She proceeds to explain the contributing factors of the narrator succumbing to her “disease” of hysteria which was isolation from social interaction and the restriction of her own thoughts. She points out that the narrator is confined to a simple square room with nothing to offer in terms of mental health therapy. The narrator’s lack of the ability to interact with anything or anyone leads to infatuation with the wallpaper, which turns out to be “the
On a cold Sunday night, while she is in her computer looking for a the quickest way to sell her house, she hears music coming from her room. She walks into her room, and notices her husbands record player playing what use to be his favorite song “Tip Toe Through the Tulips”. She found it very strange for the fact that she got rid of all his belongings a week ago.
Throughout the 15th century major reforms were made in the religious world. These changes can be accredited through the works of Martin Luther. Martin Luther was born in Germany (formally known as Saxony) to parents whom at first were unsupportive of his religious path, and would have rather him become a lawyer. When Luther reached his 30’s he began developing doubts about certain practices displayed by the Roman Catholic Church. Luther highly disagreed with the church’s selling of indulgences, and other acts they followed.
For example, she most often relegates to her room to rest and not task her mind in any way. Ultimately and to her own detriment, she stayed to herself and left to her own devices for numerous hours on end. Eventually, her mental journey which details her internal trials and tribulations as a women, wife, and a new mother has her doubting her own opinions, feelings and overall wellbeing. Over the days and weeks she often and willingly confines herself to the dilapidated nursery that bears resemblance to a bedroom of sorts. Again, at the end of the day, she left only with her thoughts, creative fantasies and journal writings for company.
This is ironic, because of her current situation as a mother. The room has bars on the windows, they were originally placed there to keep children safe while playing in the nursery. The next thing that draws her attention is the yellow wallpaper, she finds absolutely repulsive. She also notices that the bed is heavy and held in place by chains so that is can not move. Another hindrance the wife is aware of is the gate at the head of the stairs.
Symbolism Analysis of The Yellow Wallpaper One might know that Charlotte Perkins Gilman, author of the short story “The Yellow Wallpaper” uses the wallpaper in the main character’s room as a symbol for a bigger underlying meaning. This is a short story about a young women diagnosed of depression and “a slight hysterical tendency”. In hopes of healing the narrator, her husband moves them into an old, ornate home for the summer and required her to refrain from any activity to calm her mind. However, instead of getting better, the narrator goes into a deeper level of madness. This madness is caused by her obsession over what she believes is animate patterns and a trapped women in a peeling, aged wallpaper in her room.
Though something to her feels off about this house. As they explore the house they, discover a nursery with yellow wallpaper inside. The woman becomes obsessed with this wallpaper, trying to decipher each and every pattern, logging all of it into her diary which she keeps away from her
Her descriptions of the room, with the furniture seemingly being nailed to the floor and the windows being “barred” show an underlying understanding that her thoughts and personality is being confined. The irony present in this description, due to her belief that the room used to be a nursery, shows her early denial of her husband’s dominance over her. As the story progresses and she begins to see the woman behind the wallpaper, the reader is exposed to the narrator’s realization that she is the one that is actually being suppressed. The descriptions of the wallpaper, showing how confining it is for the symbolic woman behind it, shows how the narrator is being trapped by those bars in both her marriage and in her mental illness. Thus when she says, “At night in any kind of light… it becomes bars,” the reader is shown how restricted the narrator feels, reflected through the wallpaper.
She at first describes the wallpaper that she becomes obsessed with as just a patch on the wall that bothers her. A little bit later in the story the reader finds out that the narrator has become obsessed with patch of wallpaper. The wallpaper, in particular, symbolizes many different things and is one of the main points of the narrator’s focus. There are also many more elements of the setting that symbolize something in the story. The two main things the setting symbolizes are feminism and the decline of the narrator’s mental health.
“Jacques Cousteau created the first underwater habitat for humans and helped stop nuclear waste from being dumped into the Mediterranean Sea. ”(Artzybasheff 6). The quote shows how great Jacques Cousteau was when he took time out of his day to stop nuclear waste from being dumped into the Mediterranean Sea, potentially saving the lives of thousands of innocent animals. Jacques Cousteau wanted to invent a way to breathe underwater furthering his work undersea. Cousteau was determined to show the world, somehow, what mysteries lie beneath the water.
Lastly, Claudette couldn’t “make the blank, chilly bedroom feel like home.” It was hard for her since she has lived in a cave for her whole life. Now Claudette is in this room and it feels
The Story of Neferet and Menkhaf The silence in the large house echoed around him, his eyes opening to see the bright sun light filtering in through the window. The nobleman’s eyes slowly opened to find that his fine linen sheets tangled messily around his body. Sitting up carefully, his mind groggy and fuzzy from the banquet the night before, he got up. Throwing his legs over the side of his bed, his eyes casually scanned his bedroom. He saw his cabinet bursting with messy clothing made of fine linen.
How she describes her surroundings and her interactions with her family evolves as her condition worsens. By the end, the reader can truly see just how far gone the narrator has gone. The narrator’s fixation on the yellow wallpaper had gone from a slight obsession to full mental breakdown. As it is with most good stories, the presence of strong symbolism and detailed settings is a very important aspect of the story that helps to draw the reader into the story.
Enclosed to the four wall of this “big” room, the narrator says “the paint and paper look as if a boy’s school had used it” because “it is stripped off” indicating that males have attempted to distort women’s truth but somehow did not accomplish distorting the entire truth (Perkins Gilman, 43). When the narrator finally looked at the wall and the paint and paper on it, she was disgusted at the sight. The yellow wallpaper, she penned, secretly against the will of men, committed artistic sin and had lame uncertain curves that suddenly committed suicide when you followed them for a little distance. The narrator is forced to express her discomfort with the image to her husband, he sees it as an “excited fancy” that is provoked by the “imaginative power and habit of story making” by “a nervous weakness” like hers (Perkins Gilman, 46). Essentially, he believes that her sickness is worsening and the depth of her disease is the cause of the unexpected paranoia.
This describes the condition of her room and her isolation that she is
