Recommended: Savageness in Sir Walter Raleigh's New World
Cruelty exists in many forms, just as it has a multitude of affects on different people and characters. In both The Poisonwood Bible by Barbra Kingslover and Macbeth by William Shakespeare, the nature, will, and personalities of the characters are put to the test in response to cruelty. As demonstrated in both of these novels, cruelty can shape a character by revealing the true nature of the victim and bringing guilt upon the perpetrator, which proves that cruelty is the driving force in character development. In The Poisonwood Bible, Nathan Price brings his family to the Congo on a conversion mission, and it quickly becomes obvious that he cares more about the mission than his own family.
In describing the shell at first glance, Doty writes that is “not, exactly, green: closer to bronze,” signifying that it is still grand, yet weathered and worn as time has passed. As death has closed in on the crab, it initially looks old and tarnished, yet as it is more closely examined, the inside of the shell has a “lavish lining” of “a shocking, Giotto blue.” Doty argues here that the deepest part of the shell is the most beautiful, showing it was not as it appeared to be. This shocking color is the “size of a demitasse,” a detail that is largely more delicate than the stronger imagery used previously in the poem. As the poem draws to a close, Doty leaves readers contemplating the connection between the crab and a human, posing “What color is the underside of skin?”
Stories and poems utilize literary devices to deepen the meanings of their tales and keep the reader thinking. “The White Heron” by Sarah Orne Jewett, “The Things They Carried” by Tim O’Brien, and “Cathedral” by Raymond Carver exemplify masterful use of symbols in their stories. The symbols in these stories further expand the character’s narratives and drive a more meaningful message to the reader. “The White Heron” follows a young girl, Slyvia, who encounters a hunter searching for the coveted white heron. Being a girl with little companions besides her cow, she finds fancy with the hunter and you believe that she will hand over the innocent bird to the man.
In 2003, the motion picture, Kill Bill Volume 1, debuted in theaters. Set to a backdrop of bloodshed and violence, the film offers 112 minutes of savagery, as the main character attempts to get back at every person who has wronged her in the past four years. Kill Bill is only one of the many films in which violence is the number one attraction. “Kill or be killed,” seems to be the overarching motto, as millions of moviegoers flock into theaters each weekend to watch as characters fight to the death. In contrast, violence portrayed on the silver screen is no longer acceptable outside of the theater.
Adventure and desire are common qualities in humans and Sarah Orne Jewett’s excerpt from “A White Heron” is no different. The heroine, Sylvia, a “small and silly” girl, is determined to do whatever it takes to know what can be seen from the highest point near her home. Jewett uses literary elements such as diction, imagery, and narrative pace to dramatize this “gray-eyed child” on her remarkable adventure. Word choice and imagery are necessary elements to put the reader in the mind of Sylvia as she embarks on her treacherous climb to the top of the world. Jewett is picturesque when describing Sylvia’s journey to the tip of one unconquered pine tree.
Bram Stoker, describes one of the verbal taboos of the Victorian era, violence, through the representation of vampires as “monsters” through the point of view of their victims in his novel Dracula. Stoker portrays violence in three distinct categories- physical, visual and psychological. Each one of these categories is described by one of the antagonists in the Novel, with Count Dracula as the physical aspect of violence, his underlings, the female vampires as the visual and Renfield, the patient at Dr. Seward’s mental asylum, as the psychological aspect of violence. This essay looks at the portrayal of such Categorical violence as different renditions of a “monster” and considers why Stoker would segregate violence in such a manner.
Revenge can be a dark and winding road for those who choose to take it. This proves true in the play William Shakespeare's Hamlet and Robertson Davies' fifth business throughout the lives of characters Paul Dempster and Hamlet. In both Hamlet and fifth business, revenge used to avenge another person close to a character leads to the death of the one who causes a character's need for revenge; however, in Hamlet of William Shakespeare's Hamlet and in Paul Dempster of Robertson Davies' fifth business, revenge displays different effects on their lives. Paul and Hamlet's paths to revenge are both born out of anger and resentment, both planned ahead of time, but where Hamlet's personality changes, Paul's stays the same during his revenge.
Man was created in sin therefor selfish is a character of man it is only through monitoration that man has learned to adapt in a civil environment where there selfish character is hidden behind their mask of deception. This being the case you are one hundred percent correct to state that man would step all over one another to get what they want. Unfortunately that is still true in corporate American colleagues subconsciously pitted against one another to help but to hinder their colleges in order to not lose their positions in life. Luckily it is not as bad as during the 1800s were beheadings were the leader. In fact King George shows us the cruelty of man being able to do as the wish through the beheading of his wife whom did not bear sons.
Sir Walter Raleigh was born in Devonshire England. He grew up to be a soldier, poet, a politician, and many more things. Queen Elizabeth became fond of him and eventually knighted him in 1585. He led an expedition to explore what is current day Virginia. When he came back he married Elizabeth Throckmorton, one of the queen’s ladies-in-waiting.
Sir Walter Raleigh was an English writer, poet, spy and explorer. He is also well known for popularizing tobacco in England. Year of 1591, Walter fell in love with the queen's “lady in waiting”, Elizabeth and got married without authorization. 1592, he and his wife had a baby boy believed to be named Damerei, (Day-merry-aye) but sadly they weren't able to take care of him so they gave him to a “wet-nurse”. A wet nurse is a nurse more or like a foster parent who takes care of the children when its parents aren't able to.
In the World on the Turtle´s Back the Iroquois wanted to emphasize how there was a Sky World, with people that had extravagant beliefs that explained how good and evil balanced everything in their life. This peculiar place had different gods, like Iroquois. They believed in weird thing for example they believed that a Great tree was the center of their universe. The Great Tree wasn’t a habitual tree, it was huge and had been in that place forever. In this Sky World, there was this woman that seemed to break the rules and desire things that are off limit.
What is violence? Violence is, as described by Google,”behavior involving physical force intended to hurt, damage, or kill someone or something. Strength of emotion or an unpleasant or destructive natural force. And the unlawful exercise of physical force or intimidation by the exhibition of such force.” Both 1984 by George Orwell, and Brave New World by Aldous Huxley have violence threaded throughout each novel.
What would you do if you were to be given great authority and power? There are those who would be responsible and treat such power with the utmost care, and yet there are those who would use their authority for personal gain as if it were a child ’s play toy. Corruption is everywhere; there is no limitation to where or when it can happen. One of the most notable examples of the abuse of power, and the catastrophe that can occur from the aftermath is during the Elizabethan era in England.
1. ‘I’ll wrack thee with old cramps, / Fill all thy bones with aches, make thee roar, / That beasts shall tremble at thy din.’ (1.2.372-74) Interrogate the representation of violence in The Tempest.
Love and Rivalries mean only Violence and Tragedies It can be said that violence does not solve anything and its only outcome can be more continuous violence. This statement is truly made apparent during the story, The Tragedy of Romeo and Juliet by William Shakespeare. The star-crossed lovers, Romeo and Juliet, as well as other characters throughout the story suffer continually from violence.
