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The character analysis of othello
Othello as a Tragedy of Character
The character analysis of othello
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More handpicked essays just for you.
The character analysis of othello
Othello as a Tragedy of Character
The character analysis of othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The sympathy felt for a character often remains through character revelation. In spite of the change in personality and morals the first impression of the character is not forgotten. Othello who commits violent acts throughout the play ends his life with honour, reminding us he was originally introduced as a respected man of high position. A person can be manipulated by others to act outside of their character, and their emotions can blind them from making good decisions. In the end a person’s true character is reflected upon the way they react to the results of their wrong doing.
Othello is the General of the Cyprus army with honest Iago by his side. During this time racism was happening and Othello was a part of it. Othello tried his best for everybody to like him; people would talk behind his back, call him names, and would eventually ruin his life. Iago was an ensign in the army, and his “good” friend, who would put lies into Othello's head, which eventually, he took control of Othello. In this essay Othello will display cultural criticism and how it displays him as a person in the story.
In the tragedy of Othello, the protagonist Othello transforms from a loving husband to a paranoid shell of himself, tortured by delusions of infidelity. At the beginning of the play, Othello and his new bride, Desdemona are married despite their differences in age, race and background. Othello was initially accused of using “witchcraft” to lure Desdemona into marriage. After Desdemona assured her father before the senate that her loyalties are now divided between her father and her new husband and she was willingly embarking on this new chapter, he bestowed his blessing upon the couple.
Othello: A Close Reading This is an analysis of the lines 260-279 of the third scene of the third act of Shakespeare’s Othello. In an attempt to fulfill the incessant need for comfortable dichotomies, societies tend to be divided into two groups: the ‘in-crowd’ and the ‘others’. These strict dualities, constructed upon the inherent need for adversaries, are often as arbitrary as they are false and based on nothing but fear.
With the laws of Venice miles behind them, the characters of Othello seem to have entered a Hobbesian state of nature where anything is permissible so long as it furthers the individual interest. Indeed, upon arriving in Cyprus, the majority of the characters have lives that are “poor, nasty, brutish, and short” (Hobbes 76). Othello is the perfect illustration of the dangers of rhetoric. Iago exemplified the type of rhetoric that made the Greek demagogues threatening.
Weekly Response: Othello Throughout Othello Shakespeare is able to pontificate about how it is often found that appearance is more highly valued than character, yet character is far more significant. This concept is epitomized when the Duke says to Brabantio, “And, noble signior / If virtue no delighted beauty lack / Your son-in-law is far more fair than black,” (1.3.284-286).
Deception always has many perspectives; the truth, the fabrication, and how it is interpreted. An individual’s ability to deceive defines their effectiveness as a perpetrator. Within Julia Alvarez’s In the Time of the Butterflies and William Shakespeare’s Othello, the antagonists of each convey themselves as divine, therefore attempting to distract from their misconduct and represent themselves sincerely.
When the play begins, the reader discovers that Othello and Desdemona have eloped. Desdemona’s father, Brabantio, does not approve of her marriage to Othello. Learning about the secret and unapproved marriage, he angrily declares that Desdemona “is abused, stol’n from me, and corrupted by spells…” In this outburst of passion, Shakespeare uses diction to subtly comment on the sorcerous power of love. Brabantio’s claim evokes negative connotations associated with witchcraft and black magic.
Development of Othello The character of Othello transforms during the course of the play from a respected and revered general to a fallen and easily fooled man, due to the unfortunate sequence of events that transpire through both coincidence and Iago’s evil designs. He said that he wouldn’t be the jealous type unless he had seen it happen right in front of him, but with the help of Iago and a lot of coincidences it had happened in front of him. His judgment of the coincidence over ruled facts that could have changed the way it had ended drastically (Nwabueze, 167).
During the Elizabethan Era, drama began to flourish in Western Europe. Plays have become more violent and dramatic as well as new ways of driving a performance. William Shakespeare’s Othello involves a man named Iago who wants to get revenge on Othello who is known as ‘the Moor of Venice’. Iago is able to get Othello to fully trust him and manipulates Othello to believe in false claims which eventually brings both of them to their downfall.
“Othello” written by William Shakespeare revolves around this protagonist who is depicted as strong and powerful. To everyone he is known as Othello or the Moor. Throughout the play, Shakespeare portrays numerous counts of jealousy and manipulation around many of the characters. It is mainly illustrated through Iago, the antagonist of the play, who manipulates other to their downfall. Iago who is known for always being true and honest towards others has easily earned the trust of everyone around him, thus giving himself an advantage on his schemes.
Johann Kaspar Lavater once said, “The jealous are possessed by a mad devil and a dull spirit at the same time.” People who have become jealous are taken over by an evil greater than themselves, but are also taken by a insecurity they have inside of them, strong people taken over by jealousy so much- that they change so horribly no one wants anything to do with them. William Shakespeare’s Othello teaches us that in jealousy as either envy or fear, the only thing that could come out is the monster deepest inside of someone that even the best people wouldn’t want anyone to see.
As humans we all have been where rumors have been spread about us or where we do the opposite. They, however, all tend to do some harm to us and it can cause certain conflicts to occur during the process. Death can be the outcome of something like this because this did happen to three innocent people. They were all wrapped up in a bed of lies that ended their lives sooner than expected. Thesis statement: Othello Desdemona and Emilia ended up with unfortunate deaths because of Othello 's integrity towards Iago.
Othello’s character undergoes a significant change due to a series of events at the hands of Iago, the play’s antagonist to enhance the fact that even a valiant heroes can become corrupt. In the beginning of the play, Othello adores
Act 3, Scene 3 of Shakespeare’s Othello embodies a pivotal point in the play, as it is a transition act that grounds the foundation of Iago’s development as an antagonist and the play’s development as a tragedy. In fact, Othello is written by William Shakespeare in the early 17th century. In Act 3 Scene 3, Iago begins his insinuations of an affair between Cassio and Desdemona, which petition Othello to consider the likelihood of Desdemona’s infidelity and Cassio’s disloyalty. In this particular scene, Shakespeare makes meticulous use of linguistic and dramatic techniques to characterise Iago as an scheming, deceptive and hypocritical antagonist.