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Ordinary People: A Historical Analysis

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Increasingly historians have moved away from a history that chronicles battles, treaties, and presidential elections to one that tries to provide an image of the way daily life unfolded for the mass of people: how they worked, what they did for fun, how families were formed or fell apart, or how the fabric of daily life was formed or transformed. Film has an important role to play in these histories. While traditional historical documents tend to privilege great events and political leaders, historians now use other records to discern the lives of “ordinary” people: census records, accounts of harvests and markets, diaries and memoirs, and local newspapers. Film is perhaps more like these records of daily life than it is like the documents
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“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).

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In Judith Guest’s, Ordinary People, the relationship between Beth and Calvin disintegrates as the story went on. In the beginning of the book, things for the most part seem fine. Even though they occasionally argue, it is evident that they both love each other and that they wouldn’t want to be with anyone else. Then something changes. As Conrad progressively and steadily improves, it seems that relations between Calvin and Beth grow worse.

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For hundreds of years, stories have been passed on from one person to another through the oral tradition and the visual arts. In our society today, film is the dominant form of storytelling. Films shape and inform our opinions of the world. Many people’s only source of information is from films. This can be harmful when the information is false or misguided.

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A little town in the middle of nowhere is often seen as just a small backward little place. It does depend, however, on what such a place offers to those living there. For those who grow up in such a small place the treasures are endless. This is the place where you learn most of life’s lessons, if not all of them. Having grown up in a town that was really a compact city, made the greatest impression on my life.

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has been almost three decades since the release of Ordinary people and it still remains one of the most well-written movies not only from an entertaining but also from a psychological perspective. Ordinary People is a 1980 American drama film that marked the directorial debut of actor Robert Redford. The movie won several Academy Awards for Best Director, Best Writing (Adapted Screenplay), Best Picture and Best Supporting Actor (Timothy Hutton). The film has also attracted much critical acclaim. Ordinary People is the story of an upper middle-class family living in Illinois dealing with the loss of their oldest son, Buck.

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