The first art element that I feel is one of the most important to the artist pertaining to this painting is the use of line. There is an undefined, invisible vertical line that goes from left to right where the mountains meet the
Each of the three lines share the similarity of rising and to the right in movement. The shape of the 1st line is the most extreme of the three lines rising the fastest. The shape of the second line is less aggressive than the first due to it rising without developing a strong upward curve. The third line is the most consistent of the three rising mostly at an angle with small curvature towards the end. Each line differs the way that they do due to the various amounts of data that creates each line.
All three artists uses the lines in weird directions such as crisscrossing and diagonal placements in both artworks. In the Blue (Crest), used different tints of blue and Vertigo, used different tints of orange giving two different views of the artwork. The blue used in In the Blue (Crest) helped with portraying the feel of water and the orange just seems as a color placed in the painting of Vertigo, even though with the lines it helps represents the chaos in the picture. They both were similar besides the dimensions, In the Blue (Crest) did give a different feel since it was three dimensional than the two dimensional
If a viewer were to examine Red Hills with Flowers, their eyes would immediately go to the flowers. Georgia O’Keeffe made the flowers with warm and vibrant colors so that they would stand out. Her strokes were small and made with oil on a canvas. The pink sky in the background symbolized peace and calmness. If a viewer were to really connect with the colors of the painting, they would feel like they were in a warm place watching the sunset over the mountains.
The use of mainly red, in the undertones and background, represents pain and anguish. The painting also uses saturated colors in order to make the piece more
They lead your eyes to the large boat, onward to the bottom, where there are animals boarding it. The lines are also very sharp. They outline the shapes in the painting, giving the shapes a clear border. The next element is shape. The shapes are at very sharp angles.
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
IV. The Problem of Evil So far, we have examined only arguments for the existence of God. But for each argument, we have also discussed some objections. Some theists may accept all these objections and yet maintain a belief in the existence of God.
Over in the middle of the painting, there is a more pronounced aperture looking over a waterway and rocks. The outline of the aperture makes up the shape of the face, the woman sitting down looking over the other way forms the mouth and nose of the face and the rocks at the distance form the eyes. All these objects clearly form the face of adolescence. Over on the right side there is a smaller aperture looking over the shore and what seems to be a woman on her knees. The figure of
The lining in the skin makes the painting look more realistic and the lighting brings out the dimensions very well. The lining is overlapping which shows the movement in the painting. The triangle shape begins at the top of Mary’s head and down the back of Jesus contacting to the bottom of her hands and coming around her shoulder. Spacing is very important
In the painting there is a great detail that is shown. The tassels on the bed and the way the curtain falls gives a textural component to the painting. The artist also chose to use vertical repetitive lines in the tiles, and the tassels are feminine. There is also a slight curve in her body shape and her backbone, and her voluptuous yet curvy silhouette that shows femininity. Her legs overlapping each other, turban on her head and having her
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
Kahlo used very thin lines to define both the Fridas and aortic valve. This paing had a strong use of implied lines, Frida used implied lines to define the movement and blood flow between the two hearts. She also used them to put influence on the clothing to give them a realistic feel. I didn't see as many shapes as I did line composition. The few shapes I came across throughout the image was an oval and rectangle.
Frida used many different elements of design. For example, there are curvilinear lines to symbolize umbilical cords coming from her body to the six objects floating around her. The diagonal lines suggest movement from the center of the piece outwards. There is also a very distinct horizontal line the separate the
The line quality in the man’s shirt behind his left arm shows that he is bending his elbow holding something. Another example of line quality would include the woman’s right arm showing that she is bending her elbow as well. Carl Bloch uses value in the painting considering he darkens the outside of the picture and the individuals behind them to show some emphasis on the three individuals sitting at the table. The shapes included in this picture would consist of the “normal” shape of a human and the shape of the cat behind the woman at the table; although, it does
