For the metaphor the most important was “Ahead of you lies a long road paved with suffering”(Wiesel,41). One of the guards used this metaphor to tell the prisoners how truly awful their time in camp will be, infinite and very painful. Lastly, the most significant hyperbole was “We went off to work as usual, our bodies frozen”(Wiesel,78). Of course, there bodies weren’t actually frozen, but they might as well be. The conditions in the camp were so poor that they had little to no ways to keep themselves warm in the winter, which is portrayed in this hyperbole.
For the metaphor the most important was “Ahead of you lies a long road paved with suffering”(Wiesel,41). One of the guards used this metaphor to tell the prisoners how truly awful their time in camp will be, infinite and very painful. Lastly, the most significant hyperbole was “We went off to work as usual, our bodies frozen”(Wiesel,78). Of course, there bodies weren’t actually frozen, but they might as well be. The conditions in the camp were so poor that they had little to no ways to keep themselves warm in the winter, which is portrayed in this hyperbole.
He was no longer treated as another person but as a working machine. He was unable to mourn his father’s death because he knew that being weak in the camp would only lead to his death. The loss of his father only added to the pain he felt, it made it that much harder to have hope that one day he would leave that treacherous camp. Only, he didn’t know if he wanted that day to come, if it meant he would leave be leaving without his
He no longer believes in a God that he once took so much pride on during the beginning of the novel. The inhumanity toward other humans can also serve as a theme. What the book describes, throughout the whole novel, is how inhuman, they are being treated. Not only were given little food and water, but where they were living was as similar as to that of a pig barn. They are forced to work in horrible weather conditions and are offered light clothing.
For instance, descriptive imagery along with metaphorical language were used to compare the harsh conditions at camp to the calming natural surroundings. These differing simultaneous occurrences brought on the mood of seriousness, bitterness, and uncertainty of the future. This can be thoroughly demonstrated, in one of the rising actions of the story, in the fifth and sixth paragraphs of page 33, when the Jews were being selected either for labour or for death. The text says, "The world? The world is not interested in us.
" His use of the personification of his stomach allows the reader to understand and almost feel the physical abuse they experienced by being starved. The quote allows the reader to see his hunger as a separate physical being by displaying it controlling his life more than he was. His use of palpable descriptions causes the reader to see his genuine perspective of the horrible events he experienced in the camps; "A shadow had lain down beside him. And this shadow threw itself over him.
Following this, alliteration is used consecutively here, their “eyes were enormous in their starving skulls” stressing the pervasiveness of their malnutrition down to the bone. Like the confused actions of Hans, so too do the Jews wear their emotions unconsciously: “a few wayward steps of forced running before the slow return to a malnourished walk”, a depiction of movement that represents the ultimate collapse of mind and body. Between the curious audience and the “depleted” Jews is the tenuous link of humanity, demonstrated by the imagery of the prisoners as they “reached across to them”—hands outstretched, universally symbolic of pleading with those in power. As the narrative viewpoint, Death notes the Stars of David that were used by state forces to identify the Jews that were likened to “misery”, a reflection of the opening dictionary definition and a recurring stress placed on their
Sansom writes, “He faces his mortality and realizes the failure of constructing a life on preferences and abstract relationships” (421). Shallow relationships and a focus on outward appearance lead to a neglect of Ivan’s actual purpose. In this time of Ivan grappling with death, Tolstoy proposes the idea that before we die “the choice is not how to act in ways so that we can control our death and question the meaning of life, but whether there is a reality to which we can find real value as individuals that is not nullified by the existential syllogism” (Sansom 424). The control that he sought as a way to defend himself against chaos does not lead him to peace; instead, it disappoints him and helps move Ivan to a place of deeper understanding. At the very end during an interaction with his son, Ivan finally “empties himself of meaningless false images of human purpose, [and] he then sees how to respond honestly with integrity to his destiny” (Sansom 427).
Bridgette Busse 03/10/17 3rd period Frankenstein Literary Essay: Prompt #3 When you have a child you teach them, you help them grow and learn, you prepare them for the big scary world ahead of them. That is something that the Frankenstein monster never got, Victor gave life to something to someone, but didn’t give him the tools needed to survive. He never taught him how to love, how to laugh, how to interact with people, he never gave him a chance at a normal life. He created this person gave life to him then completely abandon him to fend for himself in a big cold world that he knew nothing about. It’s almost not even a surprise that the monster turned against his creator.
This is first evidenced by Lev’s encounter with a cannibal who lures unsuspecting patrons into his apartment where they are then murdered and eaten. The act of cannibalisation in a normal functioning society would be condemned and punished swiftly, however in war torn Leningrad where any means of survival are necessary, when Lev informs the authorities of this heinous act he is met with disdain. The only response is, “there are cannibals in every building… welcome to Leningrad.” Benioff additionally includes scenes that depict the discriminatory persecution of Bolsheviks as less than human by the Germans. After being captured and placed into a forced procession of prisoners travelling to a local German camp, Lev witnesses the Einsatzkommando’s trick the literary men in the group to identify themselves.
Another noticeable point is that Art is drawn wearing the uniform of the concentration camp. This illustrates that the author feels as though he is a prisoner of his own life, and ties back to the finishing scene where Art is behind bars, angry at his mother for committing a ‘crime’ and leaving him to take the
At the beginning of the story, the camp is introduced as a rude, ruthless, and lawless place where every man only thinks about himself. All the characters are clichés, stereotypes of humanity; they are brutes, whose attention would not be attracted even by a fight to death, as it was so ordinary. In the first paragraph
Shukhov reveals how he survives the day in and day out in the gulag. In One Day In The Life Of Ivan Denisovich by Alexander Solzhenitsyn, Shukhov is in the gulags for being wrongfully convicted of treason. He must deal with the destruction of humanity, created a ritualization for eating, and most important, he treats time as a valuable possession. To begin with, Shukhov makes sure that he keeps his dignity despite the destruction of human solidarity that the forced labor camps. For example, This quote refers the lack of solidarity caused by the gulags, because for the lack of food, dignity, and the harsh weather. ”
At the heart of a seemingly simple, unassuming novella lie political issues that occurred in Russia during and after the Russian Revolution in 1917. George Orwell’s allegorical ‘masterpiece’ as some would say, stems from his own opinions and detestation of the class divide. He shows that an egalitarian society is unachievable, when some characters that exercise power within Animal Farm use forms of both psychological warfare and physical threats in order to keep the ‘lesser’ animals under their control in order to maintain their society which supposedly follows the principles of Animalism; that ‘all animals are equal’. The pigs employ various tactics and express ways of thinking that convince the animals that they are better off than they had
Individuality In Chekhov’s “The Bet” What was the most lost on a wager? Money, time, or a favorite item? Anton Chekhov wrote a story about a bet and the what was gained or lost from it. Chekhov was a Russian writer and doctor and lived from 1860 - 1904.
