Tracey Lindberg’s novel Birdie is narratively constructed in a contorting and poetic manner yet illustrates the seriousness of violence experience by Indigenous females. The novel is about a young Cree woman Bernice Meetoos (Birdie) recalling her devasting past and visionary journey to places she has lived and the search for home and family. Lindberg captures Bernice’s internal therapeutic journey to recover from childhood traumas of incest, sexual abuse, and social dysfunctions. She also presents Bernice’s self-determination to achieve a standard of good health and well-being. The narrative presents Bernice for the most part lying in bed and reflecting on her dark life in the form of dreams.
At night we slept almost naked, and it was below thirty degrees. The corpses were collected in hundreds every day.” In the new building the author was
One of this week’s readings focused on Ch. 5, “Caged Birds,” in Professor Lytle Hernandez’s book City of Inmates: Conquest, Rebellion, and the Rise of Human Caging in Los Angeles, 1771-1965, and this chapter was particularly interesting because it further explained the development of immigration control in the United States. As a continuation from the last chapter, there was a huge emphasis in the Chinese Exclusion Act of 1882 and the Geary Act of 1892. This essentially prohibited Chinese laborers from immigrating to the United States, as well as eventually requiring these people to comply with regulations. “Caged Birds” encapsulates the events afterwards, as the book heads well into the early-1900’s. The disenfranchisement of immigrants develops towards further exclusivity because “[by] 1917, Congress had banned all Asian immigration to the Unites States and also categorically prohibited all prostitutes, convicts, anarchists, epileptics, ‘lunatics,’ ‘
The ratio of birds to humans is approximately 300 to 7, so if humans were attacked by a mass of birds, there’s a very slim possibility of survival, if any possibility. This is the base of the plot of Daphne du Maurier’s short story, The Birds (1952), and Alfred Hitchcock’s movie adaptation of the same name, which came out in 1963. While there are similarities between them, such as the conflict and the theme, there are also differences, such as the characters and the setting. This essay will be covering the similarities and the differences between the short story and the film. There are a few similarities between the short story and the movie, like the conflict and the theme.
Americans have been participating in various wars since the beginning of time. From the Revolutionary War to both World Wars to Iraq, about 42 million people have served in wars, and over 650,000 have died on the battlefield, according to the UCSB Scienceline. It has been studied for a long time that going to battle renders many psychological effects on the individual. From looking at themselves differently to looking at their families differently, there are all sorts of effects the battlefield has on the individual. War has many impacts on the individual by changing the soldier’s self-image, altering the soldier’s connections with family and friends, and leaving long-lasting psychological effects, thus destroying the person that the soldier
Daphne du Maurier’s short story “The Birds” is a piece of fiction that displays many literary elements. This story displays suspense, foreshadowing, and imagery. By using these literary elements du Maurier creates an intense story that leaves the readers wondering what happens next and wanting more. First, foreshadowing is used to reference events that will happen further into the story.
There are four roles in an oppressed society: oppressor, upstander, bystander, and the victim. The oppressors are people who mess with the minds of others through dominant messages, those “others” are the victims. There are two ways that people respond to systems of oppression, by either being a bystander or an upstander. In Forbidden City by William Bell, classism has corrupted the minds of the government leading them to think that they are better than the students. Alex in Forbidden City was a bystander that later transformed into an upstander.
Do you know anyone who has Orinthophobia, the fear of birds? Or do you yourself fear the birds? “The Birds”, written by Daphne De Maurier, is a short story that uses various literary terms to make an exceptional piece of writing. The story uses the literary devises such as foreshadowing, imagery, and characterization to create an exhilarating tale. Maurier uses these three components to tell a thrilling story that keeps the reader on edge.
Narrative point of view can express a different perspective to the reader by presenting experience, voice, and setting. Perspective is a particular way or attitude of considering events, by whatever character’s point of view the narrator takes. A character’s background and experiences in their life is a key to help the reader relate to the character. Culture may provide more insight about the circumstances, and can change a reader’s perspective, as well as the voice of the narrator - sophisticated or naive.
Parrots can weigh anywhere from zero point sixty five to one point six kg that is one point forty three to three point fifty three pounds. They can be anywhere from three point five" to forty" (Wild parrots of New York. 2015). On the chest, the grey feathers are white-tipped, giving a scalloped effect. Some blue can be found in the tail and flight feathers.
In the story, “on Birds, Bird Watching and Jazz” by Ellison, the interesting theory as to how Charles Porter Jr. got his nickname as “Bird “ is told using humor in his stories along with a careful choice of syntax and his diction. In the first paragraph, the author uses alliteration,”...and despite the crabbed and constricted character…” to give us an insight on the figure he is speaking about. The author also chooses these words to build up an impression and then breaks it by saying Parker was a most intensive melodist. In the second paragraph of this story, Ellison establishes what a nickname does and how it would originate. Continuing on, Ellison introduces a new fact to the audience, that jazzmen were labeled as cats because they were legends.
Vivid descriptions of the wind such as its’ “rattl[ing] the tops of garbage cans”, “dirt and dust and grime”, and “grit sting[ing] skins” create a sense of chaos that is common in the busy hustle of city life. The cold wind also “violent[ly] assault[s]” the residents of the city, allowing the reader to envision the truly excruciating and harrowing journey people in the urban setting must make regularly. Additionally, asyndeton is utilized masterfully throughout the passage to demonstrate the disarray caused by the wind. The wind finds “theater throwaways, announcements of dances and lodge meetings, the heavy waxed paper that loaves of bread had been wrapped in, the thinner waxed paper that enclosed sandwiches, old envelopes, newspapers.” This extensive list without the use of conjunctions speeds up the reading allowing a fast pace similar to the rapid attacks of the wind, enabling the reader to visualize the onslaught on the citizens.
In The Pioneers, Cooper’s main theme is destruction of the beautiful wilderness and it’s animals. In chapter XXII the ‘Slaughter of the Pigeons’ scene in The Pioneers, Cooper vividly describes the heartless and gruesome war between man and pigeon. He starts with detailed descriptions of the land so the reader can fully grasp how wonderful this part of the wilderness was. He writes, “the green wheat fields were seen in every direction, spotted with the dark and charred stumps that ad, the proceeding season, supported some of the proudest trees of the forest” (Cooper 832). Then he goes on to explain the authority of the United States symbolic bald eagle and the migration of the flocks of birds.
“Caged Bird” written by Maya Angelou in 1968 announces to the world her frustration of racial inequality and the longing for freedom. She seeks to create sentiment in the reader toward the caged bird plight, and draw compassion for the imprisoned creature. (Davis) Angelou was born as “Marguerite Annie Johnson on April 4, 1928 in St Louis, Missouri”. “Caged Bird” was first published in the collection Shaker, Why Don’t You Sing? 1983.
There was no chattering or chirping of birds; no growling of bears and no chuckling of contented otters; instead, the clearing lay desolate and still, as though it never wished to be turned into day. The only occupants were rodents and spiders who had set their home in the dank, forgotten shack. From its base, dead, brown grass reached out, all the way to the edge of the tree-line, unable to survive in the perished, infertile soil that made up the foundations of the house. Bird houses and feeders swung still from the once growing apple trees, in the back garden, consigned to a life of
