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Polymodality In George Russell's Compositions Analysis

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Polymodality in George Russell’s Compositions George Russell (1923–2009) was an innovative composer, always able to find fresh and original ideas without loosing his jazz identity. He was a pioneer in jazz theory, a multi-instrumentalist, bandleader and scholar. His book Lydian Chromatic Concept of Tonal Organization (1953, 1959, 1964, 2001) is considered to contain the first original theoretical framework to come from within jazz. As a composer, he explored technical possibilities that most others jazz composers and arrangers didn’t. An example of this is his use of polymodality. Figure 1.12 shows an excerpt of the first five measures of George Russell’s Miss Clara, played between trumpet and trombone. The example is composed in two blues
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