Weather is used as a plot device and add a meaning to
Light and Dark in Frankenstein Throughout Frankenstein by Mary Shelley, the reader is torn between the forces of good and evil, as well as which characters represent which force. Perhaps the most masterful element of this novel is conveying how an individual can not be judged as wholly good or evil, and how having elements of both traits greatly forms the human experience. By using the motifs of light and dark to represent the positives and negatives of humanity, Mary Shelley is able to effectively convey character traits, depict transitions of good and evil within characters, and employ haunting symbolism and imagery into the novel and transform it into a literary masterpiece. The use of light and dark as imagery in the novel could not be
Natural Elements Define Emotions Weather and heat are great metaphors for life-sometimes it’s good, sometimes it’s bad, and there’s nothing you can do about it (Pepper Giardino). In the novel The Great Gatsby by Scott Fitzgerald, a narrator named Nick Carraway tells the story about his neighbor, Gatsby, who is filled with wealth and love. Nick grows to know Gatsby and is involved with all the incidents that happen during the novel. Throughout the story, there are reoccurring elements and literary devices.
Written during the ninteenth century, the gothic Frankensteinnovel by Marry Shelly, tells the story of a young educated student Victor Frankenstein, who creates a grotesque but fantastic creature in an unorthodox scientific experiment, which leads to different tragic events. Shelly writes about the creation of the creature and how he is first introduce to his livelihood and this world. In this novel Shelly uses different types of literary techniques to convey the expression of the creature as a baby just learning about life and the world, and by employing innovative literary techniques such as imagery, setting, theme, and characterization, she creates a feeling of sympathy on the readers. This feeling is created through Shelly establishment of pity on the readers by reavealing the creature’s loathsome creation, habitat, or even existence.
Victor Frankenstein the main character in Frankenstein was going through depression, bipolar, and anxiety throughout the story because things in his life were going terrible for him. Victor never had a happy moment in his life after the creation of his monster. Once the monster became angry he tried controlling Victor into creating a love for him. Victor didn’t want to because he was afraid that he would create a violent species and they would take over. After the monster found out he wasn’t doing it, the monster wanted to kill Victors loved ones and not Victor.
This not only describes the weather, but using the word “dreary” sets a darker, colder tone that lasts throughout the rest of the passage. The visual picture she creates is very intricate, showing the image of the monster he created in great detail. “... his watery eyes, that seemed almost the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips.” (Shelley 43). This clearly depicts the horrific sight Frankenstein witnessed firsthand.
Passion and Destruction As W. Somerset Maugham once said, “Passion doesn’t count the cost... Passion is destructive.” In Mary Shelley’s Frankenstein, Victor Frankenstein leaves Geneva, his home town in the pursuit of knowledge, ding so he created a creature. Frankenstein gets frightened after the created the creature, so he leaves the creature in fear, only when he returns the creature is no longer there.
As Stated by the author of How to Read Literature Like a Professor For Kids, by Thomas Foster, authors use certain varieties of weather conditions in order to set a mood in the story that’s relevant to the scenario present. Foster explains this action as saying, “But an author doesn't have a quick shower of rain, or a flurry or snow, or a flood or a blizzard, for no reason at all (Foster, 59).” What the author is trying to remark is that authors don't put unnecessary weather unless it contributes to the plot or the mood, sometimes even using it as means of ivory. One example of weather being used in the movie clip from Toy Story is rain. The rain didn't start until Sid was just about the release a rocket outside with Buzz attached, which
Frankenstein is a classic by the awesome author Mary Shelley. The story follows Victor Frankenstein as he makes a Monster. The monster ends up kill people from Victor’s family and even his best friend. All the monster wants is for Victor to make him a wife so he is not so alone in the world full of humans. He is tired of being the only one of his kind and having no one to share his life with.
Some may argue that the inclusion of the seasons into Frankenstein only serves to contrast with the unnatural acts that Victor commits and has no relation to his psychological state as the thesis indicates. However, the novel specifically addresses that the protagonist interprets nature as a sentient, maternal-like entity when he comments that “I pursued nature to her hiding places” as he works to create the monster and, in doing so, acknowledges the relationship he has with the natural world (Shelley 38). Thus, the rebirth of nature in the spring season allows Victor to better recover from his mental and physical
Weather Representing Emotions Normally weather and emotions are not associated, but throughout the novel The Great Gatsby, F. Scott Fitzgerald makes multiple references comparing the feelings of Jay Gatsby to the weather outside. He uses rain to represent the times of sadness or awkward situations. When those moods uplifted the clouds would break, and the sun would shine. Other times he would use heat to represent times of anger, or tension.
In Mary Shelley’s iconic gothic novel, Frankenstein, Romantic themes are strongly represented in order to propagandize Romanticism over the elements of knowledge and the Enlightenment. In her novel, Shelley uses gothic nature settings to foreshadow dark events that are about to happen in the novel. She also uses nature to intensify the effect that is brought during significant scenes, a strong example being, when Victor Frankenstein’s monster approaches him after a long period of time. Nature and its use to influence mood is one of the most paramount themes of both Frankenstein and Romanticism.
In Frankenstein, on Victor’s way home after being away for six years, a key moment in the novel that weather sets the mood is when “It echoed from Saleve, the Juras, and the Alps of Savoy; vivid flashes of light dazzled my eyes, illuminating the lake making it appear like a vast sheet of fire; then for an instant, everything seemed of pitchy darkness, until the eye recovered from the preceding flash” (Shelley 50). The author, Shelley uses weather to describe the murder of his young brother, William. The weather conditions effect Victor’s mood and convey his emotional feelings of Victor as being scared, sad, or depressed. The imagery in the quote relates to the thunder thus a way to broadcast the murder of his younger brother across the land and
The references made to nature throughout the novel affect the characters mood. “The very winds whispered in soothing accents, and maternal nature bade me we know more” (77). This quotation from the book shows the impact that nature expressed to Victor that made him feel relieved and happy. “My spirits were elevated by the enchanting and parents of nature; the past was blotted from my memory, the presence was tranquil, and the future gilded by bright rays of hope and anticipations of joy” (96).
In Frankenstein by Mary Shelley, the idea of the natural world is recurring and helps relate many characters with nature. Victor Frankenstein, the protagonist in the novel, has a very close and unique relationship with the natural world. In Victor’s life, the idea of the sublime or the natural world comes up in emotional and significant moments. Nature changes Victor’s mood, forms his character, and shows his growth through poetic devices. In Frankenstein, nature directly affects what Victor sees and feels.
