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Similarities Between Richard III And Al Pacino

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An exploration of both Shakespeare’s historical tragedy King Richard III (1592) and Al Pacino’s docudrama Looking for Richard (1996) highlights how each text can enrich the audience’s understanding of the other in their exploration of the universal theme of power. Set in 16th century Elizabethan England, Shakespeare explores the Machiavellian use of power through Richard III’s manipulation of others through deception and his mastery of language. Al Pacino’s adaptation of this concept in Looking for Richard in postmodern America offers a new perspective on the significance of language, and the reality in America. However despite the evolving contexts, the comparison of the both texts reveals that the lust for power is inherent in all human condition.
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Despite the Christian values of modesty and loyalty which were prominent during Shakespeare’s context, Richard is portrayed morally diverging and treacherous which signifies these values in the play. Richard’s sycophantic language in “true…duteous…noble” in Act II.I shows his deception to present himself as loyal and righteous. Richard’s acting in Act III.VII using the high modality language in “Yet so much is my poverty of spirit” displays his humility as he feigns reluctance to coronation which ironically persuades the people of court to advocate his kingship. Also, Richard’s religious reference in “Come, let us to our holy work again” portrays him as a dedicated, holy man. This deceptive appearance of Richard ultimately legitimises his throne by portraying him as the rightful heir set by God which alludes to the theatrical nature in the pursuit for power. Thus, Shakespeare explores this notion of power in relation to the deceptive appearance of Richard to also reflect the significance of his contextual values of integrity and

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