The conflict in both the story and the film is a bird apocalypse-thing
In the short story “The Landlady,” by Roald Dahl and the short film, “Tales of the Unexpected” series, Billy Weaver goes to Bath, England where he meets an old landlady. Screenwriters change an author's work because they want to expand their ideas from a book into a movie. In both the story and short film there are many similarities to be found. For example, the story and short film the characters motives are the same.
Standing Up to the Crowd in The Help and To Kill a Mockingbird “If you want to be a real human being - a real woman, a real man - you cannot tolerate things which put you to indignation, to outrage. You must stand up. I always say to people, 'Look around; look at what makes you unhappy, what makes you furious, and then engage yourself in some action”(Stephane Hessel). The novel, To Kill a Mockingbird by Harper Lee, is from the perspective of a little girl named Scout and it is about her father, Atticus Finch trying to helplessly defend an innocent black man from the racist justice system that was present during the 1930s.
Flannery O’Connor’s The King of the Birds is a narrative explaining the narrator’s obsession with different kinds of fowl over time. The reader follows the narrator from her first experience with a chicken, which caught the attention of reporters due to its ability to walk both backward and forward, to her collection of peahens and peacocks. At the mere age of five, the narrator’s chicken was featured in the news and from that moment she began to build her family of fowl. The expansive collection began with chickens, but soon the narrator found a breed of bird that was even more intriguing; peacocks.
The scene begins to unfolds in their minds. Mr. Wright yanking open the cage door, taking out the bird, and breaking its fragile neck was enough to make Mrs. Wright lash out, and in a heat of passion, kill her husband. As the trifles collect, the women worry that the men will see their findings, and have what they need to prove Mrs. Wright guilty. Though the men believe her to be the murderer, the women are trying their best to hide the evidence that will prove it.
The men of the group, much like John in “The Yellow Wallpaper,” consider themselves more capable than the women and refuse to consider Mrs. Wright as anything other than irrational. The men leave the women to their “trifles” on the first floor, where they discover a broken bird cage, and the bird’s body, broken, carefully wrapped in a small, decorative box. They realize that Mr. Wright had wrung the neck of his wife’s beloved bird and broken its cage. Mrs. Wright, once known for her cheerfulness and beautiful singing, she stopped singing when she encountered Mr. Wright. Just like he did with the bird, Mr. Wright choked the life out of his wife until, finally, Mrs. Wright literally choked the life out of her husband.
Rear Window by Alfred Hitchcock is a fillm full of symbolism and motifs that provides viewers with a bigger meaning. It shows these rhetorical appeals through Hitchcok’s eyes that would not be recognized if not analyzed. Through these appeals I have recognized the window as being a symbol and marriage and binoculars as motifs. After understanding much more than what the eye anitially sees when viewing this film there is a fine line between understanding what is going on in the film and observing what the protagonist Jeff is viewing.
Adventure stories are always interesting because they have unexpected twists and endings. They could also go places that are magical and full of fantasy. Authors can also take a huge variety of approaches to the story. In the passages “Peter Pan” and “Dorothy and the Wizard in Oz”, the authors take different approaches to adventure.
With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.
The reader quickly learns that Nat is very resourceful as he knows to go get food from the farm while it is daylight and the birds will not attack. Maurier uses characterization to not only describe Nat, but many other characters throughout the story. As you can see, foreshadowing, imagery, and characterization are just a few of the literary elements that give “The Birds” an intense story line. They help to create an exhilarating tale that keeps the reader engaged and wondering what will happen next. Maurier’s use of these components helped to make the short story into a hit American horror film in 1963.
Murder today is something that most people do not think about because we are so accustomed to it. Minnie Foster, a lively woman who loses her childhood and becomes a married unhappy lady, so unhappy she kills her own husband. Although at first we are introduced to the bird as the main symbol of the play, we discover that Mrs. Wright is the bird and Mr. Wright is the bird cage trapping her life. By looking at the symbolism of this play we begin to understand that when Mr. Wright killed the canary along with Mrs Wright’s childhood, the motive to kill Mr. Wright was set for Mrs. Wright with the rope.
Revelation of Lies Edward Albee’s Who’s Afraid of Virginia Woolf? is a deranged and mysterious story that holds a stunning finish. George and Martha, a middle aged married couple who struggles with their relationship, invites Nick and Honey, a younger married couple they met at a faculty party, over to their household near midnight to enjoy drinks and have fun.
Throughout both “Long Day 's Journey into Night” by Eugene O 'Neill and “Trifles” by Susan Glaspell the women in these plays were both happy at some point in the past but, traditional values such as marriage took their life in an opposite direction than they both imagined. Both Mary and Minnie Foster led happy lives before this and continued to live unhappy lives after marriage. In many ways, the use of symbolism characterizes each character state and summaries their life as it is now. Therefore, the foghorn and the bird cage symbolize each woman’s perspective of marriage and their relationship with the past.
In the story, “on Birds, Bird Watching and Jazz” by Ellison, the interesting theory as to how Charles Porter Jr. got his nickname as “Bird “ is told using humor in his stories along with a careful choice of syntax and his diction. In the first paragraph, the author uses alliteration,”...and despite the crabbed and constricted character…” to give us an insight on the figure he is speaking about. The author also chooses these words to build up an impression and then breaks it by saying Parker was a most intensive melodist. In the second paragraph of this story, Ellison establishes what a nickname does and how it would originate. Continuing on, Ellison introduces a new fact to the audience, that jazzmen were labeled as cats because they were legends.
These were explored by the use of the motifs of birds, eyes, hands and mirrors (Filmsite.org, n.d.). Hitchcock skilfully guides the audiences through a tale