When Creon is first introduced, he does not hold any major responsibilities. He is considerate, rational, and respectful toward Oedipus. When Oedipus first starts to search for Laius’s killer, Creon personally recommends that he seek out Tiresias, which,
In an excerpt from Antigone by Sophocles, the speaker, Teiresias is stating that a good man is one who makes a mistake, recognizes it, and corrects it. Also, the opposite of a good man is one who knows they have made a mistake yet fails to correct it because of their pride. The Mayor of New Orleans, Mitch Landrieu recently spoke about why the statue of a Confederate general is being taken down. Landrieu says “We still seem to find so many excuses for not doing the right thing. Again, remember President Bush’s words, “A great nation does not hide its history.
The tragedy, Antigone by Sophocles is a well developed take on the fight between who is applicable to be the protagonist of a story. In most stories, plays, poems, written works in general from the first literary works discovered surrounded the Hero’s Journey. The tragedy of Antigone is the one play that seems to accept Joseph Campbell’s theory but master the ideals of a protagonist but still battle for the position at the same time. It’s more or less a toss up to put it simply, but there are strong events and decisions within the tragedy that unfolds somewhat who the antagonist and protagonist is. Similar to the characters in Finding Nemo, Nemo and his father, Marlin, are a debatable pair in deciding who is the lead in the film.
He is one of the major characters in Sophocles’ trilogy that consisted of ‘Oedipus the king’, ‘Oedipus at Colonus’ and ‘Antigone’. Over the course of this saga, we see Creon’s character develop with noticeable flaws. In the first story, ‘Oedipus the king’, Creon is portrayed as a cool and rational advisor to Oedipus who tried to prevent him from taking rash decisions such as banishing himself. Creon ultimately fails, and his hamartia is revealed in the subsequent story ‘Oedipus at Colonus’. Creon’s hamartia was that he had a strong belief that his reasoning and decisions were
In response, Creon makes an alleged statement of how Oedipus understands nothing. Oedipus’s lack of vision explains his foolishness in thinking that he is in power, and that he has or is in control of anything and everything. He fastens himself onto the value of hope in exonerating himself. In other words he yearns for the feel of being free from such a shameful intimate prophesy. As the story goes on, it continues to emphasize the aura of desperation that is within Oedipus.
Sometimes a person 's mistakes can lead them to the right path, others are lead to their own degradation. Sophocles ' play Antigone puts out a dramatic take on Greek tragedy as they tell the story of a dysfunctional family and their fates. Thrown into the throne of the royal family of Thebes, new King Creon waltzed the palace with a large chip on his shoulder. He ruled his kingdom out of fear with an iron fist and a heavy temper. Creon had his chance at a 'Happily Ever After ' if he could only control his obstinacy.
In the play “Antigone,” Sophocles uses the medium of storytelling to deliver his moral message through the tale of a stubborn Antigone and a prideful king, Creon.. One message he delivers through a conversation between Creon and his son, Haimon. To convince his father to not punish Antigone,
Lindsey Harris Joy Fisk English 9 5 March 2023 The Right Thing May Cause Terrible Outcomes: Analysis of Antigone in Antigone by Sophicles When her own family turned against her, Antigone had to make a decision between divine and human laws which would determine life or death when knowing that neglecting the right thing will allow her to live. In Antigone, by Sophocles, Antigone is a young woman who goes against human laws to do what she thinks is right to bury her brother knowing that the consequence is death. She has a brave, selfless, and stubborn heart that she follows only wanting to do what's right, causing a tragic ending for her and those around. Antigone is very brave for all of her actions, for she is the only one who would dare go against human law and stand up to Creon, the king, who is not afraid to punish anyone who goes against him.
Thesis: Sophocles, in Antigone says, if we cannot control our fate we should live with the wisdom to focus on bettering ourselves as individuals, in order to obtain happiness no matter the unpredictable circumstances; by willing to yield to the helpful opinions of others, and putting our pride aside. Once someone begins to carry themselves with pride, it begins to lay a ground of irrationalism and arrogance in the way one thinks and processes, causing people to get hurt. Creon in the beginning of the play carries himself in a high and mighty manner in order to show his kingdom that he’s a fit ruler. This leads him to become blinded to the reason of others and causes him to make irrational decisions. Creon continues to ruin himself and those
In Sophocles’ play Antigone, Creon, the king of Thebes, best represents a tragic hero. Creon demonstrates goodness in his intentions for Thebes as well as his fragile state due to the fact that he recently lost several family members. Creon, newly named king, finds himself as highest ranking official around, showing superiority. Creon often acts stubborn and prideful, his tragic flaw. And lastly, he must come to terms with the fact that he caused the death of his wife, son, and niece.
In Sophocles' Oedipus the King, the themes of fate and agency are very strong throughout the play. Both sides of the argument can be greatly supported. The attributes of a person have either a positive or negative affect on the choices that they make. For Oedipus, his main attribute was the desire for knowledge and understanding about his own life. Because of this strong will and desire, this was Oedipus’ driving force in the play to lead him to the truth of his beginnings.
I have found you an enemy and a burden to me” (35). Creon is level-headed while Oedipus is irrational. Creon urges a methodical approach to the problem at hand by suggesting that Oedipus communicate with
Aristotle founded the idea that all the best arguments have three key parts: ethos, pathos and logos. Translated from latin, this means ethical, emotional and logical. In the play Antigone by Sophocles, the characters frequently make use of these tools when attempting to persuade another character to conform to their beliefs and thoughts. Antigone tries to get her sister, Ismene, to help her in a crime that she believes is just. Haimon attempts to lessen Antigone’s sentence by lecturing his father about what it means to be a good leader, and the Chorus is just trying to help out anyone they can with wise words from a third party opinion.
In ancient Greece, a common saying that all citizens had in their very core, a traditional Greek principle, was this: love your friends, and hate your enemies. This rule seems pretty straightforward and would appear easy to apply in real life. However, in the timeless play Antigone, Sophocles shows his audience a situation where this maxim does not apply. Sophocles concentrates on a complex story where the values and principles of the ancient Greek culture come into conflict. Religious or moral versus secular, family versus community, and living versus dead: all of these conflicting aspects are explored in Antigone.
It is a terrible, agonizing moment, even in description, but in the depths of his pain Oedipus is magnificent. He does not submit passively to his woe or plead that he committed his foul acts in ignorance, though he could be justified in doing so. He blinds himself in a rage of penitence, accepting total responsibility for what he did and determined to take the punishment of exile as well. As piteous as he appears in the final scene with Creon, there is more public spirit and more strength in his fierce grief and his resolution of exile than in any other tragic hero in the history of the theater. Oedipus unravels his life to its utmost limits of agony and finds there an unsurpassed grandeur of
