Wait a second!
More handpicked essays just for you.
Alfred hitchcock intdoductions to film
Alfred hitchcock intdoductions to film
Don’t take our word for it - see why 10 million students trust us with their essay needs.
More handpicked essays just for you.
Alfred hitchcock intdoductions to film
Alfred hitchcock intdoductions to film
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Rear Window is perhaps one greatest films in history. Directed by legendary film director Alfred Hitchcock, Rear Window is a mystery thriller based on the short story “It Had to Be Murder.” Rear Window tells of a photographer, Jeff, who had broken his leg in an accident. Confined to his apartment, he passes the time by looking out his window. During this time, he became obsessed with the theory that one of his neighbours, Thorwald, murdered his wife.
The audience knows that the shooter is going to kill Ray and through the use of cutting between the gun and inside the apartment the audience is left on edge until the very end of the move. The Coen were able to make an amazingly tense film with very little budget though their great use of
“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).
The film The Birds by Alfred Hitchcock does a better job of creating and using suspense due to its use of suspenseful sounds. For example, when Melanie is sitting on the bench outside of the school, smoking her cigarette, the kids in the background are singing a long song with repeated lyrics, and the birds are landing one by one behind her. This is a very suspenseful scene, but it was even more suspenseful because of the kids singing in the background. In this scene, the viewer is just waiting for it to end and there is a lot of tension because they know that once the children stop
Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just
With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.
About the author: The Table Talks are the random conversations written down by various guests at Luther 's table, which over the years were gathered together and published in various collections. It is based on the notes of the students that Luther had and compiled by Johannes Mathesius and published soon after. Mathesius spoke very highly about the privilege of eating and conversing with Luther, and was known for taking detailed and serious notes about the remarks that Luther made. Other note takers wrote down only the serious remarks of Luther, rather than including the more damaging and hurtful words of Luther.
Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.
The film Vertigo by Alfred Hitchcock employs various clever camera movements and sequences which seem to portray the main character’s state of mind. Right from the opening sequence the cinematography in this film had me intrigued. The viewer is show the red filtered eyes of a mysterious woman which zooms into a black void where animated colored rings spin and zoom to a menacing and mysterious sounding score, all of this provides the foundation for a film about illusions. The film also does a good job at using an unreliable main character who is oblivious to the trickery going on around him. The character of Scottie is flawed through his naivety and his investment in romance.
Homosexuality has never been so accepted in the world as it is today. In the film Rope directed by Alfred Hitchcock, where a main theme is speculation, suspense and theories as to where is David. The viewer knows David has been killed and by whom, but Hitchcock still gives the audience a theory to work and it is whether Brandon and Philip are in a homosexual relationship or just friends. By studying the scenes it is clear that Brandon and Philip are in a relationship.
The 1960’s thriller “Psycho,” written and directed by the famous auteur Alfred Hitchcock, is a cinematic marvel for its time. Using the mise-en-scène and many other stylistic devices such as the motif of birds, music, and the famed MacGuffin, Hitchcock can reposition the audience to transfer their allegiance and sympathy between the protagonists. Duality is one of the main themes used within this psychological thriller. Hitchcock uses the duality of people to link to the character’s personalities and differences, to shift our belief of what is right and wrong, and whom we are sympathetic towards. The character ‘Norman Bates’, brilliantly portrayed by Anthony Perkins, is one main protagonist with a dual personality.
The Dressmaker is an Australian production drama film based on the novel by Rosalie Ham. It is directed by an Australian writer and a film director Jocelyn Moorhouse. The story revolves around the life of Tilly Dunnage, who returns to her small hometown from which she was disgracefully banished as a ten year old. She returns to solve the half remembered mystery of her banishment due to the murder allegations. The director Jocelyn Moorhouse presents many themes such as inferiority and the role that community plays in considering it.
Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.
During the final scene when the killer, Mr. Thorwald, finds his way into the hero, L.B Jeffries room, the speed of the film is slowed down to create an engaging feeling of suspense. Pace and tempo is the speed of the movie and how quickly everything is happening. This is a very important aspect of movies and Hitchcock has mastered this technique, allowing him to create suspense for his audience. Hitchcock slows down the pace of the movie, making the viewers anticipate what is about to come and leave them with the feeling of suspense. This scene starts off with Mr. Thorwald slowly entering Jeffries room.
Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.