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Relationship between dr jekyll and mr hyde
Relationship between dr jekyll and mr hyde
Relationship between dr jekyll and mr hyde
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Robert Louis Stephenson’s, The Strange Case of Dr. Jekyll and Mr. Hyde, and Shakespeare’s, Romeo and Juliet, both discuss the concept of duality as a human condition in different ways. In Stephenson’s novel, instead of masquerading through life, and suppressing himself, Jekyll chose to channel his inner rage through Mr. Hyde. Romeo and Juliet’s desperate attempt to find love and solace in each other’s arms despite what was expected of them from their families, exhibited a deviation in behavior that ultimately cost them their lives. Throughout Stephenson’s novel, the duality of human nature is portrayed through Dr. Jekyll’s creation of Mr. Hyde, which is ultimately made up of Jekyll’s evil characteristics. Jekyll states “man is not truly one,
In ‘Macbeth’, Shakespeare shows the gradual change in the protagonist Macbeth by displaying how he goes from a hero to a tyrant. Similarly, in ‘The Strange Case of Dr Jekyll and Mr Hyde’, Stevenson includes the downfall of his protagonist in his story by showing him as a prestigious gentleman at the start of the play, but near the end he is shown as the villainous Mr Hyde. In ‘Macbeth’ the protagonists downfall is somewhat caused by the Witches and Lady Macbeth whereas in ‘The Strange Case of Dr Jekyll and Mr Hyde’ the protagonists downfall is due to his addiction to his potion. At the start of the play, Macbeth is shown as kind and brave due to his acts in the war. King Duncan says, “What he hath lost, noble Macbeth hath won”.
Both Iago and Grendel are seen as evil, but readers can sympathize more with Grendel because of underlying issues, like not being able to form relationships, while Iago shows tendencies of someone who can easily be diagnosed as a psychopath. In the story of Othello, there are many instances where readers can see what Iago has planned and watch it all unfold.
In The Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson, many themes are depicted. However, one theme overshadows the others. Throughout the novella, Mr. Stevenson portrays to the reader how detrimental negativity can be – but most importantly, destructive decisions. During the article, we see how negativity can alter an individual – sometimes for the worst version of their self. One of the many superb ways Mr. Stevenson displayed the theme was through the use of literary devices.
In “The strange case of Dr. Jekyll and Mr. Hyde,” the author presents several themes that challenge readers and force them to question their own beliefs about morality and human nature. One of the themes I noticed many times was the theme of self-control. The consequence of indulging or repressing your darker desires. In this essay, I’m going to explore
The term evil can be defined as savage behaviours followed by strong desires. In both Lord of the Flies(LOTF) by William Golding and Jekyll and Hyde(J&H) written by Robert Louis Stevenson, evil is portrayed as cruel and selfish power that can make innocent boys and a well-respected gentleman even commit violence without feeling guilt. As their pursuit for physical satisfaction overweighs moral principles, evil emerges and completely dominates some of these novel’s characters. LOTF portrays how evil transforms innocent boys into vicious savages away from civilisation, while J&H depicts how evil takes over one individual completely. This essay will explore how the authors illustrate evil by comparing and contrasting the settings, characters and how evil itself takes over the good side of human.
He will do everything in his power to obtain what he wants, no matter the cost. Iago, like Satan, devotes his entire life to the destruction of others
In every book, movie, or TV show, the so called “heroes” are typically the people who are the villains. “Heroes” tend to think that a villain is just a crazed lunatic trying to destroy the world, but that isn’t always the case. Every villainous act had some sort of motive that drives the villain to carry out these deeds. Iago is an ideal paragon of this ordeal. Even though Iago does commit some treacherous deeds, he must of had some sort of motive for doing so.
In the play Othello, by William Shakespeare we are introduced to Othello who is the protagonist and faces a lot of obstacles, one of them being betrayal. Throughout the whole play we witness betrayal from many of the characters through their irrational behavior and actions. However the biggest betrayal we see is from Iago, who is the antagonist, in other words, the villain of the play. Iago plans on having his revenge and betraying Othello, Desdemona, Cassio, Rodrigo and even his wife, Emilia. Betrayal is wrong and something that can’t be forgiven, at the end betrayal breaks friendships as well as lives and trust which never works out well in the end.
While he knows that his actions are immoral, he embraces it fully by calling for evil forces to help in his plans to destroy Othello’s life. This imagery shows Iago’s true nature to the audience, one that wishes for the corruption of people’s lives and actively acting it out. Moreover, Iago refers to himself as a devil in a soliloquy after Cassio drunkenly --------, saying "When devils will the blackest sins put on, / They do suggest at first with heavenly shows, / As I do now" (2.3.351-353). He reveals his intentions to harm Othello to the audience, showing that he does not have empathy for Othello or those his actions would affect, showing his ------------------------------------------------------------------------.
In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
Within the novel, The Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson, there stands a strange case of good versus evil. However, this story has no great villain or even a valiant hero, it has only a man fighting with his vices and dark urges and desires, which grow darker, more morbid and perverted at the novel goes on. Then, as a means to free himself of such darkness and “evil,” the man creates an antidote or rather cocktail of drugs to help him in such matter. Only problem being, the cocktail separates his psyche in two and with the two sides released from each other. The darkness the bad is allowed to grow and lash out unattended and unblocked.
If Roderigo exposed Iago when he said he would, a lot of misfortune would not have occurred. Therefore, Roderigo demonstrates the dark side of human nature by being jealous and unintelligent. To conclude, the dark side of human nature is demonstrated by Iago who is selfish, Brabantio who is doubtful, and Roderigo who lacks cleverness. William Shakespeare’s Othello shows how easy it is to let emotions take over one’s mind.
Thus, Iago has been described by critics as a director; although Iago should rather be described as a symbol of Satan, as he is sly and cunning in his ways, has selfish desires and will take any measure to achieve his goal, even murder. Iago is shown throughout the play to be the true mastermind behind an intricate plot to destroy his master, Othello, of which he is successful, but only through his characteristics, abilities and ingeniousness which allow him to take control of the direction of the
Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the
