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Montaigne's Use Of Cannibals In The Tempest

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The Tempest was composed in London during the spring of 1611, which makes it the last great work by Shakespeare–later he wrote only some miscellaneous pieces. In those days it sufficed to visit a bar around the corner to acquaint oneself with first-hand stories related by travellers and adventurers, who merrily spun yarns about overseas riches and oddities. There was no need to dig up Montaigne’s essay on cannibals in order to vividly imagine and visualize the figure of Caliban. On the other side of the river– away from Southwark and closer to the city centre–esoteric books were read by those hungry for the secrets embedded in them by spiritualists and astrologists. Moreover, autopsy was frequently performed, despite the fact that such practices
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Michel de Montaigne focus on the importance of human nature and society. “On the Cannibals” he talks about how humans, in general, have moral and turbulent characteristics. He compares the tribes and Europeans to have unequal treatments for each other. Montaigne notes that the tribes have a better culture than the Western Europe and that he disapproves cannibalism and killing of prisoners of war. He then claims that because Europeans practice cruelty and murder by wanting to experience a superior culture rather than the tribes.

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