Poncy McLean Family History online article reports, she knew how to make these just in case her feet got cold. Therefore, her family taught her how to make her own shoes, which made her smart and creative. Last of all, she made her own cloth and jeans. “I learned to spin when I was a very little girl.”
Her high school days — aside from term papers, book reports, and science projects — were filled with the things that girls of the ‘50s enjoyed most: bunkin’ parties, football games, sock hops, “going steady,” drive-in movies and watching “The Ed Sullivan Show.” She loved the important details of fashion, including saddle shoes,
STUDENT NAME: - ANKIT ANKIT STUDENT ID: - C0721272 ASSIGNMENT:1 CASE STUDY ON Made in Brazil, worn in the Middle East: Exporting Footwear to New Markets (Brazil’s footwear industry) Question1). What advice on documentation requirement would you give a Brazilian footwear company who wants to export its products to Saudi Arabia? Answer) Advice on documentation requirement to Brazilian footwear company: - • Each consignment of imported merchandise must be joined by a certificate of conformity from an approved investigation organization. • All the norms of customs should be met so that the goods are not held in customs of either side of transaction.
The reason for this that the only shoes she had were made of wood. So, they were really uncomfortable. She soon she moved to Boston and found a job as a nanny. She worked until she met her husband who a Swedish sailor . They hadn't total seven kids together and she spent her days raising all of them.
She brought the A line dress to popularity, the pillbox hat, and Chanel suit. Jackie Kennedy forever left her mark in the fashion world. “When a woman is glamorous, it often stops there. With Jackie, it stopped with her big sunglasses and jet-setting image. But there were a lot of brains under that pillbox hat,” said Tina Santi Flaherty, author of What Jackie Taught Us: Lessons From the Remarkable Life of Jacqueline Kennedy Onassis”.
Since early ages, mothers have always criticized the ways their daughters acted. In the 1920s criticisms were taken a step further by the flappers, who completely revolutionized the view on females. Flappers in the 1920s had an impact on women for the future. Who they were, what they wore, and what their morals were was how their impacts changed the future for all the females. “The term "flapper" originated in the 1920s and refers to the fashion trend for unfastened rubber galoshes that "flapped" when walking, an attribution reinforced by the image of the free-wheeling flapper in popular culture.”
The 1920s influence is still seen in today 's culture, many people still embrace the 1920s as an age of great change and individualism. This age made woman who they are today, not only through fashion but by breaking down barriers to new forms of lifestyles not discovered by the common people. Not only was fashion used to express the rebellious lifestyle but today it is used to express who people are and where they come from as in what their occupation is as well as gender and race. Without the fashion of the 1920s fashion would be but a synonym for clothing and would have no meaning or power towards it. Therefore the 1920s was the most influential time period for men and woman’s fashion but mostly woman’s fashion because it broke boundaries so that women could succede
In the 1920s fashion was a movement of freedom with flappers, bobbed hairstyles and using art as a fashion statement. “Fashion should be stylish and fun,” (Twiggy). In any decade fashion was a way of saying something. One of the women’s careers was being in the fashion industry.
While Pen is waiting for her college class to start, which she is going to skip all she can think about is her mothers shoes. “How they’ve sat in the same spot by the door or almost twenty years. Scuffed and cracked, the shadow of her foot pressed to the leather even when the laces are loose” (Kemp 15). Pen’s mothers shoes symbolize how hard she has worked for the benefit for her kids. Pen’s mother has worked really hard to give her children the best lives and education that she can, and showing that she hasn’t bought new shows in twenty years shows how strong that relationship is between her and her children.
“The 1950s saw the introduction of a new range of synthetic clothing materials like nylon, acrylic, polyester and vinyl” (Fashion in the 1950s). Movie and television stars were just the beginning of the influence on fashion, but they certainly weren 't the
Karin tells of the clothing she has made with her mother and how her mother taught her to knit as well: “...when Mutti taught me how to knit. ...make little hats and booties. Next came a simple sweater for Vati. Then a pair of socks for my baby brother.” (Ingersoll pg 26-27).
In 1990 when three women walk into A & P Supermarket dressed in just their bathing suites. In the short story “A&P” written by John Updike, three upper-class women clearly go against the status quo. Their rebellious lack of clothing, subjects them to being looked down upon and ignored as their outfits are deemed inappropriate and disrespectful for this average supermarket. “When Queenie 's white shoulders dawned on them, kind of jerk, or hop, or hiccup, but their eyes snapped back to their own baskets and on they pushed.” The 90’s were a decade of conservative dressing and awkward change and those enforcing a new generation of ideals and standards where the youth.
Not everyone wanted to make their own clothes nor did they need to do it anymore, those who didn’t need to make their own clothes during the 1950’s were only confined to those who were rich. “If fashion of the 1950s first inspired individual identity through style, the sixties fully embraced and encouraged it” (“Clothes and men's and ladies fashions in the 1960's prices and examples”). 1962 fashion thrived due to the introduction of TV, it made manufacturing easier and cheaper and it made the everyday person have an eye for the new fashion trends. What was also introduced was the Hippie style, the style included long "maxi" skirts, bell-bottomed jeans, and many more unique tributes from African and American Indian cultures. The sandals were highly encouraged with long hair as well.
Growing up I remember from a very early age being completely captivated by Fashion. My love for Fashion has continued to follow me from the early experiences of watching the red carpets of award shows and being completely infatuated with the ladies long gowns and the vibrant colors of the dresses. To following me through elementary school and loving Art and being able to put colors together to the people in my life always taking notice from an early age, this has continued to follow me all through my academic journey and even to where I am today.
the use of past fashions as a source of inspiration for fashion designers and students- an approach that Westwood takes toward the majority of her collections, the ‘Mini-Crini’ an obvious example as it is an amalgamation of 19th Century crinoline and the 1960’s Mini - two iconic styles of dress representing entirely different eras of fashion. The ‘Crini' concoction clearly showcases the designer’s rich engagement with history on a number of levels. “The Mini-Crini of S/S 1986 played with the ideas of a heightened femininity by framing the body in a swaying bell-shaped skirt, a flirtatiously abbreviated version of the mid-nineteenth century crinoline.” (Arnold, 2002) …blending garments and eras that are seemingly so incongruous, in this case miniskirt, corset and crinoline, she creates clothes that are visually jarring, bringing together familiar elements seen in countless other images, yet fracturing their usual meanings by placing them in a new context. (Arnold, 2002)
