ipl-logo

Sava Swirls Analysis

849 Words4 Pages
bulb-icon

Recommended: China art essay

Sava Swirls by Leslie Cheney-Parr (2016)- Watercolor Cheney-Parr uses lines and a texture-less media, along with other elements such as color, space, spatial cues, proportions, and repetitive shapes to inspire endless motion within her landscape and creates a swirling image the viewer cannot stop moving their eyes throughout when viewing from any angle. The media employed by the artist, watercolor, contributes to the movement of the painting. It establishes a smooth, soft surface with no texture, and in turn, causes no disruptions when the eye traces the swirling motions throughout the paper. As the viewer approaches the landscape called Sava Swirls, a compilation of similar, curved lines, starting from the upper right hand corner and …show more content…

For example, in what appear to be water flowers, a lemon chiffon is placed behind a harvest gold and then an amber/honey-yellow to create the illusion of depth within the object. These harmonious yellows come in stark contrast with the greens nestled below them. Additionally, spatial cues aid in the development of depth and dimension within the painting. For instance, the repetition of diamonds and triangular shapes displayed within the yellows, greens, and pinks of the painting, vary in size. As the shapes move higher on the paper, they progressively grow smaller, creating the illusion of depth, as if they are receding in space. Moreover, Cheney-Parr strategically places identifiable objects, traditionally known as large, near the top of the watercolor making them appear far away, adding incredible depth to the piece. When these traditionally large objects, such as a house or a tree, are compared to the traditionally smaller objects in the lower portion of the paper, they repeatedly appear in smaller proportions, thus emphasizing how the objects in the lower plane are closer to the viewer and objects in the higher plane are further away from the

Show More
Related
581 Words | 3 Pages

Hassam uses a regular pattern of  repetition brush strokes. The brush strokes are dominant and, therefore, create rhymed movement throughout the piece. The artist also has emphasis on a focal point. This focal point is the person in the foreground trying to climb up out of the water. When viewing this image in person, my eye immediately went to the subject.

Read More
473 Words | 2 Pages

3-D-P.69-Figure 1.39-Carol Mickett and Robert Stackhouse, In the Blue (Crest) These two artist have taken the basic elements of art such as lines and color and has created this amazing three dimensional artwork, In the Blue (Crest). In this work the artists have made their rectangular shapes emphasize lines that represents ripples in the water. The different shades of blue represented with the negative space creates an illusion of water surrounding the viewer.

Read More
1680 Words | 7 Pages

Henry lee Lucas, was born on August 26, 1936 in Blacksburg Virginia. He died from a heart condition in 2001. Lucas confessed to killing hundreds of people, but the evidence only links him to two murders. The only two murders that he was linked to was the murder of his mother when he was 24- years-old, and the other murder was the murder of Kate Rich, she was an older woman he used to work for. While he was in prison a lot of movies and tv shows were made about lucas, like the movie a documentary from 1995 called “Henry Lee Lucas.”

Read More
1143 Words | 5 Pages

They lead your eyes to the large boat, onward to the bottom, where there are animals boarding it. The lines are also very sharp. They outline the shapes in the painting, giving the shapes a clear border. The next element is shape. The shapes are at very sharp angles.

Read More
974 Words | 4 Pages

Also, different colours have been used to make other objects stand out. An example of this is that the children in the background stand out because the author has used a darker colour than the surrounding earth and the sun stands out because it is a brighter colour than the surrounding blue for the

Read More
1430 Words | 6 Pages

Viewing the painting, brightens the light in the artwork. There is a sense of reality as the light seems to move through the clouds. The faces of the characters are shown by light and there is an effect of light moving by walking in front of the scene. Emotions are evoked when one looks at this scene. There is a state of protection and safety.

Read More
147 Words | 1 Pages

The curved lines are diagonal and convex outward, beyond the visible boundaries of the painting, then meet in the middle to draw your eye to its core. It is also worth noting the use of curves to imitate the folds of flower petals: Implied water ring texture brings it a sense of realness, and add the wavy outlines, helps to create

Read More
1760 Words | 8 Pages

The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke

Read More
573 Words | 3 Pages

In this paper we will be analyzing John Jaspers painting, Flags and going over how it creates a visual impact to the viewer through the use of an optical illusion on the viewer of the painting. The subject of this work is the American Flag, but it is painted in a not so conventional way at a glance, but once you look at it for a while you will see it in a normal light. Jasper used this piece to help show that the viewer was the “painter” in this artwork. He does this by using an optical illusion of the American Flag.

Read More
426 Words | 2 Pages

Like fractals, details within details. They form a natural hierarchy. You cannot directly see hierarchies, you can only see the objects that make them up. But the hierarchies are there and they are very important. From “Half Inch Trim” (240) we know that the smallest scale we need be concerned with is about a half-inch, which is also about the same scale as decorative trim and handmade details.

Read More
440 Words | 2 Pages

Many lines are used in the painting, her scarf makes up the center line. The woman is standing to left of the center, and the right side is mostly her shadow to add contrast, which is more shading. The value gets darker at the bottom of

Read More
555 Words | 3 Pages

This makes us instantly look at them. The wide space between the man and woman has no major distractions within in, the artist could have filled that space with some interesting art, but chose not to because it would have drawn the viewers’ attention away from the woman and man. The authors choice of color is quite plain, but the bright colors that follow the sides of the viewing box help guide the viewers eyes to the man in the background, assisting the implied created by the railings. The author used value in the artwork to show what is important. The woman’s body is heavily shaded and doesn’t catch the viewer’s eye.

Read More
881 Words | 4 Pages

A small, dark skinned man sits at a desk in the back of the room, in front of this desk is a small table, two couches with striped pillows, and two more small tables with lamps on top (Fig. 5). There are small bowls with multi colored objects positioned on the central table, as well as on one of the smaller tables (Fig. 5). There is an large, grey elephant present in the room; the animal sits on one of the couches and seems to look towards the viewer (Fig. 5). The primary artistic device present in the image is that of size and exaggeration.

Read More
874 Words | 4 Pages

This helps to create a close up look at the view outside the window suggesting the intimacy between the artist and the habitat outside. This is because the focus is almost wholly given to the view outside the window. The view, which is embellished by the presence of flowers sitting on the windowsill, and creepers climbing on the railing, is located in the center of the composition. Despite the lack of a line of symmetry and any logic or geometric order, Matisse has been able to draw the attention of the viewer’s eye through the use of bright colours, almost fluorescent, which were used to portray the calm sea with its floating blue boats, and the sky tinted with the colours of the sunset. The calm sea at the horizon is painted with unreal tones of pink, sky blue, and violet whereas the boat, painted with tones of indigo, orange and green, seem to move along with the light breeze.

Read More
1395 Words | 6 Pages

Water is drawn in a similar way but without too much emphasis on the swirl, but instead on the lines that are leading up to the

Read More

More about Sava Swirls Analysis

Related Topics

Open Document