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Examining jealousy in othello
Examining jealousy in othello
Examining jealousy in othello
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Both Othello and Frankenstein are good men looking to be accepted by society, but are transformed into monstrous beings due to their desire for acceptance, isolation, and relationships with others. Othello starts off as a strong leader who loves his wife. Iago begins to plant lies in his head, and shortly after, his mind is corrupted by jealousy and revenge, which turns him into a monster. Othello wants revenge on Desdemona for being unfaithful as Iago has been telling him. At night Othello goes into her chamber to murder her saying “Yet she must die, else she'll betray more men/ put out the light and then put out the light “.
Iago, during the play, displays a notable lack of remorse or guilt for the many horrendous deeds he commits. This is seen twice in the scenes where Iago is confronted about his devilish plan. (2.) After Othello kills Desdemona and reveals to Emilia that it was Iago who convinced him about the affair. This causes Emillia to start to realize her husband’s plans.
Othello, one of the main characters in the play is a very trusting person causing him to be easily manipulated by others. Iago, a flag bearer and a friend to Othello uses his trustworthy persona against him to get revenge on him for not giving him the job as lieutenant. One of his manipulation tactics is to tell Othello that his wife is having an affair with a man named Cassio. In the play, Iago begins to talk to Othello about his proof that his wife is actually cheating on him by telling him, that Desdemona gave a handkerchief to Cassio, in which Othello gave to her that was passed on by his parents. Othello was not happy about that which ultimately lead Othello to be disrespectful towards Desdemona by hitting her, constantly calling her a whore and later killing her for thinking that she was cheating on him with Cassio (Shakespeare 1603).
Another piece of evidence from Othello states,” You are happy now, but I'll ruin your happiness, no matter how honest you may think I am” (II.i.220). This evidence is relevant considering that this hints at what Iago is capable of doing. For example, when he says” no matter how honest you may think I am”. This leads readers to the plot when Othello does believe Iago is honest because of what he told him about Desdemona. Furthermore, this portrays Iago’s character trait as; since he is doing all this because Cassio got lieutenant while he did not; this would lead him to inflict harm upon Othello.
The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending. Iago wields a lot of power over all the characters throughout the play, but in this passage in particular he is presented at his most powerful. The passage is riddled with subtle suggestions and insinuations by Iago to raise Othello’s suspicions of his wife’s fidelity, opening with the admonition to “beware, my lord, of jealousy!
The tragedy of Othello written by William Shakespeare presents the main character Othello as a respectable, honorable, and dignified man. However, because of his insecurities and good nature he is easily taken advantage of and manipulated by his alleged friends. Shakespeare is known for his exceptional ability to compose plays full of deceit, revenge, and jealousy. Jealousy is an underlying theme throughout the tragedy and has been represented by many of the main characters, such as Iago, Roderigo, and Othello. The topic of jealousy will ultimately lead to the demise of many characters throughout the tragedy.
In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
Shakespeare 's Othello centers around the power of jealousy and how it can end up causing the death of a couple and some of those around them. Othello seems to grow incredibly jealous of his wife, Desdemona, and his lieutenant, Cassio’s fake affair that Iago, the villain, has convinced Othello of. As an act of jealousy, Othello decides to kill Desdemona to prevent her from hurting more men and then after realizing everything was part of Iago’s plan he kills himself due to the guilt he feels after having killed his wife. Shakespeare’s use of figurative language and symbolism in act 5 scene 2 reveals how even though Othello truly loves Desdemona, his jealousy for what he believes she has done has completely clouded his judgment and taken over
Throughout the play, he would often talk about Iago in the same manner as in Act 2, scene 2, “a man he is of honesty and trust”( II,ii. 323-324). Given that Othello trusted who he thought was his best friend, it was easier for Iago to bring Othello down. The root of Iago’s evil intentions is jealousy, which he describes to be like a “green-eyed monster which doth mock the meat it feeds on” (III,iii. 196-197). He speaks of it in a way that captures how it affects man because that is what he was going through after Cassio got the lieutenancy.
She then says ‘But while i say one prayer!’ Othello responded ‘It’s too late’ and then he suffocates her. Without guilt Desdemona was killed by Othello’s blindness in falling for Iago’s trap. This would’ve ended up differently if only Othello had just talked things out with
Othello starts to believe Iago’s lies about his friends and wife, leading Othello to change his behavior towards his closest allies. Iago instigates a fight between Cassio and Montano, and Othello must take charge of his soldiers, he says: Thy honesty and love doth mince this matter, Making it light to Cassio. Cassio, I love thee But never more be officer of mine. (2.3.210-213) Othello makes the decision to fire Cassio, and things get worse when Iago makes his wife, Emilia, steal Desdemona 's handkerchief.
Othello’s This rage at Desdemona’s infidelity signals destmetion of his identity as a successful and loving man. It shows that he now completely loses control of himself, he no longer is that gentle man. He has become so poisoned by the manipulation of Iago, he no longer hears out for his “fair
Throughout the play Othello’s blind trust in Iago led him to a perplexed state in which he was vulnerable to flaws that he did not usually struggle with. In a perplexed state Othello “becomes jealous and eventually a murderer” (Kliger 222). Without Othello’s blind trust in Iago Othello would never have become perplexed and would not have led to flaws that resulted in the murder of Desdemona. Othello recognized his growing problem as he said “There is no more but this: Away at once with love or jealousy” and yet Othello was still unable to shake his jealousy as Iago kept feeding him lies (Shakespeare III.iii.222-223). Othello became so jealous that he began to think he would be “happy if the general camp, pioneers and all, had tasted her sweet body, so [he] had nothing known” (Shakespeare III.iii.397-400).
In William Shakespeare’s Othello the two main characters are Iago and Othello. The entire story centers around Iago 's plan to achieve revenge on Othello for not promoting him to lieutenant. Throughout the story Iago tries to convince Othello that his wife Desdemona has cheated on him with his lieutenant Cassio. Iago’s plan is successfully and easily executed. Othello is tricked into believing that desdemona has been unfaithful and in the end he kills her.
Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the