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Nancy Clutter Character Analysis

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Scene 1 - Village Truman Capote characterizes the Village of Holcomb is a vast, desolate place where nothing of significance occurs very often to foreshadow and bring to light the drast contrast between that and the fact that the reader knows the horrific murder takes place there. He promptly builds up the tone of the Holcomb as a picturesque place where everything is perfect and nothing ever goes wrong. Capote sets it up as a ‘perfect’ place only to later poke cracks in its perfection, exposing its flaws. Ultimately the exposure of these flaws will lead up to the murder, the one drastic twist that eventually crumble the entire foundation of the perfect little village. Scene 2 - Fam At first glance, the Clutter family seems to be the epitome of the American Dream and the perfect American family. Everyone appears to be happy and well put together, giving off the illusion of perfection. Mr. Clutter is a hard worker, fair boss, and devout Methodist, with his only flaw being his absolute opposition to alcohol. Nancy Clutter is the “town darling”, perfect in every aspect of life, and an overachiever both in …show more content…

Dick is characterized by Capote as extremely literal minded while Perry on the other hand has a more open, creative mind and outlook. Perry also appears to be more impulsive whereas Dick thinks things through logically before taking action. Dick, although he seems to take charge, also appears less intelligent, where Perry occasionally corrects his grammar and attempts to improve his vocabulary, despite Dick’s impressive IQ of 130. Both Dick and Perry however have parallel aspects of their backgrounds. They were both in auto vehicle accidents, sustained deformations from said accidents, and were both in jail together. However, both continue to live for the future on the lookout for their next score, being appealed by the adventurous aspects and thrill it

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Capote portrays only one of these two seemingly distinct characters (Perry) in a way that the reader feels the need to relate to and even sympathize with him. One can be taken aback by such an attachment to a murderer. This is not surprising as the author uses his compassionate diction to manipulate the reader’s emotions with a use of pathos, the appeal to emotions. At one point Capote goes as far as to write that “Smith’s life had been no bed of roses,” (Capote 245) attempting to have the readers relate to Perry. On the other hand, Capote has Dick say this about himself: “Deal me out, baby, I’m a normal” (Capote 116).

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Although Perry is responsible for the murder of four innocent people, Perry’s actions do not reflect on who he is as a person because he is easily influenced, therefore; showing how easily people can be pressured into doing something they would not typically do. Dick, a violent, cold-hearted, manipulator, has molded Perry into the person he is today. As Perry is a follower, Dick has taken advantage of that by turning Perry into the cold-blooded killer he is today. Capote displays Dick’s manipulation of Perry through symbolism to make evident that while Perry did pull the trigger on four innocent people, although the fault does not entirely lay on him, as he was taken advantage of by Dick.

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The Clutter family includes the Mr. and Mrs. Clutter and their four wonderful children. The youngest are two teenagers Nancy and Kenyon, and the oldest two adult daughters known as Eveanna and Beverly. Capote describes these people as calm, loving church going, cherishable innocent people and have not done anything to hurt anyone. Capote describes Dick as an intelligent murderer. No one understands why Dick and Perry killed them, but on the other hand, he portrays Dick and Perry as the perfect murderers knowing how to get away with it.

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He is portrayed as a mastermind in the cold-blooded killing of the Clutters family, a man with little respect for the lives of others, which can be seen through Dick’s expression before the murder of the Clutters when he converses Perry, “We’re gonna go in there and splatter those walls with hair” (Capote 234). This sudden tone shift enables Capote to depict Dick as a cruel and immoral character. Dick’s lack of empathy and concern for other people beside himself allow him to commit crimes without remorse, which is in contrast to Perry’s moral contemplation after each bad actions they committed. Moreover, Dick is represented as the true criminal with evident motives in murdering the Clutters, while Perry is seen as a vulnerable victim who depends on Dick for validation and acceptance, something in which Dick happily provides in order to manipulate Perry, as Capote writes, “Dick became convinced that Perry was that rarity, ‘a natural born killer,’—absolutely sane but conscienceless, and capable of dealing with or without motive, the coldest-blooded deathblows. It was Dick's theory that such a gift could, under his supervision, be profitably exploited” (Capote 205).

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