Olympia, Ways Of Seeing, By John Berger
642 Words3 Pages
What this picture is depicting is that of a nude art of Olympia, but looking closer at the image it seems both women blend in with their surroundings. This brings validation to Berger’s assessment of how women simply appear. The women are nothing more than objects to be seen by men. Olympia is somewhat merging with the bed as the servant is
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The two pieces of art I will discuss is Edouard Manet’s ‘Olympia’ and Mary Cassatt 's ‘Woman in Black at the Opera’. Manet’s Olympia was not critically accepted, the reaction to his painting was negative, only four critics out of sixty were favorably disposed to Olympia. Olympia was a derivative of Titian 's Venus. In 1863 the critics and the viewers didn’t know how to take Olympia, “they were unable to cope with so many novel factors and so they were unable to categorize the picture and so were unable to analyze it or understand it in any context” (Laurence, 2012). Nowadays we are more open minded and are able to see the painting in a different light.
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Although, like the Venus of Willendorf, he is the pinnacle of man and perfection, he differs from the Venus in that he is a particular person, has facial features, and is not exaggerated in certain areas. He has a more lifelike appearance; he could be someone’s son, brother, or friend, or someone seen in passing at the Athenian market. He functions as the Ideal, and something to be strived towards, as many pieces from this period were, which is indicative of the culture
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But the main focus is the fact that like the goddess of beauty and love, this beauty coastal city of La Rochelle rose from the ocean. Such languages reveals the well-known fact of Aphrodite’s beauty and using it in metaphorical context shows that knowledge of the ancient Greeks is
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“Come on, come on! You are pictures out of door, bells in your parlors, wildcats in your kitchens, saints in your injuries, devils being fended, players in your huswifery, and huswives in your beds.” (l.122-125. 2.1) Iago states that women only have two jobs- take care of the home, and give pleasure to their husbands in their beds. The Wife of Bath in Chaucer's, “The Canterbury Tales”, is a successful cloth maker, “At making cloth she had so great a bent she bettered those of Ypres and even of Gent.”
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Marcus Aurelius begins his book, “Meditations”, by describing those who surround him, and those who have made an impact in his life. This project several lessons towards the way that Marcus Aurelius is now having a different perspective in life due to these persons/gods that he believes in. For example, he uses, “That I have the wife I do: obedient, loving, humble. That my children had competent teachers” (pg. 13). This quote is shown from the description that the Gods have given Aurelius.
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Manet’s Olympia defied traditional art conventions in depicting the female body. The salon displayed traditional nudes for the pleasure of the, primarily male, viewer. Under the male gaze, the woman’s bare body became an erotic object—an object from which he may craft an erotic fantasy, characterized by male domination.
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