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Joseph Gereige Mr. Miguel English Period 2(H) 13 February 2023 In the play, The Tempest, by William Shakespeare, pathos is the most effective device at persuading Sebastian to murder Alonso because it allows Sebastian to imagine what he could have and it entices Sebastian to dislike his brother for being a bad king. The first reason pathos is the most effective rhetorical device for persuading Sebastian to murder Alonso is that it allows Sebastian to imagine what he could have. After all of the characters fall asleep, Antonio tries convincing Sebastian to kill Alonso to become king and tells him, ¨Methinks I can see it in thy face¨, trying to entice Sebastian into becoming King of Naples, and Antonio´s ¨strong imagination sees a crown dropping
Shakespeare’s ‘The Tempest’ follows Prospero’s relationship with power and control displaying the essential establishment of the Great Chain of Being controlling status within the Jacobean society of ‘The Tempest’. “If thou more murmur’st, I will rend an oak/And peg thee in his knotty entrials till/ Thou hast howled away twelve winters” shows the peak of Prospero’s power and control through Shakesphere’s use of vivid imagery conveying the brutality of the power dynamic between Prospero and Ariel. The use of enjambment further highlights Prospero’s lengthy reign and irrational decision making showing the lengths he will go to to sustain his power and control dynamic. Prospero’s power and control has strongly influenced his art of magic, which he used throughout his reign but only understood its full effects once Ariel manipulates him, appealing to his humanity, and then using his art to gain redemption.
This week we discussed ‘“The Tempest” in the Wilderness: A Tale of Two Frontiers’ by Ronald Takaki. In this article, the author discusses the differences between savagery and civilization. The main argument in this argument is shown in the form of examples of how the Indians and Irish were simply harmless at first when discovering the New World, but quickly made into monsters by the English men. I’m sure we’ve all learned in history of John Smith’s description of how the Powhatans cared for the sick and dying English men.
Lee makes it clear that discoveries can shape our identity by either challenging or affirming our beliefs about ourselves and our world. The initial challenging discoveries of doubt and inner darkness can enable the protagonist to emerge wise and fulfilled, eventually rewarding them with a fully-grown depth of understanding and discernment. In the first stage of discovery the individual leaves the familiar and ventures from the ordinary into the extraordinary. The Tempest opens during a fierce storm at sea, with a royal party on board, representing Prospero’s initial
For Shakespeare, power structures were constructed through the contextual concept of the Great Chain of Being, in which a person's position in society and gender inherently established the level of power that might be attained. Throughout "The Tempest," power is displayed prominently through the character of Prospero, the rightful Duke of Milan who was overthrown by his brother Antonio and left stranded on a deserted island with his daughter Miranda. Prospero exerts control and power over lower-class characters. His magical powers allow him to control the spirits on the island and manipulate the actions of those who wash up on its shores. He uses his power to orchestrate a series of events that lead to the restoration of his rightful place as Duke of Milan.
The article “Tempest in the wilderness” mainly focuses on the superiority of English people over the Irish and the Indians. The English people were merciless to the Irish people. Let us take a look at those factors by one. First of all, the English thought of Irish as people who had no knowledge about god and no good behavior. They were not capable of farming.
Prospero’s Magic, the Age of Death and the 1610 Anthropocene When Prospero -- the hero in William Shakespeare’s last play The Tempest -- buries his magical books near a cliff of an uninhabited island, he sings out the first song of the “Anthropocene” at the edge of the great globe. As the Duke of Milan, he and his daughter are exiled to the isolated island for 12 years, during which process he uses his magic to enslave the natives on the island, including “ a savage and deformed slave” -- Caliban (Shakespeare 3). One may argue that the master-slave relationship shows Shakespeare’s postcolonial reflection while others may think that this viewpoint takes too far from Shakespeare’s original intention. Steve Mentz, in his essay “Enter Anthropocene, c.1610,” interprets The Tempest through lenses of the 1610
1. The Renaissance recognized that authority had a dual nature: auctoritas, which represents power as the source and giver of bounty, and potestas, which represents power as rule by sheer force and tyranny. All of the plays we have dealt with this semester have been concerned, either implicitly or explicitly, with this dualism. Look at the plays we have studied this semester and discuss how authority is portrayed in the plays.
Prospero played a key role in his own downfall. He, for example, failed to manage his authority. He admits enabling his brother 's treason happened because he gave him a lot of powers and neglected his own duties as the head of state as he concentrates on
“A Tempest” is as a derivative of Shakespeare ’s play “The Tempest” by Aime Cesaire. Cesaire makes a number of alterations in his adaptation of Shakespeare’s “The Tempest”. These alterations have been made in order to outline the change in time eras between the two playwrights’ time of existence and to illustrate the great social change that occurred in these periods, mainly colonialism by the West, the subsequent theme of the quest for freedom as well as the theme of power that resonates throughout the play. This essay aims at exploring the similarities and to draw attention to the alterations made by Cesaire in “A Tempest” and the subsequent effects of these alterations on the audience.
Both characters are considered as rebellious savages that are controlled, Caliban by Prospero and John by the World State. The Tempest can be interpreted as a play about colonialism because when Prospero arrived at the island, he imposed his own rules and put Caliban under slavery, just as Europeans when they took possession of the lands of Americans and enslaved them. From this point of view, Prospero and the World State are very similar because they both use their power to control over people and to preserve their own stability (Prospero using his magic and the World State using soma).
The Tempest can be seen as a play about reconciliation, forgiveness, and mercy. However, while it is clear that the theme of forgiveness is at the heart of the drama, it is unclear to what extent mercy is given. An examination of Caliban and Ariel and their representations of Prospero’s struggle illustrates that there is little, if any, true forgiveness and reconciliation in The Tempest. Prospero’s actions from the beginning of the play seem to contradict his ultimate aim to forgive those of have wronged him. Prospero seizes the opportunity for revenge with the help of his magic and good fortune.
Unlike Shakespeare’s other main characters, he is much more enigmatic. In they play Prospero is portrayed as the rogue who seeks revenge on his brother Antonio for his treachery. In this Shakespearean comedy it becomes clear that Prospero is the heart of power on the island. Evidently Prospero has been wronged by his brother’s usurping which he could not control and now uses his magic as a tool for controlling the events that occur on island throughout the play. The theme of power in this play is hugely significant as it clear that the violence interrogated in this play is in relation to power and the abuse of that power by the protagonist.
The Tempest is a play where a man named, Prospero, was a former duke of a land. He was exiled to an island because his brother, Antonio, usurped his dukedom. Prospero lives on the island with his daughter, Miranda attempting to reattain his title of duke. There are many causes of social issues, and it is important to view these issues on how they affect others.
Shakespeare’s The Tempest is often considered fiction and finds content in expressing characteristics of both the main character, Prospero and differences in the power dynamics affecting his characters. Shakespeare often uses groups of characters to emphasize the complexity of their surroundings and effects on their behavior. The overall repetition of complications faced or caused in relation to Prospero and play an enormous role in the plot, helping to develop both the his feelings and the emotional ties of others regarding him. Shakespeare also varies the diction to place emphasis on the power dynamic and relationships observed between thespians.
