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A bit frightened by the sight of someone in the night even being in the cemetery, she jumped up, ran into the house and said someone is in the cemetery! Martha Perkins Jackson said, oh that is Horace’s sister Nanch. She walks the back woods behind the school and stops by for coffee in the evening. She appeared at the door just as Martha said, dress wet with the evening due up to her knees and seemingly unfazed by the wetness laying on her legs just wanting her evening cup of coffee.
In the excerpt from “Cherry Bomb” by Maxine Clair, the narrator makes use of diction, imagery and structure to characterize her naivety and innocent memories of her fifth-grade summer world. The diction employed throughout the passage signifies the narrator’s background and setting. The narrator’s choice of words illustrates how significant those memories were to her. Specific words help build the narrator’s Midwestern background with items like the locust, cattails and the Bible.
Yesterday her carrot- colored mane had been neatly braided and pulled back from her serious, freckled face. Now it hung to her shoulders, a bushy mop of undulations and frizzy ringlets. It hung on her mind, too; that was plain to see. For Jincey’s expression was one of utter and enviable complacency.” If Miss Dove wasn’t observant, then she wouldn't be able to notice if her class were misbehaving behind her back or if her children were struggling.
The hopes of Wes, Mary, and many others can be depicted through the sight of their new neighborhood in which “flowerpots were filled with geraniums or black-eyed Susans, and floral wreaths hung from each wooden door” (Moore 56). Not only does this use imagery to describe the beauty of Dundee Village, but the metaphoric aspect contributes to the message that Moore is trying to
In paragraph 6 Katie’s Grandma reflects on her life, saying, “When my bones were not too weary from work done, and my thoughts not too frazzled from chores left to do,” and “ I looked upon those waving trees, or knobby-legged yearlings in the pasture, or the flowers by the road, and wondered how they grew so tall while my back was to them.” She acknowledges that her work consumed so much of her mind that she missed everything that happened around her. If she just took a step back and looked around her, then she would’ve seen the plants growing and budding into wonderful creations.
“Oh, Jake, this apartment is perfect for us, just perfect,” Grace Wexler argued in a whining coo. The third bedroom was a trifle small, but it would do just fine for Turtle. “And think what it means having your office in the lobby, Jake; no more driving to and from work, no more mowing the lawn or shoveling snow.”... Grace stood before the front window where, beyond the road, beyond the trees, Lake Michigan lay calm and glistening. A lake view! ...
This made Ann keep her thoughts to herself, she can’t complain about John’s love and devotion because all John wanted is the best for Ann. Sinclair Ross used the setting to symbolizes what John and Ann’s marriage is, “in winter, with roads impassable...that from a five the distance was more trebled to seventeen” has a direct connection with their marriage because like the roads being impassable, John and Ann’s
By comparing the tresses to leaden clouds, Davis shows that not only has the hair grayed, but it has become stagnant and less joyful, less full of life. Time has taken much more than color out of the hair, just as it has caused more significant changes between October and November than simply less sunlight. In fact, the meaning of this poem transcends the rudimentary transition of weather in many
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
The setting takes place in rural Maryland during the 1929 Great Depression. The main character we here from in the short story is Lizabeth. She takes us through life during that time and how she became a woman during childhood. Lizabeth being the narrator explains to the audience how bland the area looks, she does this by saying “Surely there must have there must have been lush green lawns and paved streets under leafy shade trees somewhere in town; but memory is an abstract painting – it does not present things as they are, but rather as they feel”. She gives the audience a glimpse of what her area really looks like and from the sound of it, it’s glassless, dull, and dry.
Ames realized how much she yearned for connection and discussion. The plumber came over when she was in the yard alone with her thoughts. He looked down at her elevated face. The plumber reassured her when she expressed concern, saying, “There's a remedy for every illness, you know.” The garden in the tale has a similar significance to that of Narcissus' tale.
Fairy tales will always remain an inaccurate representation of life – simply because ‘happy endings’ almost never happen in reality. This unfortunate truth is explored throughout Ken Kesey’s fiction, “One Flew over the Cuckoo’s Nest”. Most notably, the novel shares a quote “He was in his chair in the corner, resting a second…take your place” (316) which embodies the soul of the entire story: the idea of the impenetrable power of authority and the forced conformity to society’s expectations. Kesey suggests with the role of Nurse Ratched that no amount of effort is enough to be able to truly overturn those in power; additional to the prevalent theme of the Combine which exemplifies the cookie-cutter nature of society.
“The carpet near Bertis’s foot resembles a run-over squirrel, but Karen’s seen worse.” (Coupland 138) The imagery in this novel keeps the reader engaged by prompting their own imagination to visual the setting. Without the author’s skillful choice of words the imagery in this novel would have greatly
Me and Lennie were real happy there, cos we could go over to the town on Sunday and sit on the street and watch life go by. Ye, we had a hellu’ve good life up in Weed.” George paused and before he continued. “So we was sittin’ in the gutter one day in a quiet place of the town and Lennie sees a girl come by, really purty girl with a pink beautiful dress, ya know the color of dem real fancy cakes the baker makes for those rich folks. And there’s two things Lennie jus’ loves - bright colors and soft things, so when
She forces the reader to consider that circumstances conspires against the world and men, yet God reassures Martha, “Don’t worry,” God said. “I won’t be sending you back home with another message that people can ignore or twist to suit themselves. It’s too
