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SLIDE 1 64 Words Analysis

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SLIDE 1 64 Words
The Australian Institute of Criminology (AIC) is Australia's national research and knowledge centre on crime and justice. The Institute seeks to promote justice and reduce crime by undertaking and communicating evidence-based research to inform policy and practice.
As a student in criminology I have chosen to do a presentation on how film impacts our cultural understanding of the police through hyper-real expectations of militarisation.

SLIDE 2 90 Words
Studies of images have suggested that their content can lead viewers to perceive life as dangerous. Films often distort crime by overrepresenting incidents with hidden codes of meanings. The public must decode the meanings and if the images are repeated …show more content…

The films have capitalised on this, using auditory queues, linguistic patterns, and segment cliff hangers in their programming to entice people to stay attentive and afraid.
Cultural criminologists have highlight how media and criminal justice organizations thus coordinate their day-to-day operations and cooperate in constructing circumscribed understandings of crime and crime control.
When fear is used as an ideological framework through which events and knowledge of them are cast, it becomes a matter of discourse. If the “institutionalisation of risk” is a now a fundamental characteristic of society, and its coupling with a discourse of fear seemingly indissoluble, then the grappling with how danger and risk are perceived and processed become more crucial.

SLIDE 4 126 …show more content…

The police capacity to organise and distribute state-sponsored violence as well as the ability to shape institutional appearances while doing so, impacts issues of civil rights, domestic order and the quality of political life in a democracy.
In the context of criminal justice and community safety, implicit bias has been shown to have significant influence in the outcomes of interactions between police and citizens. Fear begets fear

SLIDE 10 131 Words
From the view of cultural criminology, policing must in turn be understood within subcultural conventions of meaning, symbolism, and style. Because of the fear of terror, media amplification and political campaigns, what was just filmic is now real.
As such, there is a growing tendency by the police and other segments of the criminal justice system to rely on the military/war model for formulating crime/drug/terrorism control rationale and operations.

The text analysis have concluded that heroic depictions of action-oriented policing are predominant and that such imageries may be complemented with less-common critical ‘watchdog’ reporting of problems and unsound anomalies of

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