bridge to “Ko Ko” and “Confirmation” and the mastery of dissonance by Thelonious Monk shows the boppers preoccupation with developing their sound, making statements through their music. (Gioia
For all of time there have been heroes and villains; it is said that the first written story of a hero was the Epic of Gilgamesh. The Epic of Gilgamesh first started to be recorded in the 21st century B.C. and was originally written in cuneiform. As time went on people began to record the story in several different languages including Akkadian. Also, as it was translated into different languages the story began to slowly become altered and slightly changed. Authors continued to develop and transform the epic until the second century B.C.