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Do you like action-paced stories? Well, if you do, you will love these two stories. "The Most Dangerous Game", released in 1924, was a very action-paced story. It's about a sailor who crashed his boat and is stuck on Ship-Trap island, about to get hunted. Along with this theme, is another story, High Noon.
In literature, the presence the outsider can be traced from ancient Greek dramas to modern literature, from Medea to the Underground Man. Most of the literary works pertaining to the outsider focus on the conflict between the outsider and the insider, conflicts that arise from the Otherness of the outsider. For example, in Jane Eyre, the Otherness of the titular protagonist—her fiery spirit and her subverting idea of equality based on individual merits rather than social status—leads to her alienation and conflicts with the insider wherever she goes. However, Tennessee Williams, in A Streetcar Named Desire, explored a different dynamic—namely the conflict between two outsiders, Stanley Kowalski and Blanche DuBois. In the domestic sphere
The play “A Streetcar Named Desire” is about an emotionally unstable lady named Blanche. She moves in with her youngest sister and her husband because the landlord took the land away from Blanche because they could not pay for it anymore. After being their for a while Blanche starts remembering her horrible past which is something she was trying to do in the first place. The husband of Stella, Stanley Kowalski was also someone that made Blanche’s life miserable for complicating everything and harassing her in every possible way. Death is one of the most symbolic terms in this play.
Examining Marriage in Tennessee William’s A Streetcar Named Desire Tennessee William’s 1947 play A Streetcar Named Desire takes place in Elysian Fields, New Orleans, and portrays the marital situation of this time. This play illustrates conflict over the marriage of Stella and Stanley. This marriage can be seen as strict, and controlling but also full of lust.
301617- A Streetcar Named Desire Lying as well as deception is a common theme in A Streetcar Named Desire for the characters. There is Blanche, whom, because of her deception and lying which has played a bigger role on the other characters than she goes and realizes. Blanche stated in scene two of A Streetcar
The Second phase begins at the poker night game, at the night that Stanley drinks excessively and loses control by striking his pregnant wife. While the third phase was after Blanche’s departure to the mental hospital ( Walker 85). Stanley shows his love towards his wife by telling her “ Now , honey. Now , love. Now , now ,love ” (Williams 142).
In Tennessee William’s’ play A Streetcar Named Desire, a major theme that is present is the desire to escape. In the play, Williams clearly tends to favor the real world of Stanley and Stella Kowalski, than the imaginary world of the unfortunate Blanche Dubois. He demonstrates that when the two worlds intersect, reality will smash the artificial world of illusion. The first evidence that proves Williams alliance with reality, is Blanche’s life before New Orleans, in Laurel. Blanche had fell in love and married a boy whom she thought of as perfect in every way.
In the play A Streetcar Named Desire, by Tennessee Williams the character Blanche Dubois shows the characteristics of a tragic hero. In the play, Blanche is tested by suffering, forcing her to face the consequences of her actions. Blanche has many tragic flaws that can be shown through symbolism and themes throughout the play. Aristotle states that the protagonist must be of noble character - defined not by birth but rather moral choice. Aristotle also felt the best type of a tragic hero will fall somewhere between the two extremes - “... a person who is neither perfect in virtue and justice, nor one who falls into misfortune through vice and depravity, but rather, one who succumbs through some miscalculation.”
In the play A Streetcar Named Desire written by Tennessee Williams, the main character, Blanche DuBois, travels to New Orleans to stay with her sister, Stella, and Stella’s husband, Stanley Kowalski. Throughout the play, sexulaity is seen as a strong motivator for many of the characters actions. Early in the play, Stanley is introduced as a particularly sexual character, “ Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence... He sizes women up with a glance, with sexual classifications…” (Williams 25).
The Role of Fantasy and Purpose in Individuals “I don’t want realism, I want magic”- Blanche DuBois (Williams 145). In A Streetcar Named Desire, Tennessee Williams presents readers with the acute presence of fantasy in individuals’ lives. Every character fabricates fantasies in his life to gloss over his struggles and forget each other 's flaws. A Streetcar Named Desire evaluates individual’s use of fantasy as a crutch to avoid the hard truths and give purpose to an empty life. Blanche DuBois, the protagonist of the story, uses fantasy to cope with her world crumbling around her.
A Street Car Named Desire is a play written by Tennessee Williams, which slowly uncovers Blanche’s prior life. Her troubled past causes her a lot of trouble when she tries to start over. She used to work as a teacher in Mississippi, however, she was forced to leave after she was caught having an affair with one of the students. This was typical behavior for Blanche since she had previously taken many lovers. Since she had such a hard time in Mississippi, she decides to move to New Orleans to live with her sister, Stella, and her husband, Stanley, in hopes of escaping her past.
A Streetcar named Desire written by American playwright Tennessee Williams is a Marxist play that depicts the socio economic status of the characters and people living during that time. The play was written in 1947, two years after the second world war. The historical time leading up to the Second World War known as the Interwar period from 1918-1939 was an era classified with economical difficulties for a majority of American citizens. After the new economic system based upon capital emerged succeeding the Industrial Revolution, the United States saw a massive prosperity in the early twentieth century only to be demolished by the stock market crash of 1929 also known as Black Tuesday (source). These unsuccessful stock markets were one of the signs that showed that the new system, which depended on an extensive labor force and an open and unregulated market, was not as reliable as previously thought, this period was known as the Depression.
William’s play A Streetcar Named Desire presents a variety of perspectives on relationships, especially addressing the idea that bonds which aren’t bound by trust, loyalty and lust in an even balance will inevitably fail. Tennessee Williams uses the interaction between his characters, predominantly Blanche, Mitch, Stella and Stanley; to express a variety of ideas regarding relationships. These connections can be witnessed in scenes 2, 3, 6 and 11, through the use of stage directions, dialogue and expressionism to display different perspectives of character interaction. Trust acts as the foundation to any relationship, establishing a strong link between individuals and without it, the connection will eventually disintegrate.
Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.
“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.