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Romanticism Beethoven

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“The 19th century, the Romantic era, saw an intensification and extension of the expressive elements of classicism, but did not mark a musical stylistic break with classicism” (L33, 00:53). As discussed by Greenberg, there is “no syntactical break between the rhythm, melody and harmony of Classical era music and Romantic era music”. The word Romantic in this context is defined as “something that is boundless, incredible, above and beyond the everyday day, and marvelous” (L33, 3:49).Classical and Romantic eras are distinguished from one another in “expressive context and the incremental changes made to the musical language in order to describe that expressive content” (L33, 4:33). Romantic era music featured some general characteristics …show more content…

As stated by Greenberg (2009): “As Ernst Theodor Wilhelm, better known as E.T.A. Hoffman wrote, quote, Beethoven's music sets in motion the lever a fear, of awe, of horror, of suffering and awakens just that infinite longing which is the essence of Romanticism. He is accordingly a completely Romantic composer, unquote” (L33, 1850). Beethoven’s music catalyzed the Romantic era into being and became the proverbial bridge from …show more content…

This secular logic drew the upper and middle classes to seek excitement and thrills through entertainment with macabre, Gothic and supernatural content. “The 19th century had the Gothic novel and the poets and writers like Edgar Allan Poe and Mary Shelley. It had musical compositions like Hector Berlioz's "Dream of a Witch's Sabbath," the fifth movement of his Symphonie Fantastique, and Franz Liszt's "Totentanz," a piece of music based on the Black Death of the 14th century-- art that titillates, terrifies, and amuses all at the same time” (L 33,

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1. A fugue is a contrapuntal composition in which a single theme pervades the entire fabric, entering in one voice (or instrumental line) and then in another. Based on the principle of imitation. An example would be Bach’s cantata Wachet auf.

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To the Pi Taus credit, it was an exceedingly well-edited video. With each frame carefully spliced for maximum effect, the end result told an erotic tale of uninhibited passion, the reenactment a far cry from the horror of the actual event. The first movement of Beethoven’s Moonlight Sonata projecting softly through the speakers, the powerfully dark piano concerto having a profound effect on both men, capturing their imaginations in an auditory meditation of the soul. As the visual story played out on Tom’s 25” television, Booker sat forward in his seat, his clenched fists resting stiffly on his knees. When Tom’s face filled the screen, there was no sound except the melodic whisper of one of the finest pieces of music ever composed.

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“What is the Gothic? Few literary genres have attracted so much critical appetite and opprobrium simultaneously.” (Wright.p.1) is the first line in the Gothic Fiction, Reader’s Guide to Essential Criticism by Angela Wright, published in 2007, which opens a lot of questions and doubts about this movement. The literary movement focused on terror, death, decay, chaos, ruin, and passion over rationality and reason grew in response to the sociological, historical, psychological and political context. In the late eighteenth and early nineteenth centuries, the world witnessed the rise of gothic literature, a new movement, also known as an anti-transcendentalist movement.

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The romantic movement swept across Europe during the nineteenth century. Poets, artists, and musicians at this time encompassed romanticism’s characteristics into their works. These documents will help to gain a better understanding of the characteristics through analysis and explanation. Romanticism is significant due to its characteristics of emotional exuberance, unrestrained imagination, and spontaneity in both artistic and personal life. To begin with, the literary and artistic scenes during this period were filled with emotive individuals.

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The Romantic Era was an artistic and scholarly evolution, which originated in Europe at the end of the 18th century. This era is best known for its emphasis on emotion and individualism. Throughout this time, fantasy and mystery took over the arts. Other trends throughout this time were the interest in nature and an interest in the bizarre cultures of the past. The popularity of music was soon growing and evolving.

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Ludwig van Beethoven was a famous composer of the eighteenth-century classical music and the nineteenth-century romanticism style of music. Beethoven is still remembered for his spectacular pieces in modern times. Beethoven’s music led others to take the art of music as a serious topic. His symphonies and sonatas were revolutionary to the music world, because of this, many people today are not aware of his deafness. His deafness eventually caused him to make sacrifices in his music career.

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Beethoven is viewed as a transitional figure between the Classical and Romantic eras of musical history. , Beethoven 's innovation was the ability to rapidly establish a solidity in juxtaposing different keys and unexpected notes to join

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In the introduction Blanning argues that, besides the French Revolution and the Industrial Revolution, the Romantic Revolution was as, if not more, important, and just as radical and extensive. He then sets out to prove his point in a very rational setting. In his introduction, Blanning writes that the only way one can hope to understand Romanticism is ‘to enter the world of the romantics by the routes they chose themselves.’ His argument is that in order to fully appreciate Romanticism, one must know, or at least experience, its many appearances in literature, art and music. The book is filled with references to the iconic paintings, operas and novels that were born during the Romantic era.

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Matthew Lewis’ The Monk and Ann Radcliffe’s The Italian are two of the most iconic Gothic novels of the Eighteenth Century, both written only a year apart and one in response to other. It is of no surprise that both novels have various subjects in common—one of these, the Supernatural. Ghostlike forces, specters, demons and locations are approached differently in The Monk and The Italian, one uses the supernatural deliberately—and in a much larger role—while the other uses the supernatural to heighten certain scenes of terror. Certainly, both novels use it as a shock factor, but furthermore both use it for different reasons in their novels.

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One’s self has experienced loneliness from choice or forced into isolation. The novel ¨Of Mice and Men¨ written by John Steinbeck, took place during the Great Depression, near Soledad, California. The protagonist, George and the antagonist, Lennie are mid aged, white men who are working on a ranch with other mid aged, white men. Along with ones who aren’t as focused at the time, such as Crooks, the negro or black, Curley’s wife, the woman and, Candy, the old and weak man were treated differently from all the white, strong males in the novel due to the setting the novel. This making distance in relationships in Of Mice and Men, isolating these characters into loneliness.

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There were three types of Romantic composers: Conservative Romantic composers, Full Romantic composers, and Nationalist Romantic composers. Conservative Romantic composers maintained classical forms and guidelines. Full Romantic composers were more modern and their music was more creative and free.

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Romanticism was a time which had many unique attributes, but Washington Irving did not agree with those attributes and made fun of those ideas through his writing. Romanticism is a time period that was at its peak from 1800-1850 in which people all over the world focused on the many new ideas in art, music, and writing. The definition of Romanticism is simply, anything but the here or now or whatever isn’t realistic but is commonly referred to as the time period

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Between the time period 1800 to 1850, Romanticism was a literature style that many writers wrote about that focused on the celebration of nature, beauty, and imagination, supernatural elements and many other characteristics. However, there was a transition from Romanticism to a new literature movement called Realism due to the Civil War. It began when the North and South had cultural differences that divided them; while the North’s economy was based on industrialization and trade, the South was highly dependent on agriculture and slaves. The contrast between the two sides deepened when Abraham Lincoln promised that he will emancipate slavery. After the long battle, many writers realized that Romanticism did not suit their taste and decided that they preferred to write more honestly and realistically to demonstrate the hardships people faced during the war.

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He suffered from a mental disorder and died without having recovered from his mental illness. The other romantic composer was Johann Strauss who was an Austrian composer of dance music and operettas. Johann Strauss was born on October 25, 1825 and died on June 3, 1899.

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There are several theories that regard where and when the music originated. The historiographers pointed out that there are different periods of music with each period having its own characteristics, its composers, its instruments, its rhythm and significance to the existing music today. The first three periods; Medieval, Renaissance and Baroque are expounded in this essay. The periods span through different times albeit some overlapped one another. The essay also focuses on the common factor that triggered the existence of the music periods and its impacts on each period.

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