Percival Everett's So Much Blue
Behind the Blue and Gray BY:Aayush Agrawal In the book,Behind the Blue and Gray, Delia Ray claims that life during the war was gruesomely difficult. Fighting and surviving was a lethal occupation. It didn’t matter what side you were on. Ray describes that some struggles during the war were camp life, rations of food, medical treatment, nature, worries about family, punishments, and life after the war. The book provides evidence to a soldiers hardships.
The great thing about being on rock bottom is that there is only one way to go - up. In Gathering Blue by Lois Lowry, a young girl Kira goes through strategic battles as her unique talent is recognized and as she is placed with a very special responsibility as her conflicts surround her. The characters play a role as they rank in different ranges of Maslow’s Hierarchy; a chart which places human mortality with what they find themselves and are accepted as. Gathering Blue includes dynamic and static characters as they develop new characteristics and unfold who they are. Kira, the main character, is a dynamic character in Gathering Blue.
The imagery that Connell creates in The Most Dangerous Game captivates the audience into a tale that makes one’s heart stop even for a split second. The feelings of suspense are nearly tangible to the reader when the silence of the writing surrounds them. Additionally, the two contradicting moods are easily flowed through together and yet discreetly set apart due to Connell’s use of imagery in various scenes. Despite all the other literary devices used within The Most Dangerous Game, imagery has to be the element that really allows the emotions of the literary piece to connect to its
As a plot is essential to story writing, the conflicts in stories “The Yellow Wallpaper” and “Sonny’s Blues”
Combining a love for music and a personal history of racism, segregation, poverty and drugs in 1940’s Harlem, James Baldwin tells a story about Sonny, a blues loving composer with a dark history, living in Harlem in the early 1900’s. In the story “Sonny’s Blues” we meet the narrator and his brother and learn about the hardships of their lives, including the loss of their parents and a lifelong struggle with heroin addiction. As Sonny grows up in a racial charged borough of New York City he learns how to play the piano and channels his loss and suffering into music that provides an escape for others. Baldwin utilizes symbolism, flashbacks and antithesis to propose the idea that people can get through the trials and tribulations of life by being their brother’s keeper and looking out
Sonny’s blues uses light and darkness symbolism to elucidate on the painfulness of reality and the vigor gotten through it. Darkness is the fact that life in Harlem is dreadful, clouded with drugs, crime and societal discrimination. The tenacious society coaxes youth towards a life of murkiness. Sonny gets addicted to heroin while trying to unchain his musical innovativeness. He used music as his edifice, in this book he tries to escape towards the light and a life with thought drugs.
In a small room in a guest house in France the clicks and clacks of a typewriter echo and the mechanical sound of artistic creation livens the air. This home is known as Saint-Paul-de-Vence and will be a destination for artists and travelers alike. For within this home there is a sturdy typewriter, but more importantly there is a man in exile with the mind and inspiration to use it. He is many things, an expatriate, an African American, and a homosexual. Most importantly though he is an artist and he is creating.
Everyone has a favorite shirt, they adore the way the color complements their skin tone or 1their hair or eyes. Maybe the shirt is even their favorite color, or a mix of colors. Since people have been wearing clothes, painting pictures, or decorating their homes and objects; colors have been involved. The blending of dyes and the mixing of pigments creates beautiful patterns and expresses people’s personalities and emotions. The use of color plays a big part in the story The Great Gatsby by F. Scott Fitzgerald, from the bright colors of the wealthy and beautiful to the drab colors of the poor and destroyed.
The market is saturated with memoirs written in prose. Alison Bechdel, however, puts a spin on the dysfunctional family memoir in her graphic novel Fun Home: A Family Tragicomic. By using the graphic novel narrative form, Bechdel tells the tale of her family tragedy through words and graphic images. Fun Home tells the story of young Alison’s life of dysfunction with a father who is a closeted gay man, a family that lives in isolation and her own struggle with anxiety and OCD. The chapter “The Canary-Colored Caravan of Death” focuses on her father’s death by suicide, and her own isolation and mental struggles.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the female narrator is greatly troubled by the suppression of her imagination by her husband and her ultimate isolation due to this subordination. These feelings are reflected through the author’s use of setting as the narrator’s dreary and malicious descriptions of the house and the wallpaper mirrors her emotional position. Throughout the reading, the reader is exposed to the narrator’s in-depth loss of touch with reality as she sinks further and further into her own reality. As she becomes more isolated, her descriptions of the house become more abstract as she begins to focus on the wallpaper and starts to see herself as being hidden behind it.
Everyone needs rescuing sometime in life? The narrator in “Sonny’s Blues” struggles with his own identity and finding himself. He has a sense of insecurity and conformity to escape his past and from where he comes. The narrator finds himself focusing on his brother’s mistakes in life when in reality; he is questioning his inner insecurities. The narrator believes he must rescue his brother but realizes first he must find rescue himself.
The short story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a story full of imaginative symbolism and descriptive settings. However, without the narrator’s unique point of view and how it affects her perception of her environment, the story would fail to inform the reader of the narrator’s emotional plummet. The gothic function of the short story is to allow the reader to be with the narrator as she gradually loses her sanity and the point of view of the narrator is key in ensuring the reader has an understanding of the narrator’s emotional and mental state throughout the story. It’s clear from the beginning of the story that the narrator’s point of view greatly differs from that of her husband’s and other family in her life.
Joyce’s künstelroman, A Portrait of the Artist as a Young Man, features a villanelle that recreates Stephen’s journey of self-discovery through its recurring structure and themes. From an early age, Stephen realizes his fascination for the arts and struggles to understand the voices pressuring him to conform into the ideal catholic Irishman. Joyce’s use of various forms of literary genre gives Stephen the opportunity to indulge his senses and pursue a future as an artist, not one of a Jesuit or one like his father. One such form, the villanelle of part V, marks the long awaited blossoming of Stephen into the artist that has been developing over the course of the novel. The physical structure of the villanelle, with persisting rhymes, themes, and figures, is emblematic of Stephen’s full-circle from his early identification as an artist to his resulting identity.
The protagonist's fantasy about people in the wallpaper addresses the idea of supernatural elements in its most prominent form. Throughout the story, several Gothic elements are explored. The most prominent elements are isolation, insanity, and the supernatural. The eerie events that occur throughout the story and its literary elements of Victorian Literature develop “The Yellow
Prologue Blue Sargent had forgotten how many times she’d been told that she would kill her true love. Her family traded in predictions. These predictions tended, however, to run toward the nonspecific. Things like: Something terrible will happen to you today. It might involve the number six.
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