This book is a good read once the reader gets used to Cohen's extraneous notes and references. However, the dedication that went in to creating such a descriptive study of sexism and its effects on society and the criminal justice system make the book compelling. Therefore, it can be firmly stated that Cohen establishes a wonderful case study the effects of sexism in the 1800s based on a horrendous and sexually charged
For the 19th century America, the two sexes were to be separated into distinct spheres, the man’s public sphere and the woman’s private one. It was most common for the two sexes to spend their time mostly in the company of their own sex, and advices were given to the younger members of the society on the proper way of behaving according to one’s sex. Even though both sexes had to be instructed on how to perform in each other’s company, it was the shaping of a woman that needed to undergo through a series of instructions on the proper way to be a woman. A woman had to follow the rules of the Cult of True Womanhood to be considered proper and wife material. Fanny Fern in her writing appeals on and discusses the attributes of piety, purity, submissiveness,
In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle.
As demonstrated within Deadwood Dick the Prince of the Road by Edward L. Wheeler, the critique of the manhood is presented with Calamity Jane, who exerts her femininity in the form of a rugged masculine persona. Jane, whose reputation for dressing like a man and being able to shoot like a cowboy, often makes her audience question her sexuality, but not in terms of merely preference, but as a role within the Western society. Ultimately, in Wheeler’s novel, Deadwood remains unmarried and without an inherited fortune--automatically denouncing his success
Curley’s wife has always been taught to sell her-self, whether it was to a road show or into the hands of a husband. Richard Hart recognizes that Curley’s wife is more like a store bought good, rather than an actual wife and writes, “Curley’s wife views herself as a commodity, and an object of sensuality” (36). Curley’s wife’s dream was to be an actress on a traveling road show, but she is too ignorant to realize that that dream is long gone and selling herself is not in the least bit attractive or becoming of a young woman. Stein-beck characterizes the men on the ranch as male chauvinists who cannot fathom a woman ever being half as important as themselves. “Curley’s wife stands as a glaringly bitter and ironic illus-tration of the immorality of narrow minds and the social conditions that produce them” (Hart 39).
Ada and Minnda Everleigh, and the Everleigh Club Concern for women grew in the 1900’s as they went out in search for work in the big city of Chicago, Illinois. Many jobs were not available to them, but there was a particular industry growing that was an easy target for these women: prostitution. Jane Addams writes, “Never before in civilization have such numbers of young girls been suddenly released from the protection of the home and permitted to walk unattended upon the city streets and to work under alien roofs” (….). A PBS article, Minna (1878-1948), Ada Lester (1876-1960), and the Everleigh Club gives a close examination of a popular Chicago brothel ran by two sisters known as the Everleigh club, which was the place to be during the
It may skew her thinking and at times be subjective. The intended audience is someone who is studying literature and interested in how women are portrayed in novels in the 19th century. The organization of the article allows anyone to be capable of reading it.
Charlotte Perkins Gilman’s short story, “The Yellow wallpaper” and Susan Glaspell ’s play “Trifles” are alike in some respect; they both assess the situation of marriage and the divided genders with society’s criticism and impartiality toward women. For Gilman, the nineteenth-century story reveals the fact that this gender
The 1920s was a time of development for America as a whole; the Progressive Era was in full swing due to the rapid American Industrialization and the change in traditional thought processes. Progressive reformers at this point in history were working towards familiarizing the nation with new beliefs, contrary to those of traditional ways of life. The newfound concept of progressivism was perpetuated due to the increase of media throughout the country - it was stated that, “The 1920s was a decade of change, when many Americans owned cars, radios, and telephones for the first time,” (“1920s: A Decade of Change”). The sources of media were expanding, thus the reach of media and news was able to spread nationwide - people from all over the country
One of the many characteristic features of the Victorian culture was its patriarchal ideas about women. This culture looked upon sexual activity as a negative matter amongst women. The theme of sexuality is very significant
The Cult of True Womanhood in “The Yellow Wallpaper” In her essay “The Cult of True Womanhood: 1820-1860”, Barbara Welter discusses the expected roles and characteristics that women were supposed to exhibit in accordance with the extreme patriarchy of the nineteenth-century America. The unnamed narrator in “The Yellow Wallpaper” is seen to conform and ultimately suffer from this patriarchal construct that Welter labels the Cult of True Womanhood. The narrator falls victim to this life of captivity by exhibiting several of the fundamental characteristics that Welter claims define what a woman was told she ought to be.
Women in the 1800’ and early 1900’s were treated the same as slaves, second class citizens who had no voice or decision over their lives. In the short story “The Yellow Wallpaper” written by Charlotte Perkins Gilman in 1892 with a late American 19th century setting. The main character, a nameless woman, fights depression and anxiety along with being oppressed by her husband John and wanting to rise against the norms of
Her unsuppressed sexuality produces the appearance of a wild and uncontrolled woman, but in her relations with men she proves to be tamed and submissive. She is used, and often abused, by her powerful lovers, firstly, the colonial representative, the Englishman who fathered her child, and, secondly, the new neocolonial delegates: the General and the tycoon. For the renowned movie star, these men were “all the same… Carrying around her used panties as if they were a fetish, like a piece of her they had carved off, like her skin” (Hagedorn,226). Sex, for her, is the means of support, it provides her with luxury and she willingly accepts the price she has to pay in return.
Margaret Atwood has seamlessly woven a tapestry of feminist elements - mainly regarding gender oppression - within her works. With that, using two of Atwood’s texts, The Handmaid’s Tale and The Year of The Flood, as the foundation for our literary research, we will be focusing on the commodification of the female flesh in both similar dystopian contexts. Commodification refers to the action or process of treating an object, or a person, as a raw material or product that can be bought and sold, or even treated as an object of which sovereignty can be held over by one. In both works, women are victimized and treated as sexual beings whose bodies and physical expressions can be freely used by the men who have power over them against their will. The two texts illustrate how society brings about the oppression of women and this exacerbates the commodification of women.
Over the years there have been many controversial ethical issues which are still debated in the 21st century. In today’s modern society one such controversial issue is prostitution. Prostitution can be defined as “The act or practice of engaging in sexual intercourse for money” (Deigh, 2010, p.29). Prostitution is the oldest profession of all. However the ethics of prostitution is still unclear between many societies.
