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Biological and psychological evaluation of criminal behaviour
Psychological aspects of criminal behavior
Biological and psychological evaluation of criminal behaviour
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These two characters are inhuman, they “ran down a dog,” and a “negro named King,” was killed by one of them. They went out for a drive and killed a dog for no particular reason. In this trip Perry made a severe confession to Dick and it was about the death of king who had been his own fault. “Thanksgiving passed,” and Mr. Hartman was solving this case “doing all the business
This situation is that of Adolf Hitler and the Nazi Party. Hitler was an evil mastermind who manipulated and persuaded the Nazi Party to kill millions of Jews. Dick is similar to Hitler in that he manipulated and persuaded Perry to kill the Clutters’. While the comparison between Dick and Hitler may seem dire, it does not deviate from the fact that he is the source of the killings.
While Perry is mortified that he and Dick could commit such a gruesome crime, Dick couldn’t care less. All Dick is worried about is how odd Perry is. Because of how quick Perry’s mood could change, Dick thought he was “spooky as hell.” Now, Perry wasn’t your average run of the mill man. He still wets the bed, cries in his sleep, and “could slide into a fury ‘quicker than ten drunk Indians’”.
Everyone is born with the capability to do evil, however, the events and environment in our lives shape our psyche to such an irrefutably extreme extent that they define our character and our conscience, redefining what we see as right and wrong. Perry is very sensitive by nature due to his family’s troubles and his father’s behavior. The pressure that Perry feels to impress Dick, who he makes into a faux father figure, combined with the weight of his past push him to the breaking point which happens to be the Clutter murders. Perry was bound by his experience, he could never fully escape the horrors of his childhood as they were the limits of his apprehension. Regardless of Perry’s traumatic childhood, justice must be equally upheld to everyone, despite the differences in the ways we were raised.
Many readers of the novel In Cold Blood tend to believe that Perry’s conflict is with his partner, Dick, because he constantly talks down to and manipulates Perry. These readers however are wrong because Perry’s main conflict stems from the fact that he faced multiple complex traumas as a child which has led him to develop a mental illness. Perry continues to struggle with multiple effects of complex traumas such as dissociation, behavioral responses which are easily triggered, and difficulty or in ability to develop relationships with authority figures. These effects have stunted Perry’s ability to mature as an adult and have caused him to think impulsively and irrational throughout the novel.
However, the two murderers never took the time to find out more about the Clutter family. Once they realized there was no fortune, Dick did not mind. Dick’s motive for remaining inside the Clutter home was he knew there was a young girl living in the house. His motive was to rape the young girl, Nancy. Nonetheless, the other murderer, Perry Smith, had no motive for killing the Clutter family after realizing there was no fortune.
The author portrays Perry Smith as the protagonist of the novel stress that there is no defined line of good and bad, rather a percentage in what is heard versus what is acted upon. There are many views of Perry Smith but the first is the one that imprints in the mind of those who hear it. Perry Smith is a murderer. He, though manipulated by his twisted counterpart Dick, single handedly killed Herb, Bonnie, Nancy, and Kenyon Clutter, without any reason or gain. The only gift he received was a rope tied in a bow around his
Perry’s mother was a promiscuous alcoholic, and his father was excessively abusive. When Perry was taken away from his parents, nefarious nuns tortured him at orphanages. Abusive role models in Perry’s life allowed resentment
No matter how we try to change our situation or better ourselves in society, variables will obstruct the path we choose. One cannot take control of everything that surrounds us as fate decides what happens to us. In Cold Blood by Truman Capote explains the murder of the Clutter family in the quiet town of Holcomb, Kansas. The murderers, Richard (Dick) Hickock and Perry Smith, try to escape the consequences of their actions, believing that they can get away with what they did. The story tells what the murderers were thinking after and before they committed the crime and their various interactions.
The adults in Perry’s childhood turning a blind eye to the abuse he faced, and Dick’s pedophilia, which is swept under the rug, atop many more aspects of these men indicate one thing. It can be said that Dick and Perry were simply products of their
Capote portrays only one of these two seemingly distinct characters (Perry) in a way that the reader feels the need to relate to and even sympathize with him. One can be taken aback by such an attachment to a murderer. This is not surprising as the author uses his compassionate diction to manipulate the reader’s emotions with a use of pathos, the appeal to emotions. At one point Capote goes as far as to write that “Smith’s life had been no bed of roses,” (Capote 245) attempting to have the readers relate to Perry. On the other hand, Capote has Dick say this about himself: “Deal me out, baby, I’m a normal” (Capote 116).
Perry’s erratic spontaneous outbursts is what caused him to go through with the murders and slit Mr. Clutter’s throat which put him on the killing frenzy that ended the rest of the Clutters lives. Capote highlights Perry’s sociopathic tendencies by comparing them to that of Dicks Psychopathic tendencies which exemplifies how when put together they are at each others fault for the
Subsequently, Capote continues to mention Perry’s awful childhood throughout the book, and
Although Perry is responsible for the murder of four innocent people, Perry’s actions do not reflect on who he is as a person because he is easily influenced, therefore; showing how easily people can be pressured into doing something they would not typically do. Dick, a violent, cold-hearted, manipulator, has molded Perry into the person he is today. As Perry is a follower, Dick has taken advantage of that by turning Perry into the cold-blooded killer he is today. Capote displays Dick’s manipulation of Perry through symbolism to make evident that while Perry did pull the trigger on four innocent people, although the fault does not entirely lay on him, as he was taken advantage of by Dick.
He is portrayed as a mastermind in the cold-blooded killing of the Clutters family, a man with little respect for the lives of others, which can be seen through Dick’s expression before the murder of the Clutters when he converses Perry, “We’re gonna go in there and splatter those walls with hair” (Capote 234). This sudden tone shift enables Capote to depict Dick as a cruel and immoral character. Dick’s lack of empathy and concern for other people beside himself allow him to commit crimes without remorse, which is in contrast to Perry’s moral contemplation after each bad actions they committed. Moreover, Dick is represented as the true criminal with evident motives in murdering the Clutters, while Perry is seen as a vulnerable victim who depends on Dick for validation and acceptance, something in which Dick happily provides in order to manipulate Perry, as Capote writes, “Dick became convinced that Perry was that rarity, ‘a natural born killer,’—absolutely sane but conscienceless, and capable of dealing with or without motive, the coldest-blooded deathblows. It was Dick's theory that such a gift could, under his supervision, be profitably exploited” (Capote 205).
