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Gothic story examples
Gothic story examples
Famous examples of gothic literature
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More handpicked essays just for you.
Gothic story examples
Gothic story examples
Famous examples of gothic literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Gothic story examples
More specifically for Poe, the makeup of the home in the “Tell Tale Heart” creates a dark mood for the text. “His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.” (Poe). The setting displays a type of darkness and horrific sight. Through the vocabulary such as black and thick darkness this is clearly displayed.
Poe is often known for his dark, sometimes twisted short stories and poems. “The Masque of the Red Death” is no exception. In this short story, Poe creates and eerie and ominous mood by using a wide variety of literary techniques including imagery, diction, and syntax. Poe’s use of imagery contributes to the dark and mysterious mood of the short story, “The Masque of the Red Death.” In the first paragraph, a sense of darkness is conveyed in the sentence, “There was no light of any kind emanating from lamp or candle within the suite of chambers.”
In many different short stories and poems, Poe is known for the strange and unreasonable reasons for murder, isolation, betrayal, insanity, and guilt. Edgar Allan Poe’s life more than likely influenced his distinctive gothic writing style. Poe’s most well known written short story is named “The Tell-Tale Heart” in light of the fact of the significant meaning it has behind it. Within the story, misery, a sense of darkness,
“The night was dark, with occasional gleams of moonlight between the rents of the heavy clouds that scudded across the sky (Stoker 283). The moonlight adds to the eerie feel that Gothic literature gives off. Stoker uses moonlight in many parts of the novel, yet it is never used by itself only, but always alongside other elements. Another element Stoker uses to create a Gothic atmosphere is darkness. “This startled me, but as the effect was only momentary, I took
A small bobtail cat padded down a grassy hill to a small stream of water. She leaned down and lapped up the water, drawing it into her mouth with her pink tongue. She paused as she saw something over the horizon, sat up, and watched curiously as a dense fog began to creep over the hill. Intrigued she stands up and watches it intently as it gets closer and closer. She pads towards it to get a better view of it when suddenly parts of the vision she had days earlier flashed before her eyes.
Rather than writing a story of love, Edgar Allan Poe took a heart, typically a symbol of love, and created “The Tell-Tale Heart”, a twisted and dark story of a heart with ever-changing moods. First, the text says “It took me an hour to place my whole head within the opening. . .” (79). It also says, “Upon the eighth night, I was more than usually cautious in opening the door” (79). With these two quotes, the author of the story creates a mood of anxiety by describing how cautiously the narrator put his head through the door.
I lugged the last bags upstairs. Three flights of stairs. Stair after stair, it felt as if I was walking into hell. I basically was. A new hell of a new town, new place, new house.
The scary tone has a trend through all of his stories which makes the reader more engaged. In “The Tell Tale Heart” Poe talks about death and how an eye viewed as, “an evil eye” could cause someone to kill. It took some time, but Poe lead the whole story up to the gruesome murder scene. “First of all I dismembered the corpse. I cut off the head and the arms and then the legs.
l of fungus all of a sudden lingers in the reader 's mind, tingling their senses. His writing is full of luscious detail, leaving the reader in suspense. Another type of Poe’s favorite gothic literature is a setting: Bleak, dark, and spooky. A portion of his work has some kind of a spooky setting whether it’s at midnight or the narrator themselves being in complete darkness. “Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door,” (The Raven 1).
The scream of a man pierced the quiet, chilly night of downtown Chicago as he ran to escape the monster chasing him. His breaths came out in puffs of white fog as his legs—short and fat as they were—carried him at an impressive pace through the empty back alleys. He looked over his shoulder as he rounded the corner of one of the many vacant buildings. He was no longer being chased, but he still hurried to hide himself in the darkness and collapsed against the brick wall.
During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, an air of stern, deep, and irredeemable gloom hung over and pervaded all. As I peer over the huge, gloomy house in the darkness I realize that the shade of the trees fell heavily upon the water, and seem to bury itself therein, impregnating the depths of the element of darkness. Although the demise of my dear friend happened so many years ago, as I gaze upon this house, at this usually peaceful time of the day, I can recall every twisted detail. I will never forget, nor will I let Sylvester forget what crimes he committed. It is his fault, I did nothing!
Unlike many other works of gothic fiction, this story does not take place in your typical abandoned monastery, haunted house or ominous castle. The setting is described as a dark and shadowy place (“black as pitch with the thick darkness”), but the story probably takes place in a house located in an urban area instead of an isolated one. We know this because of the neighbors, who are able to hear the old man cry out at night and then proceed to call the police who later show up at the house. Because the house is so vaguely described, the reader is forced to imagine the setting and that makes it all the more frightening.
To begin, the narrator cannot be trusted through his vague personality. The narrator claims, “And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he had passed the night” (Poe 626). The narrator mentions this the morning after the seventh night of stalking. In the wee hours of the morning, the narrator ever so cautiously enters the old man’s bedroom.
CHAPTER ONE INTRODUCTION Mention the gothic, and many readers will probably picture gloomy castles ... However, the truth is that the gothic genre has continued to flourish and evolve … producing some of its most interesting and accomplished examples in the 20th century-in literature, film and beyond – Carlos Ruiz Zafon.1 1.1. Gothic Meaning and Definition Notoriously, Gothic is hard to confine. This term signifies variety of meanings.
(Poe 412).” One element of gothic literature is a gloomy or decaying setting. This scene describes the gloomy setting the literature place in. The dark setting foreshadows the dark theme of the story. The houses feature also represent Poe as himself as well.