ipl-logo

Portrait Of Richard Meade Analysis

1196 Words5 Pages

My extraordinary portrait will be painted in a realist style with exquisite detail and thought-provoking subject matter, presenting the audience with key aspects of who I am as a person such as my love for the outdoors and my adventurous attitude. The setting of my portrait on a commercial fishing boat, with which comes early mornings, long days, and inclement weather but also an honest living, will exemplify my diligence and sincerity. I will be shown pushing the final lobster trap off the back of the boat, worn out but delighted to head back to the harbor. My inspiration for my portrait comes from a few techniques used in the portrait of Richard Worsam Meade, a Spanish writer in the early1800’s; Techniques used in the portrait such as the focus of light on his face and desk, the precise, thin brush strokes, and the unequivocal content caught my attention. Meade the first sitter in a portrait that I saw that looked like himself; He had uncombed hair and was sitting in a mess of an office. He wasn’t trying to impress anybody and I admired that. The purpose of my portrait is to illustrate the person I see myself as and am strive to be.
My portrait should pique the interest of the prospective viewer just as the disgruntled portrait of Richard Meade captured my curiosity. …show more content…

The quaint island on the horizon, highlighted by the sun 's natural light and painted with forest greens and browns leaves an impression that the future is bright and promising, and that ahead lies

Show More
Related
313 Words | 2 Pages

The social issues of the time are highlighted in the artist’s work. This was done to show that the working class is standing united in the face of oppression or opposition.

Read More
306 Words | 2 Pages

In 1936 Georgia O’Keefe’s used oil on canvas to create a painting titled, “Deer’s Skull with Pedernal.” It was painted in the desert of New Mexico while O’Keefe was living there. It is one of her many works that reflects what she saw during her time there. The first thing the viewer’s eyes are drawn to is the deer’s skull. Skull’s similar to this are also included in “Summer Days” and “Cow’s Skull with Calico Roses.”

Read More
651 Words | 3 Pages

The strongly delineated forms, bright colors, and tight structuring of Mollett 's canvases have had a noticeable impact on the work of a number of artists who have accompanied him on his painting trips to ANWR in recent years. In Mollett’s Tanana River, the large log in the foreground appears to be content on its un-chosen river bank resting place, not wanting to move, happy with what river life has dished out. Sort of what life is like living in Alaska.

Read More
747 Words | 3 Pages

They both seeks freedom from the traditional art’s narrative and description of the literal visual world. Trying to free painting from the limitation of representational association, Wright focus on the juxtaposition and reverberation of pure primary and secondary

Read More
1200 Words | 5 Pages

Berth Morisot was a French paintmaker and painter, who was associated with impressionism. Born into a family of a government official who was supportive of the arts she was able to openly practice her passion to paint. Through her painting The Basket Chair, she demonstrates her remarkable style of rough to light brush strokes that create a sense of realism in this piece. She was one of the few female painters of her time. The subject matter of her piece is not as interesting as that of Gustave Caillebotte’s

Read More
457 Words | 2 Pages

The chapter illustrates how the artist incorporates ideas within her art that reveal aspects about dreaming. The image I have selected is Hammerhead Shark on Padre Island, 1987. The medium of this painting is oil on canvas, it is 36x48 inches in size. Within this painting, the view is of a beach, where most of the community is enjoying a day at the beach but they have encountered a bleeding almost dead shark on the sands of the beach. They imagery shows how that the most familiar areas aren’t free of endangerment.

Read More
604 Words | 3 Pages

Allan Houser and George Morrison are two phenomenal artist that arose after the World War II era. Houser and Morrison were two artist that transformed the idea of Native American art into the modern era. These two worked from different parts of the country focusing on their native surroundings of where they originate from. Allan Houser was from the Southwest part of America while George Morrison originated from the Eastern coast of America. Both of these artist came from rural backgrounds growing up.

