Written by Markus Zusak, The Book Thief is a coming-of-age story about a young girl named Liesel Meminger narrated through the words of Death. The thievery character of this girl emerged after the death of her younger brother. Built over a prolonged period, this desperate nature is the foundation of what became of her later in the story. The books that Liesel stole, the stories that she told, and novel that she wrote enhanced a symbolic meaning in this novel centered around wholeness. Liesel Meminger’s first victim was the gravedigger.
Living creatures are not immortal, the fact that they are living automatically has death attached to their existence. Death looms over the human population taking many lives every day, not once failing. During the Holocaust, it came in the form of the Nazis, who used concentration camps as their factories of death. By the end of the Holocaust, 11 million were left dead by the Nazis, 6 million of them being Jewish. In the novel Night, Elie Wiesel presents an insider view of the horrific event and how death took form within it.
This devastating, while enlightening novel has a tremendous plot that is skillfully written and played out. In January of 1939, Liesel Meminger’s brother dies and she moves in with her foster parents, Hans and Rosa Hubermann on Himmel Street. Hans is the first to create a close bond with Liesel when he teaches her how to roll a cigarette and plays the accordion for her when she wakes up from her nightmares about her late brother. Liesel lacks an education and does not know how to read, however Hans teaches her how to read and write, improving her skills. At her brother’s funeral, Liesel steals a book about grave digging, this is the first book she reads and steals.
The concept of “The Hero’s Journey” plays a major role in nearly every piece of fiction humanity has created since its inception, from epic poems to blockbuster movies. In many ways, works of fiction and some pieces of nonfiction could not exist and would not make sense without the concept of a Hero’s Journey; it allows the reader to comprehend and follow the progression of characters over the course of the story. While Cormac McCarthy’s novel The Road may not display most of the archetypal qualities found in classic Hero’s Journeys such as J. R. R. Tolkien’s The Hobbit or Homer’s Odyssey and Iliad, it most clearly exemplifies the qualities of a Hero’s Journey through the Boy’s character in relation to the mentor, tests and enemies, and the
I begin with a sunset, as in the poem the sunset is a metaphor for death. I have myself waking up and realizing it was dark as though I am realizing I am close to death. I refuse to accept this getting up and turning on the light. The light is turned off several times and I have to fight to keep it on and keep living. When it stays on l look for what is turning it off I am subsequently chased down the stairs by an ambiguous being or force.
In the novel, The Book Thief, by Markus Zusak, “The Grave Digger’s Handbook” is a motif that causes character development throughout the story causing Liesel to have the book as her only memory of her mother and brother, learning how to read and write, and it leads to stealing more books. When Liesel, her mother, and her brother, Werner were going on a train to Munich, Liesel has a dream about Adolf Hitler, The Furer, who was reciting one of his powerful speeches and when she woke up she found her brother dead. The train stops for track repairs, and Liesel's mother leaves the train carrying Werner in her arms. When Liesel’s brother was getting buried by two grave diggers, one of them, an apprentice, who drops his book and Liesel picks it up.
Death narrates The Book of Thief, while Liesel Meminger tells her life about her in Nazi Germany. Liesel Meminger, the protagonist, is a young girl who learns to read and write during the Holocaust and finds comfort and meaning in the power
“It’s just a small story really, about, among other things: a girl, some words, an accordionist, some fanatical Germans, a Jewish fist fighter, and quite a lot of thievery…” (Zusak, pg. 5) The novel, The Book Thief written by Markus Zusak in 2005 explores the theme of family relationships. It is through nine-year-old Liesel Meminger, the protagonist, that the idea of a broken family during the era of Nazi Germany is explored. The Book Thief depicts the struggle of young German girl, Liesel Meminger, living in Germany during the time of Hitler’s reign.
Zusak used multiple motifs including death, bread, and books to emphasize the theme of a survivor’s guilt. Multiple characters in the novel experience and witness the loss of a loved one, and have to deal with the trauma in the aftermath. Death is a significant and recurring motif in this book when also taking into account that the narrator is death itself! The readers are introduced early on to the first death of the book, Liesel’s brother, "With one eye open, one still in a dream, the book thief- also known as Liesel Meminger- could see without question that her younger brother, Werner, was now sideways and dead, “(Zusak 20). Liesel Meminger, at only nine years old, has suffered the loss of her brother.
Growing as a Character Every event in our lives happens for a reason, whether it is to learn from our mistakes or to gain experience from them. In Markus Zusak's novel “The Book Thief,” Liesel Meminger uses her experiences with living in the 1940s to learn life lessons and experience first hand the many terrible things Hitler is doing to people around her. She learns how to deal with the many obstacles that are thrown at her. Liesel grows as a character by following her step-father’s footsteps in being a kind and generous person, going through childhood with her best friend Rudy, and being aware of what is going on around her by learning from Max.
My’yonna Pride Professor Suderman Enc1102-20946-002 Them of Innocence/Power of Literacy Theme: “Loss of Innocence and The Power of Literacy “ To live is to die and to die is to live again, in the short story fiction “Lives of the Dead,” by Tim Obrien, either seems true. When a loss of innocence is experienced traumatic events, such as death, has created awareness of evil, pain, and or suffering. Obrien experiences a loss of innocence, by death, at the age of 9, when his childhood girlfriend dies of cancer. Physical the dead may never be able to be brought back to life but, mentally, through The Power of Literacy anything is possible. Many of the Character in “Lives of the dead” are deceased; however, they are able to live again, through the power of literacy.
“One in five women will be a victim of rape or attempted rape in her lifetime” (23). Gabriel Garcia Marquez wrote Chronicle of a Death Foretold. The book takes place in the 1950s in a small Columbian town. The book is a murder mystery and describes the murder of Santiago Nasar. Pedro and Pablo end up killing Santiago because he is accused of taking Angela’s virginity before she is married.
Have you ever read The Angel of Death? If not, save yourself some time and find a new book to read. The Angel of Death, written by Alane Ferguson, is a forensic mystery where the main character’s-Cameryn’s-former teacher was suspiciously killed in his home. Cameryn must find and solve the clues that trace back to the murderer of Brad Oakes. The Angel of Death has its ups and many downs, but there were still some good things, bad things, there some relatable parts, and I will give recommendations on if others should read this book.
To Heal and to Hurt: The Importance of Words in The Book Thief by Markus Zusak “Words do two major things. They provide food for the mind and create light for understanding and awareness.” This quote by Jim Rohn highlights the two major things words do, indicating they have a power, an important role in everyday lives. The Book Thief by Markus Zusak is an outstanding representation of many topics including the most crucial one, the importance of words. It is the late 1930s to early 1940s in Germany during the World War II, and the main character, Death, cannot help himself but to be intrigued by Liesel Meminger’s story, a girl that lives in Munich, Germany on Himmel Street.
In Gabriel Garcia Marquez’s 1981 novella Chronicle of a Death Foretold, the narrative recounts the events leading up to the eventual murder of bachelor Santiago Nasar, a man accused of taking the virginity of the defrocked bride Angela Vicario despite the lack of evidence to prove the claim, and the reactions of the citizens who knew of the arrangement to sacrifice Nasar for the sake of honor. This highly intricate novella incorporates a range of literary techniques, all of which are for the readers to determine who is really to blame for Santiago Nasar’s death. Marquez uses techniques such as foreshadowing and the structure of narrative, along with themes such as violence, religion, and guilt to address the question of blame. Although Santiago
