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Heroism In On The Waterfront Terry Malloy

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The movie "On the Waterfront" is an example of Film Noir which literally means black or dark film. Movies like this were more serious and explored more realistic and depressing subject matters. The movie was mainly about the struggle of the working longshoremen in Hoboken, New Jersey against the gangsters who bullied and extorted money from them. The protagonist of the movie is Terry Malloy. Terry Malloy’s character is an example of an anti-hero. An anti-hero, unlike the typical hero, has faults and flaws that you would not really want someone like him in the society but in the film, you would root for him due to the different circumstances in the film. Terry Malloy is like an errand boy for the gang that controls the docks of New Jersey. Terry and his brother, Charlie was orphaned and eventually got involved with Johnny Friendly, the gang leader. Charlie, the older brother, rose in the …show more content…

Emphasis was given where it was appropriate. In the scene where Edie vowed to avenge her brother’s death (5:51), the camera focused on her face to show her determination. In the bar when Terry and Edie were drinking (42:00), Edie pleads Terry to help her but Terry insists that he can’t. In this scene, the frame of the camera only contained Edie’s slightly blurred, sobbing face in the foreground and Terry’s clear, troubled face in the background. The camera work highlighted the characters’ dialogues and emotion. Another example is the scene where Terry decided to tell Edie the whole truth (1:03:04). Their conversation is drowned by the horn of the steam boat but the viewers can easily know what they were talking about and feeling based on their expressions. Also at the last scene (1:45:00) where Terry was trying his best to walk to the dock the camera shifts from omniscient to Terry’s point of view. He was dizzy and was not seeing things clearly. His struggle was felt by the viewers because of this change in

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Elia Kazan’s award-winning film On the Waterfront and Arthur Miller’s tragic play The Crucible both explore the impact of fear on both individuals and communities and the consequences that may arise due to the chaos caused by fear. Both texts contain centres of power which instil fear in the community and ultimately result in the untimely demise of numerous characters. Additionally, both texts depict the different acts of self-preservation an individual may exhibit when confronted by fear-induced hardships. Furthermore, despite main characters from both texts – John Proctor and Terry Malloy- illustrating acts of heroism in their final scenes, only Malloy’s attempt for redemption is seen to result in a resolution to the corruption caused by

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In this scene, lighting is used where a shot reflects on eves face to the farmer in the car on the farm showing how far they are. The scene continues where the lighting used appears too bright and somehow blinding to show the time of day the scene is taking place and the emptiness of the field and the only part left out is Thornhill thus focus is drawn to him and this launches the audience into the attack where the lighting makes it easy to know that he is alone in the barren land which makes him vulnerable and the scene captivating. The editing is utilized in the film where quick and intense scenes are made to be real fast in pace which creates suspense. Sound is also used where the music in the background moves in sync with scenes of suspense where it turns loud and fast making the audience aware of the impending danger (Pernoud, 2015).

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