In ‘A Christmas Carol’, Dickens presents Ignorance and Want in a metaphorical fashion, depicting them as children. This is done in such a manner as to shock and appall the reader, leading to greater emotional investment. Throughout the extract’s entirety, Ignorance and Want are depicted as children, increasing the atmosphere of pessimism that surrounds them. Dickens describes the manner in which the Ghost of Christmas Present “brought two children” – by describing Ignorance and Want as “children”, Dickens creates the impression of innocence, vulnerability, and weakness.
When Miss Havisham’s birthday arrived, there would be tons of strangers in the Satis who celebrated for her. These were all the insincere friends that only appear when they need assistance form Miss Havisham. I think the main reason why they were here was because they wanted Miss Havisham’s wealth. Miss Havisham asked Pip to get out of her room for a second, so I brought him to the garden, the place where he met the boy and had a fight. I decided to peep from the window and accidentally found out that Pip was actually good at fighting.
Morally ambiguous characters are not purely evil or purely good. Their actions instead show evil or good behavior depending on the circumstance. In Charlotte Bronte's Jane Eyre there is a character that cannot be identified as purely evil or purely good. The character Rochester is morally ambiguous because he helps others, he keeps secrets, and he plays with people's emotions.
Speaking about one of the oddest figures in literature, Miss Havisham, there is a lot to say; from the day she was unluckily left at the altar by the man she loved, she never took her wedding dress off, kept only one shoe on and stopped all the clocks at twenty minutes to nine. Since then her life revolved around the pursue for revenge on the entire male gender. Miss Havisham was so obsessed by this thought that she adopted a girl, Estella, and used her to break men’s hearts and get the vengeance she wanted. For Pip, her character is an unconstructive example of a self-destructive pursue for revenge: not only she suffers because of her hunt, but also she is incapable to understand that she’s hurting others too, especially Pip and Estella. For this reason, Estella Havisham grew up to be a rigid manipulative unemotional woman who is not able to love because she was never taught how to do it.
In Charles Dickens’ Great Expectations, Miss Havisham endures an abundance of internal conflict. When her heart was broken, she swore revenge on all men. She then raised the beautiful Estella to have no heart. When she sees Estella break Pip’s heart, she realizes that it will not fix what happened to her, and sees that she has broken the lives of two more people.
Great Expectations has been one of Dickens’s novels with most adaptations, being on cinema or television. This novel presents one of the most cinematographic characters, Miss Havisham, who is eccentric in both her appearance and behaviour. An event from her past traumatised her and makes her a unique complex character. Adapting Miss Havisham to the screen is therefore very interesting, as well as complicated. In this essay, three interpretations of Miss Havisham will be taken into account, David Lean’s with Martita Hunt, BBC’s mini series with Gillian Anderson and Mike Newell’s with Helena Bonham Carter.
In Great Expectations, Estella had open arms from Pip once she realized where she belongs. Estella was always following the rules of wealth and love given by Ms. Havisham, but it always made her unhappy. She was always annoyed by Pip’s presence or just neglecting his love for her. Estella’s moment of realizing her place is the period of time when she marries Drummle and Drummle dies. Finally being true to herself, she realizes her place in society is to just be friends with Pip.
Miss Havisham is an old lady who lives in a castle with her adopted “servent” Estella. Miss Havisham has “trained” Estella to seek revenge on men after Miss Havisham was left at the altar. Miss Havisham asked Pip to come to her house. When Pip arrives she is greeted by Estella who brings him upstairs. Miss Havisham is sitting there partially dressed in all white.
“You don’t have to prove yourself to anyone. Just be you and the right people will love you for it,” Mandy Hale mentions. Mandy Hale, an author of best-selling books, is a person that digs and sees what is more than just the appearance of people. People can change, sometimes for the good and sometimes the opposite is true. With different experiences, a spark is lit and there is a different view on the world than before.
Miss Havisham wants Pip’s forgiveness when Estella refuses to love her back. Consumed with guilt when she sees Pip trying to convince Estella not to marry Drummle. When Pip hears that Estella is going to marry Drummle he tries his hardest to convince her that he is not right for her. After seeing this Miss Havisham realized that having Estella break men’s hearts like her fiance did to her did not make her feel better. So she begged Pip forgiveness also telling him that she was regretful for all the wrong she did.
In Dickens’ A Tale of Two Cities, Duality is a major theme that is showcased In the first chapter of Charles Dickens A Tale of Two Cities we, as readers, catch a few themes that are key that later ends up shaping the lives of the characters that we come across. A central theme Dickens uses is “duality.” Dickens sets the reader up to begin a tale of “light” and “dark" We see examples of duality between France and England in 1775. Both countries show very similar yet different situations.
Readers are introduced to these major characters early on in the story who personify the upper class by demonstrating how wealth has hindered their maturation. As evident by Dickens’ characters, those who live a lavish upper-class lifestyle are often corrupted by their wealth and growing discontent which causes a gradual deterioration of their character. Miss Havisham 's character exemplifies the self-indulgent rich who lounges in her rotting mansion, becoming wrathful as she tantalizes over her failed marriage. Miss Havisham, the rich daughter of a brewer, breaks down completely after her fiance tricks her, leaving her at the wedding. Sure, it’s acceptable to be a bit angry, but Miss Havisham goes insane, “at which she afterward stopped all the clocks”, and spends the rest of her life in the wedding dress, planning out her vengeance on the male race(Dickens 169).
In the novel Great Expectations by Charles Dickens, Pip, an orphan raised by his cruel sister, Mrs. Joe, and her kindly husband Joe Gargery, a blacksmith, becomes very ashamed of his background after a sudden chain of events which drives him to a different social class. Pip's motive to change begins when he meets a beautiful girl named Estella who is in the upper class. As the novel progresses, Pip attempts to achieve the greater things for himself. Overtime, Pip realizes the dangers of being driven by a desire of wealth and social status. The novel follows Pip's process from childhood innocence to experience.
In that way, it is possible to get a happy ending even after experiencing something similar to what Pip felt. In the end, Pip became friends with Estella, even after knowing that she was the cause for his change which lead to all his misery in life. A moral theme that was taught in Great Expectations is to not change yourself for anyone or any reason. It is important to always keep your individuality and not to be susceptible to being swayed by someone. Overall, everyone should be their own individual person and not change for
Pip’s love for Estella is strong and passionate. So passionate, in fact, that Pip wants to change everything about himself if it means that he can win Estella’s heart. To show Pip that he will never be able to reach Estella, Miss Havisham ends up sending Estella to France to finish school. Even though Estella is out of reach, Pip is still somehow attached to her. His way of loving almost matches Miss Havisham’s definition of love; Miss Havisham believes that love is “blind devotion, unquestioning self-humiliation, trust, and belief against yourself and against the whole world, giving up your whole heart and soul to the smiter”(Dickens, 240).
