This suggests that the woman’s body is very weak, like a dying flower, and also conveys the writer’s love for her – he believes she is beautiful, like a delicate flower. The theme of isolation is explored in an effective way when the writer speaks of a distance of pain “neither she nor (he) can cross”. The word “nor” isolates the words “she”
Death is the unavoidable part of our daily lives. In the poems, “Shrike Tree” by Lucia Perillo and “Plums Falling Well” by Linda Gregg, the poets discussed the plot with an accepting attitude towards death because it is part of the natural life cycle. In our society, we tend to hide and avoid death; However, Shrikes and the plums in the poems face death with an open manner. Their attitudes towards death indicate the shrikes and plums are not afraid to die.
In the poem “For That He Looked Not upon Her” written by George Gascoigne in 1573 there is a suffering and miserable attitude that is developed through the usage of literary devices such as the structure, diction, and imagery. First of all, the form or structure helps to convey the suffering and miserable attitude. This poem is a shakespearean sonnet that has an iambic pentameter and a heroic couplet at then end. The heroic couplet at the end reveals the final meaning of the poem, it is when the speaker tells the audience the source of his suffering. These sonnets typically have an attitude that is positive but because of the diction that is used that is what emphasizes on the negative attitude.
Immediately following the statement they kissed each other's necks is the statement that the girls also 'We sucked each other's breasts, and we left marks, and never spoke of it upstairs / outdoor, in daylight, not once' (11). The clear and simple statement that the girls sucked each other's breasts extends into a longer sentence, which generates the sense of the intensity of the memory dissipating and the desire generated in the action remains unfulfilled. This is immediately followed with another affirmation, present again in a sentence which extends itself: 'We did it, and it was / practicing, and slept sprawled so our legs still locked or crossed, a hand still lost / in someone's hair' (11). The first line of this pair perfectly manifests the tension between memory and loss which is present in the poem. The line break after the word 'was' presents a reading of the words before it as simply an affirmation that the desire between the girls and their physical intimacy actually and really existed.
To conclude, both of the poems make their point, love cannot be defeated by distance. Moreover, John Donne and Anne Bradstreet prove with examples that love is so powerful, and by making that point, both of them are showing that their characters are going to be together no matter what. Probably they might find obstacles in their way; the physical presence does not matter and distance cannot separate what they feel for each other because their souls are going to be still connected just like one entity.
Through the words reflecting melancholy and sorrow, we can sense the narrator's self destruction due to the death of the woman he loved. As one examines the figurative language of the poem, one finds that its form and
The tone that was build up in the beginning was formal and made it seem like having sex without any pleasure is a beautiful act because the poet uses images like “beautiful dancers” and “ice skaters” who “glide”. This kind of confuses the reader, but this aspect of the poem means that even if there is no love between the two people, the act of sex is a beautiful thing in general. To the poet sex feels like “beautiful dancers” and “ice skaters” who “glide”. “How do they do it, the ones who make love without love? Beautiful as dancers, gliding over each other like ice-skaters over the ice, fingers hooked inside each other's bodies, faces red as steak, wine, wet as the children at birth whose
Ode on a Grayson Perry Urn is about the fleeting beauty of being young and free, living in the moment, feeling as if life were a force of nature, crashing and burning bright through all it’s stages. Turnbull speaks of truth being all negotiable an beauty being in the gift of the beholder, this is both the curse and the cherished gift of the young. Their truths are not yet true nor told and beauty can be gifted among each other. The beauty in culture is found in the recklessness of the young too young to quite appreciate the peril they are in. Young gets to be young for a moment, not pain themselves with constant thought of death and failure.
Another piece of irony is toward the end of the poem when Prufrock shows his fear of death and becomes concerned with old age. Prufrock is talking to his friend as he narrates about the worries he undergoes because he is growing old and feeble (Eliot 371). The woman the speaker is referring to in a sense is not real because the presence of the woman is not there, which questions the legitimacy of the title for the poem. It can be the title is just pretending to more serious that it is since the monologue is what the character gives and sounds like a false love song. Ultimately, the irony of this title is that it is a love song that will never be sung, and that Prufrock will never voice to what his actual feelings
I can 't get out of this box. The last time I looked out my window I saw meadows. Long, far, empty meadows. Living on the great plains has it 's benefits, but those meadows are ruining it for me. I keep my head away from the window.
They are both old and have health complications, but their deaths are not spoken of. In the movie, they two lovers lay in a hospital bed speaking of their life full of love with one another and as they close their eyes to sleep, they both die holding each other’s hands. The endings of stories are what tie a book together, making the difference extremely
I view this poem as symbolism for a cycle of thought. Sex without love is viewed in a very positive and negative light throughout, leaving its audience to create their own conclusion to best suit their narratives in life. While it isn’t directly mentioning any people by name, it allows the audience to envision the scenes described to them
The poet compared the graves like a shipwreck that is the death will take the human go down and drowning to the underground like the dead bodies in the graves. The last line “as though we lived falling out of the skin into the soul.” is like the rotting of the dead bodies. The second stanza there is one Simile in this
The poem “Old Couple” by Charles Simic uses diction and symbolism to show the idea that there are two ways of viewing death. The one that the unreliable speaker gives is that death is unavoidable and only brings pain. The other is the view that is developed from what the couple is actually doing which seems to be that death is peaceful and it is best to go through it with a love one. The poem starts off with the narrator describing the observations being made of an old couple. The narrator makes the statement that “They’re waiting to be murdered, or evicted.
Besides the author and the reader, there is the ‘I’ of the lyrical hero or of the fictitious storyteller and the ‘you’ or ‘thou’ of the alleged addressee of dramatic monologues, supplications and epistles. Empson said that: „The machinations of ambiguity are among the very roots of poetry”(Surdulescu, Stefanescu, 30). The ambiguous intellectual attitude deconstructs both the heroic commitement to a cause in tragedy and the didactic confinement to a class in comedy; its unstable allegiance permits Keats’s exemplary poet (the „camelion poet”, more of an ideal projection than a description of Keats actual practice) to derive equal delight conceiving a lago or an Imogen. This perplexing situation is achieved through a histrionic strategy of „showing how”, rather than „telling about it” (Stefanescu, 173 ).
