Nine Days by Toni Jordan is a novel that portrays the experiences of Australian soldiers during World War I. The novel depicts war in a variety of ways, from the physical and psychological effects on soldiers to the impact on the home front. War is represented through its impact on the attitudes of the characters.
This argument analysis will be derived from the book When Books Went to War, written by Molly Guptill Manning, who is an attorney at the United States Court of Appeals for the Second Circuit. The book tells an interesting, not well known story of how books were given to soldiers during WW2 and ended up becoming an essential aspect of their lives. The soldiers would not have received these necessary literary escapes from the harshness of battle if it wasn’t for the massive effort of not only from the American Library Association, but America as a whole. In the book, chapter 8 focuses on the Soldier Voting Bill, which came up for revision in 1944, and sparked a censorship fiasco. That’s when senator Robert Taft, who opposed a fourth term for
Jill Lepore used quotes and images from English colonists and portraits to show how colonists wrote about their experiences during King Philip’s War and how the narrative of the war has changed throughout the centuries. It also sets how colonists will narrate wars for future centuries. She spoked about how their writings of the war had a consequence of temporally silencing the Native Americans version on the war and how people have forgotten or even have any knowledge of the war. She uses a Boston merchant, Nathaniel Saltonstall account tilted “A true but brief account of our losses since this cruel and mischievous war begun” written in July 1676 year after the war had begun. He lists towns such as Narragansett, Warwick, Seekonk and Springfield
“Mankind must put an end to war, or war will put an end to mankind” (John F. Kennedy). In the novel The Things They Carried by Tim O’Brien he wrote stories about what being in Vietnam war was like. O’Brien wrote the book nonlinear because that is how he remembered the stories. Tim O’Brien let readers get a first hand look on what war is like and what it can really do to someone who was in war. Tim O’Brien used the themes shame/guilt and storytelling/memory to let people who want to understand what war is like to get a better understanding and what it does to a soldier mentally and physically.
In The Return of Martin Guerre, Natalie Zemon Davis uses her sources through Jean de Coras to recreate and analyze the trials of Arnaud du Tilh, Martin Guerre, and his wife, Bertrande as a microhistory to gain a perspective and a glimpse of life for the average peasant during this time period. Natalie Zemon Davis’ sources are of diverse bases. Her main source, however is from Jean de Coras. Coras was a judge in part of the case in Toulouse. He was present, and his credibility enables him.
Of late, however, since he had reasons for observing her more closely, her silence had begun to trouble him”(26). The point of view relates to the telling of the story because it gives the reader an outside perspective of the events that are taking place. The narrator’s perspective is third person point of view. Since the narrator’s perspective is third person omniscient, it allows you to understand how each of the characters are feeling. For example, the narrator shows how the feelings between Ethan and Mattie develop over
Point of view is mostly used throughout the book. You get to see through Ethan’s perspective. This showed how the duties for his wife made his life boring and dull until Mattie came along. He describe Mattie as “The girl was more than the bright serviceable creature he had thought her. She had an eye to see and an ear to hear: he could show her things and tell her things, and taste the bliss of feeling that all he imparted left long reverberations and echoes he could wake at will.”
The first example we have of point of view is when in the book, South describes the Radley house as “a malevolent phantom” and notes that the Radleys “kept to themselves”. This suggests that there could be something hidden and off putting about the Radleys. However, this could say that the Radleys are sick or maybe just antisocial and don't like going out. In Scout's point of view she doesnt know this so it supports the theme because Scout's pov shows the Radleys of having hidden truths. The second example of point of view is when the book says mysterious things about the Radley house such as “Radley pecans would kill you” or “a baseball hit into the Radley yard is a lost ball”.
In Soldier from the War Returning, Thomas Childers writes that “a curious silence lingers over what for many was the last great battle of the war.” This final battle was the soldier’s return home. After World War II, veterans came back to the United States and struggled with stigmatized mental illnesses as well as financial and social issues. During the war, many soldiers struggled with mental health issues that persisted after they came home.
Alfie Kohn in an excerpt from his book, “The One-Sided War against Children”, explores the topic of helicopter parenting. In which through Kohn uses ethos in order to convey his overall message, that helicopter parenting is not necessarily a bad thing for children. As there is no substantial facts that otherwise prove that helicopter parenting is damaging to children. In which Kohn uses his vast information about other articles and sources on the same topic. For example, when Kohn lists some of them, “...‘How to Land Your Kid in Therapy’...
War has a profound and lasting impact on individuals and society. In “The Things They Carried” by Tim O’Brien, he tells different stories of before, during and after war and how it affects the soldiers, mentally and physically. In these stories Tim O’Brien illustrates these traumas and the long-lasting effects and impact that the war will always have on these men. Even though all the men didn’t survive the ones that did continue to have traumatic flashbacks. War has a lasting impact on individuals and society, affecting not only the physical but the mental and emotional well-being of those involved.
Chris Hedges, a former war correspondent, has a memory overflowing with the horrors of many battlefields and the helplessness of those trapped within them. He applies this memory to write War Is a Force That Gives Us Meaning, where he tutors us in the misery of war. To accomplish this goal, Hedges uses impactful imagery, appeals to other dissidents of war and classic writers, and powerful exemplification. Throughout his book, Hedges batters the readers with painful and grotesque, often first-hand, imagery from wars around the globe. He begins the book with his experience in Sarajevo, 1995.
Maus and Fun Home both use the medium of comics to tell very personal and delicate stories. Art Spiegelman uses Maus to tell the moving and emotional story of his father’s survival of the Holocaust; Alison Bechdel uses Fun Home to tell the story of her father’s death and the exploration of her identity. Although both texts are different in many ways, the both use the comic medium to portray an outsider experience. While Spiegelman uses the medium to construct an animal hierarchy and Bechdel uses the medium to combine multiple moments in her life into one story, both authors use pictorial detail to shed light on the outsider experience they are each trying to portray.
Narrative point of view can express a different perspective to the reader by presenting experience, voice, and setting. Perspective is a particular way or attitude of considering events, by whatever character’s point of view the narrator takes. A character’s background and experiences in their life is a key to help the reader relate to the character. Culture may provide more insight about the circumstances, and can change a reader’s perspective, as well as the voice of the narrator - sophisticated or naive.
As Julia Kristeva stated in the Stabat Mater, the maternal image of the Virgin Mary does not provide an adequate model of maternity, therefore with the Virgin as a role model, the maternal body is reduced to silence. Moreover, she apparently implies interrelations between desexualizing and silencing women (Kristeva 145). Thus, the name of the poem doubly attacks the Catholic rules—if women are reduced to be mothers, a homosexual love act is an act of disobedience, and the detailed description if the act with “thighs” and “back” and “your breasts and belly” (Dorcey 1120) emphasizes that the scene in the poem is purely lustful, it is an act of desire and passion, what contradicts the religious model. The line “Blood on our thighs” may have two
