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Personal Statement Sample For Film School

617 Words3 Pages

The door swings open; a boy steps forward with a mouth full of braces and an uneasy look on his face. More campers arrive. They gaze at me wondering who is this strange person that claims he can teach them something about filmmaking. In this moment, I realize that I am not the kid with braces anymore; I am the teacher. These middle school students are here for a week at a camp I developed for them to learn the art and skills of filmmaking. Since my early childhood I have revered the beauty of nature. Growing up on a small island in a home surrounded by woods, nature has always been an important part of my life. Watching light sift between trees on a misty morning and fog cling to a frosty field brings me both joy and serenity. These moments have led me to capture the aesthetic beauty, intrigue and mystery of the world through photography and film. I have spent countless hours filming, editing and exploring ways of visually telling a story. Through the internet and contact with other filmmakers, I have taught myself the skills involved in visual story-telling, the use of complex editing programs and the art of special effects. My expertise in photography and filmmaking has not only given me a wonderful hobby, but has also led me to numerous professional and community service opportunities including promotional videos, documentaries and portrait …show more content…

A local study hall serves as the location for the camp and as the set for our films. Filled with whimsical antiques and dusty bookshelves, the hall is a perfect place to inspire creativity. I tell my campers to choose a few objects to serve as the foundation for their story. Instead of writing a traditional script, a challenging and arduous process, we work together to create a unique story around a small and ornate silver clock, a weathered German alphabet book and an antique

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Despite being the editor for our client project, I had involvement throughout all stages of the production process; and in this report I will try and evenly discuss both my unique role as well as my other involvements and how they came together to teach me lessons and introduced me to new experiences. Preparing me for a career in the professional corporate video industry. Throughout our shoots on location; easily one of the greatest challenges we and to rise up to as a team related to the issues brought about by exterior on-location film shoots. Our first couple of shoots were a learning curve in respects to how weather and environment can affect our shoot.

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The filmmaker does not interact with subjects but only observes them.” Jane Marsh never interacts with the subjects, as her films showcase the unobstructed, with little distraction. Habitant is an example of this mode, with explaining the day-to-day life of a farm, acting as if there were no camera or crew there. Using these two modes, expository and observatory can effectively tell the stories that are being shown without confusion and is done well by showing these lives to people who may not have thought about these subjects

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In other words, McCloskey drew pictures of nature in such a way as to allow viewers see its beauty. For instance, the shadows created by the clouds seem so authentic that it allows the reader to appreciate them. This natural image is also viewed in McCloskey’s pictures

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Loss of innocence Imagine that you are on an island and all of the survivors from the plane crash were kids. But as time progresses on the island, they become murderous savages. What could cause innocent kids to become murderers?

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Claudia Hunter Johnson’s article 6 Tips for Writing Short Film Scripts That Connect provides the reader with insight on ways to construct a short film script that is engaging, displays clear development, and that makes adequate use of page limitations. The first tip that Claudia Hunter Johnson discusses is finding “a small, specific, significant idea you can tell well in a short script” (Johnson). The main purpose of discussing this tip is to tell the reader to start a short script with an idea that isn’t too intricate or complex. Keeping the script as simple as possible helps avoid messy and rushed stories. For this reason, it is important to approach the writing of a short story with a small or simple idea.

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433 Words | 2 Pages

At his core, Tyler from Portraits from a Fire by Trevor Mack is an awkward teenage filmmaker sculpted by family trauma. With long brown hair and a lanky build, Tyler's awkward nature can be attributed to having limited socialization. Emotionally neglected by his father and excluded from his community leaves him lonely. Without a support system, he has adopted independence both physically and emotionally. This seclusion builds throughout the film as Tyler’s questions about family secrets are left unanswered.

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744 Words | 3 Pages

Can a story really change the world? Every October I volunteer with the Washington West Film Festival, which raises money for a different cause each year. The motto of Washington West is “Story can change the world.” What they mean by this is, we as people are able to relate to one another through universal stories. Sadness and joy look the same in every country, and there isn’t a language barrier in the world that can prevent a filmmaker from sharing a story.

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Whether it results in awe and delight or trepidation and fear, nature can wreak profound havoc on our senses. Humans loose themselves in the wonders of their natural environments and are compelled to revel in the simplicity with which wildlife thrives on. The beastliness of the reality of life in the wild can be jarring and unexpected because something about nature causes humans to consider it beautiful, even the dangerous, terror-inducing parts. In the excerpt from Coming into the Country by John McPhee, the author explores the beauty of the terror that is nature. McPhee illustrates the idea that humans are enthralled by the beauty of nature, even though in reality it is scary and unpredictable, because it appeals to the inherent primitiveness of human beings.

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Many people who go into nature always see it as something beautiful and aesthetic, but they never see the other side to nature. Humankind’s connection with nature isn’t a real one. They always look at the bright side of nature but are blind to the true dark side of nature. JB MacKinnon’s article “False Idyll” (2012), reveals that nature is not just flowers in a field but can also be the survival of the fittest. He backs up his claim by talking about nature through anecdotes and expert’s research.

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After graduation I hope to enter the workforce as an entry level junior art director within an advertising agency or film studio in order to gain enough experience to advance to being a senior art director. These are the steps that I’m considering to reach my ultimate long-term career objective of owning a Creative services and post production company. In order to make this vision possible I aspire to develop skills that concern creating alongside the employer/client’s vision on a scale of an established brand, such as the NFL’s. By participating in this program I hope to develop skills in communication and knowledge concerning learning the nature of the creative content pipeline within a large company in terms of the collaboration aspects

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741 Words | 3 Pages

Growing up with my dad I went on a lot of hiking, backpacking, and kayaking trips to many different places. It wasn’t really about where we were going because I knew, in my mind, that wherever we were going to go it was going to be beautiful. There was one trip in particular where we were kayaking the Colorado River near Hoover Dam and I remember being amazed by the water, vegetation, and how a mountain goat could be at the very edge of the mountain and not fall off. My first instinct was to “observe the landscape, attending for reasons of [my] own to aspects of its appearance and to sundry goings-on within it” (Basso, 1988, 100). However, looking back now at my experience of the trip, I can still recall how beautiful the nature was, but what

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1942 Words | 8 Pages

For hundreds of years, stories have been passed on from one person to another through the oral tradition and the visual arts. In our society today, film is the dominant form of storytelling. Films shape and inform our opinions of the world. Many people’s only source of information is from films. This can be harmful when the information is false or misguided.

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These photographers and filmmakers are significant for the blending of science and art that criticized culture and ideology. As we shall see later in this book, photos (and media) with a purpose live on and documentarians continue to emulate many of these stylistic techniques practicing the science of ecology of the

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Dillard’s description of the sun rising over the Puget Sound is a prime example of an ordinary experience made extraordinary. She describes the light and color of the sunrise in such detail that it becomes a breathtaking moment of beauty that is easy to take for granted in everyday life. Her depiction of the natural world is not only visually stunning but also evokes a sense of wonder and awe that can be felt by anyone who takes the time to truly see and appreciate it. However, Dillard also provides pictures of nature that our minds may have sensed but were too tired to notice.

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By the power of photography, the natural image of a world that we neither know nor can know, nature at last does more than imitate art: she imitates the

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