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Love in la literary analysis
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Ladies and gentlemen of the jury, we are here today to discuss the murder of John Wright. On November 15, Mr. Wright was found in his bed with a rope around his neck, presumably strangled to death. His body was discovered by his wife supposedly and did not bother to notify to the local authorities. At eight o'clock in the morning, Mr. Hale went to look for Mr. Wright and found Minnie, Mr. Wright’s wife, sitting in a rocking chair inside of the house. Mr. Hale asked Minnie for her husband and she stated that John Wright was dead in the bedroom.
Hale has for Mrs. Wright because the men categorize all the women into one category so they all seem like one speaker. The County Attorney says, “ Ah, loyal to your sex, I see. But you and Mrs. Wright were neighbors. I suppose you were friends, too(Glaspell 1916 4).” This was in response to Mrs. Hale defending something as simple as why there are no roller towels in some farmhouses, which demonstrates how the women have to answer to the men for everything, from why the preserves might have frozen to if the jars in the cupboards are in order.
The scene begins to unfolds in their minds. Mr. Wright yanking open the cage door, taking out the bird, and breaking its fragile neck was enough to make Mrs. Wright lash out, and in a heat of passion, kill her husband. As the trifles collect, the women worry that the men will see their findings, and have what they need to prove Mrs. Wright guilty. Though the men believe her to be the murderer, the women are trying their best to hide the evidence that will prove it.
The men of the group, much like John in “The Yellow Wallpaper,” consider themselves more capable than the women and refuse to consider Mrs. Wright as anything other than irrational. The men leave the women to their “trifles” on the first floor, where they discover a broken bird cage, and the bird’s body, broken, carefully wrapped in a small, decorative box. They realize that Mr. Wright had wrung the neck of his wife’s beloved bird and broken its cage. Mrs. Wright, once known for her cheerfulness and beautiful singing, she stopped singing when she encountered Mr. Wright. Just like he did with the bird, Mr. Wright choked the life out of his wife until, finally, Mrs. Wright literally choked the life out of her husband.
Wright it is easy to tell that she is not at all upset about her husband’s death. When being asked about the situation she “laughed and pleated her skirt” (4). Mrs. Wright is compared to a bird that is found later in the story. The bird was found in a pretty box with marks around its neck. Hale and Peters say that the death of her bird would have been her motive if she actually was her husband’s murderer, but the author utilizes the bird and its broken cage to be a comparison to Mrs. Wright’s life.
Given the information from the play we can conclude that Mr. Wright was a good man because he did not drink and paid his debts, but he was also a hard man who was not considered good company. “But he was a hard man, Mrs. Peters. Just to pass the time of day with him - Like a raw wind that gets to the bone." (Glaspell) pp. 21-22
The dead canary and its cage was a pivotal piece of evidence that the women discovered. The dead bird represents the old Mrs. Wright— Minnie Foster and its cage represents how she was
She then suggests to Mrs. Peters that she should take the unfinished quilt home to “’take up her mind.’” This leads them to search for Mrs. Wright’s patches and sewing accessories. They discover a “pretty box” and assume it is where she keeps her scissors (Glaspell 1417). This is when they discover a dead canary wrapped up in a piece of silk; it was the missing bird. Right away they notice the bird's neck
Mrs. Wright and Nora both have different personalities. Mrs. Wrights personality in the play is innocence. She exhibits this by not allowing Mrs. Hale to see John. She acts as if she is completely shocked by his death.
Because of this betrayal, these two women’s love has turned into anguish, and they have now grown an appetite for vengeance. In Trifles, we’re introduced to a woman named Mrs. Wright who is now being questioned for the murder of her husband. At the beginning of the play, Mrs. Hale, Mrs. Wright’s neighbor, states, “It never
Your perspective on Mrs. Wright having possibly some kind of mental illness and having committed both murders of the bird and her husband is something I didn't really think of upon initial reading of this play. Reflecting back on this reading, I can see where your conclusions can be valid. If we consider the different perspectives, I think that makes this play more interesting as we are still really left in mystery of what truly happened. Was Mrs. Wright just a complete lunatic or an oppressed woman that had just been pushed too far creating a 'temporary moment of insanity'? The play never presents a guilty confession from the accused so we are only left with assumptions.
The women began to pity Mrs. Wright as they knew her before she married to Mr. Wright. The females felt pity, where the men just accessed the situation at hand. After the women examine the empty bird cage they remember the way that Mrs. Wright use to sing and compared her to her former self as Minnie Foster. “Trifles,” introduced the masculinity here from the Sheriff’s side instantly putting his instinct into saying that there was a murder that happened at the farmhouse, was caused by Mrs. Wright without any hesitation. He didn’t look into the sadness, or let the depressing home get to him as much as what his intentions and his well-being come into play before his
Mr. Hale, who is a witness, his wife, Mrs. Hale and Mr. Peters wife Mrs. Peter who are also introduced to the audience as they were gathering belongings to bring to Mrs. Wright to jail. During this investigation the prime and only suspect is John Wright’s wife, who claims she did not kill her husband. As soon as the characters are introduced in the play it is noticeable both the male and female gender have a role, the men must go find evidence and the females need to make themselves at home and keep to themselves. As the play moves along the males find evidence based on what seems evident and
Wright and John Wright. In any crime scene there is a possibility of change through the effort of manmade and social construction, which is why description is very important in any scene. From the similar experiences of the women in the play, they know the truth but hide from the fear of the men who look down upon them. Glaspell cares about the way gender is constructed in the play as well as how the set has been gendered. The men believe that they grant female identity by virtue of the women’s relation to the men rather than through their inherent qualities as females.
Peters and the play begins. It is a large change to differ the characters from Glaspell’s original idea. Mrs. Hale is referred to as “married to the law” (Glaspell 989) by the County Attorney because she is the Sheriff's wife. Because a large part of the show is done without the men in the room the characterization of these two women are very clear, and very different. Mrs. Hale is very quick to talk against the men, when they are not around.