The fictional book “The Midnighters: The Secret Hour by Scott Westerfeld” was interesting in its style and storyline. The author describes the setting with vivid details making it feel as if one could feel the same as the protagonists’. For example, the protagonist, Jessica Day, had just entered the secret hour where everything had froze into place, including the raindrops whereas the author described them as “millions of diamonds [filling] the air” (Westerfeld 24). The plot was interesting as strange beings would appear during this secret hour and it was the job of the Midnighters, which were particular people who managed to go into the secret hour, to fight them off. Though, overall, it was too cliched.
Together the themes of manipulation and mental illness will trigger a series of events that change their lives. In “The Yellow Wallpaper” the protagonist becomes increasingly obsessed with the yellow wallpaper in her bedroom and seclusion from human contact. This was a cure that her husband John prescribed that proved detrimental to her mental health. As she spends more time alone in the room, she becomes fixated on the patterns and images, slowly becoming convinced there is a woman behind the wall that is trapped and that she must free, "The front pattern does move—and no wonder!
During her time in the room she felt the room “at night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars!” (Gilman 304). The narrator of the yellow wallpaper descends into madness to escape the cruel dominance of her society. As the story progresses the yellow wallpaper becomes a constant companion. She first dislikes the color and despises the pattern, but after closely studying the pattern “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” and after obsessing over the painting she finds bars hidden.
In charlotte Perkins Gilman’s “The Yellow Wallpaper”, Gilman illustrates the topic of mental health and through the employment of foreshadowing the theme isolation can lead to insanity is evident and contributes meaning to the story. The theme is shown through the foreshadowing of the narrator's diminution of rationality. One scenario in which this is instituted is when the narrator found that the her “bed stead is fairly gnawed” (Gilman 13). This foreshadowed the narrator’s insanity because it hints at maybe she isn’t revealing everything about her behavior that she lets on. Later on, when the narrator is psychotically trying to pull of all of the wallpaper, she “tried to lift and push it (the bed) until I was lame, and then I got so angry
He brings her to a room with yellow wallpaper, a bed that is nailed to the ground, and barred windows. As the days progress the narrator is not allowed to write and she grows to hate the yellow wallpaper. She is disturbed by the paper and wants to tear it down, but does not have the nerve to tell him. She stews and grows fascinated with the wallpaper. Jennie comes to help with taking care of the narrator.
Initially, the narrator is disgusted and irritated by the paper, claiming, “I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin” (339). This reaction mirrors that of a sane person’s--fearing the unknown, they distance themselves from insanity and any iteration of it, seeing it as grotesque and shameful. Yet, as she spends more time in the room, she grows interested in the wallpaper and begins to investigate. She comes to the conclusion that: “I didn 't realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman” (346).
In Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper”, the narrator is suffering from postpartum depression. The narrator 's husband John, who also happens to be her physician, prescribes the rest cure to help lift his wife of her depressive state and ultimately heal her depression. However, the rest cure does not allow the narrator to experience any mental stimulation. Therefore, to manage her boredom the narrator begins obsessing over the pattern of the yellow wallpaper. After analyzing the pattern for awhile, the narrator witnesses a woman trapped behind bars.
Throughout the generation, women have always been trapped in some way or another. In the short story, ‘The Yellow Wall-Paper’ and the novel ‘The Awakening’ highlights the struggle of women in the late 1800’s and the early 1900s in society. The Yellow wallpaper is a short story about women giving birth and being imprisoned in a room with a weird view of the yellow wall-paper. This resulted in her hallucination lead to the development of mental illness. By the end of the story, she rips off the yellow wallpaper and kills her husband.
Have you ever wondered what you would do if you were trapped in a room with nothing to do? In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the main character Jane tells her husband about her unstable mental state, her husband John who is a doctor requires her to stay locked in a room with hideous yellow wallpaper, and not do anything she would normally do or what she would like to do. John had good intentions and believed that Jane being locked in a room will give her time to reflect on herself and get better. But, this just made Jane’s mental state even worse to the point where she thought that there was a woman moving in the yellow wallpaper and it drives her insane. John’s decisions were actually considered normal in the late 1800s,
Charlotte Gilman’s short story, ‘The Yellow Wallpaper’, (1899) is a text that describes how suppression of women and their confinement in domestic sphere leads to descend into insanity for escape. The story is written as diary entries of the protagonist, who is living with her husband in an old mansion for the summer. The protagonist, who remains unnamed, is suffering from post-partum depression after the birth of her child and is on ‘rest’ cure by her physician husband. In this paper, I will try to prove that ‘The Yellow Wallpaper’ acts as a subversive text by portraying the protagonist’s “descent into madness” as a result of the suppression that women faced in Victorian period.
The story “The Yellow Wallpaper” written by Charlotte Perkins Gilman in 1892 shows mental illness through the narrator first hand. The theme in this story is going insane verses loneliness as well as being trapped. These themes are shown through the main character (the narrator of the story) as she works through her own mind, life, and surroundings. First, the theme of the woman’s state of mind is the main focus in this story.
Enclosed to the four wall of this “big” room, the narrator says “the paint and paper look as if a boy’s school had used it” because “it is stripped off” indicating that males have attempted to distort women’s truth but somehow did not accomplish distorting the entire truth (Perkins Gilman, 43). When the narrator finally looked at the wall and the paint and paper on it, she was disgusted at the sight. The yellow wallpaper, she penned, secretly against the will of men, committed artistic sin and had lame uncertain curves that suddenly committed suicide when you followed them for a little distance. The narrator is forced to express her discomfort with the image to her husband, he sees it as an “excited fancy” that is provoked by the “imaginative power and habit of story making” by “a nervous weakness” like hers (Perkins Gilman, 46). Essentially, he believes that her sickness is worsening and the depth of her disease is the cause of the unexpected paranoia.
The short story, The Yellow Wallpaper, written by Charlotte Perkins Gilman, is a brilliant piece of fictional literature. The tale involves a mentally ill woman who is kept in a hideous, yellow room under the orders of her husband, John, who is a physician. The ill woman is conflicted due to the fact that the horrifying yellow wallpaper in the room is trapping a woman who she must help escape, but the sick woman is aware that she must get better in order to leave the terrifying, yellow room. The setting and personification applied in the short story, The Yellow Wallpaper, allows readers to develop an understanding of the sickness of the main character faces.
The woman was obsessed with the wallpaper she begins to hallucinate that something was creeping on her. She had locked herself in the room and would not let anyone in the bedroom with her because she was trying to trap the creeper that she thought she saw. The narrator of “The Yellow Wallpaper” say,“‘Open the door, my darling!’ , ‘I can’t,’ said I. ‘ The key is down by the front door under a plantain leaf’”
Charlotte Perkins Gilman’s “The Yellow Wallpaper” tells the story of a young woman who is battling severe depression. The protagonist is essentially locked away for the summer as a cure for her psychological disorder(s) (Craig 36). Being locked in the house with the yellow wallpaper worsens her mental state and eventually drives her to insanity. Throughout the course of the story, the protagonist’s mental state noticeably declines; she claims there are people in the wallpaper and believes it is haunting her. Several Gothic themes are scattered throughout “The Yellow Wallpaper”; however, the protagonist’s isolation, the presence of insanity, and the occurring idea of supernatural elements are most prominent and can be used to justify “The Yellow