Read More
409 Words | 2 Pages

Though I pride myself to be a student of history, I sadly know little about the life of Fredrick Douglass. His essay, “Learning to Read”, beautifully captured the significance of knowing how to read, and the obstacles that Douglass had to navigate through in order to learn how to read. Visiting the African American History museum’s exhibit on Fredrick Douglass elected me further my knowledge about the life of Fredrick Douglass, and acted as a nice companion to his essay. What shocked me the most when visiting the museum was the role that Douglass placed on photography as a tool for social reform. Douglass believed that by taking photos, most common self-portraits, he would tear apart the societal norms about what white Americans thought African

Read More
807 Words | 4 Pages

“You use a glass mirror to see your face; you use works of art to see your soul”- George Bernard Shaw ("George Bernard Shaw Quotes at BrainyQuote.com", 2016). An artist will change the essence of a portrait to suit the works subject by incorporating the elements and principles of art in different ways. Ben Quilty’s, Margaret Olley and John Beard’s, Janet Laurence are both portraits of inspiring woman that have particular elements and principles within them that change the way the subjects are presented. Ben Quilty’s portrait of Margaret Olley (2011, oil on linen, 170x150cm) shows a change in Quilty’s art style, transitioning from masculine artworks to more feminine ones (artgallery.nswgov.au). John Beard’s portrait of Janet Laurence (2007,

Read More
991 Words | 4 Pages

An artist’s treasure With the auction Howard Hodgkin: Portrait of the Artist, Sotheby’s not only unveils the private collection of the late painter and collector Howard Hodgkin, but it also reveals how some of these masterpieces influenced his creations Howard Hodgkin, one of the most admired post-world war artists from the UK, had the ability to make colour sing from the canvas. Through rapturous, pigment-loaded strokes he could make a beholder feel the sheer pleasure of being alive. His works were interpreted by many as being abstract, but in reality, Hodgkin created a unique pictorial language about people and places he interacted with. The artist’s eye for the exceptional had reverberated through his own paintings, but it had also lent itself to identifying extraordinary works of art in the most unexpected places. While much has been written about Hodgkin’s collection of Indian miniatures, which was exhibited internationally, it is the kaleidoscope of 400 objects in his private collection that served a more intimate purpose.

Read More
839 Words | 4 Pages

He began his path towards becoming a professional photographer a few of years ago. He had previously been working with video editing and he was not completely passionate about it about this field. He started looking for a new career in photography. In the beginning of his newfound interest, he started taking creative self-portraits and portraits of his own family and friends and it quickly became his passion.

Read More
965 Words | 4 Pages

At the end of Penelope Keeling 's long life, her prized possession is a painting her father made called “The Shell Seekers”. He gave her this painting as a wedding present. It shows the unconventional life that she has led, from her bohemian childhood and her romance during wartime. Her parents were her artist father and his much younger French wife. Her children, now grown, learn that the painting is worth a lot of money, and each give their two cents about what should be done with it.

Read More
940 Words | 4 Pages

I took the sketch from my pocket and showed it to him. As he looked, the expression of his face altered until it became more and more like that of the men I had drawn” (W.F.

Read More
1493 Words | 6 Pages

This is significant to Birch’s view of the American Dream as many people only see what the dream has to offer. In addition to this, the pale color of the sky along with the white hue of the lighthouse convey a sense of simplicity, creating this illusion that a person can easily achieve their goals as long as they put in the work. This illusion, however, is broken by the bottom half of the painting, as it represents the harsher, more realistic view of the American Dream that Birch believed in. While the upper half of the painting suggested this sense of straightforwardness with the bright sky and the pristine lighthouse, the bottom half juxtaposes this with a small ship approaching dark waves and rocks. Just like in, “Shipwreck, 1829,” the

Read More
1225 Words | 5 Pages

In Phillis Wheatley’s To S.M., a Young African Painter, the reader can easily assume that Wheatley is expressing her opinion on the beauty of Scipio Moorhead’s paintings. The poem seems to discuss Wheatley’s appreciation for another African-American artist like herself. However, after looking closely at word choice, visual imagery, and deviation from the rhyme scheme one can see that there is much more going on in this poem. Wheatley addresses not only her thoughts on S.M.’s works, but also religion, immortality, race, and freedom. Looking at this poem more in-depth is important because it will allow the reader to better understand the poem’s meaning.

Read More

More about Portrait Of Richard Meade Analysis

Related Topics

Open Document