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Depiction of women in literature
Gender and its roles in literature
Depiction of women in literature
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After skimming through Volume 1 of The Norton Anthology Literature by Women, I noticed the reoccurring themes of patriarchy, women subordination, and the strength to be creative despite oppression. During the times that these literary pieces were written, women were constantly battling the patriarchy in order to get basic rights. During the earlier time periods, intelligence was seen as a sign of an evil spirit in a woman, resulting in miniscule amounts of literary works written by women. Women were not provided with equal spaces to creatively express themselves, as mentioned by Virginia Woolf. Moreover, they were not given the same publishing opportunities, many women either went anonymous or by a fake male name to have their works published.
It may skew her thinking and at times be subjective. The intended audience is someone who is studying literature and interested in how women are portrayed in novels in the 19th century. The organization of the article allows anyone to be capable of reading it.
More specifically, gender’s role on women and their positions in the world. Being a young woman, I fall into the intended audience of the book. The rhetoric in the book appeals to the young girls around the same age of the main character
Much of the preservations in the play are for men who have even denied the women their privacy. Susan Glaspell shows women as weak and only able to do weak responsibilities such as housekeeping and staying at their
In our daily lives, we as modern individuals can be seen drifting through each day, determined to make it past the dreaded 24 hours of school, work, or anything within our daily lives. And as omniscient threats linger in the back, law enforcement brutality, political injustices, world war tensions, and large business corporations growth, we simply ignore them. Why? Because we are so determined to reach the end of each minute of the day, worrying about our appearances, our relationships status, and whether or not we will fail our next midterm. And as all those “small things” become background noise to our own selfish worries, they continue to collide and create deeper friction, allowing enough potential for a catastrophe, something that we
The characters in the play reveal some of the gender stereotypes through the way they are presented in the beginning of the play, “The sheriff and Hale are men in the middle life… They are followed
She “appeared confident in innocence and did not tremble” (Shelley 68), which is an admirable quality of female who accepts her fate. Elizabeth, Caroline, and Justine are ironically described in these submissive and objectifying terms in order to support the ideal that women were inferior and insignificant to
Thirdly, the classification of women into different classes prevents them from identifying their upmost enemy: masculine power. The relationship between the different groups of women creates a powerful atmosphere of suppression. In fact, Gilead promotes the act of woman against woman. Wives and Aunts controls and enforces the disciplines of the patriarchal society to other women, so one can clearly see that even women takes advantage of power. For example, Serena Joy, the Commander’s Wife who lives in vain hope for traditional womanhood, is the true traitor against women.
During times of crisis, women have been marginalized continuously, and although many would like to think so, conditions for women have not changed much over time. Unbroken by Laura Hillenbrand and The Book Thief by Markus Zusak both reflect that. Women in literature and in real life who deserve lead roles are often forced into supporting roles. Most people understand this but few acknowledge it. Strong female characters such as Liesel in The Book Thief, Penelope in The Odyssey, and Antigone in Antigone need to be honored the same way strong male characters are.
This proved when the narrator’s mother always tried to get the narrator to do work that appropriate for a lady instead of outside work, however it was not something that she enjoyed. The narrator also was not considered of real helper to her father because she was a female. This proved when her father introduced the narrator as ‘his new hired hand’ to a salesman, he replied, “I thought it was only a girl” (line 76, paragraph 10).This shows how the society view girl as ‘just a girl’ at that time and it means that their roles are not really significant in the society. As being said by Alexander Pope (1688-1744), “Most women have no character at all.” (Bressler, C.E., 2011).
In Shakespeare’s Othello and in Susan Glaspell’s Trifles women play an important role in the development of the plot. Shakespeare and Glaspell develop these women differently to enhance their message. In Othello, Emilia, Desdemona, and Bianca are all treated very poorly by their male counterparts.
A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions
The issue of patriarchy will also be further elaborated on in this essay and how it affects the characters in the novel, not only in the given passage, but in the novel in general.
Feminist literary criticism’s primary argument is that female characters have always been presented from a male’s viewpoint. According to Connell, in most literary works, female characters often play minor roles which emphasize their domestic roles, subservience and physical beauty while males are always the protagonists who are strong, heroic and dominant (qtd. in Woloshyn et al.150). This means that the women are perceived as weak and are supposed to be under the control of men. Gill and Sellers say that feminist literary criticism’s approach involves identifying with female characters in order to challenge any male centred outlook.
This novel is also autobiographical. Throughout history, women have been locked in a struggle to free themselves from the borderline that separates and differentiate themselves from men. In many circles, it is agreed that the battleground for this struggle and fight exists in literature. In a