After reading the critical essay “Neon Gothic: Lost in Translation” by Wendy Haslem, her central argument was found to be that of how Lost in Translation (Coppola,2003) presents a nontraditional approach to a romance in comparison to the expected. Haslem goes on to support her claim of an unconventional romance by using examples of scenes from the film, such as the scene where Bob and Charlotte share a goodbye kiss. In traditional romantic films, there is no mistake in understanding the intent of a kiss. However, in Lost in Translation, the intent of the kiss shared between Bob and Charlotte is not very direct and arises a lot of questions to its meaning. Another piece of textual evidence found to support the claim is the connection made between the two main characters throughout the film.
In the film “The Curse of Frankenstein”Victor Frankenstein was different from the character in Shelley’s novel. He was not as bad as the he was in the film. He did not focus on killing people to achieve his goal. The only close similarity to the original story is the monster with ugly and horrible appearance. Frankenstein the monster awakes from the moment was found to be very aggressive and evil.
While people reading books, certain details will lead them to the center of brainstorming and start making connections with other forms of mass media consisted of movies, newspaper articles, and social media captions. So does the Frankenstein has shown sort of likenesses of the characters’ personalities and conflicts as well as the theme of obsession to human innovation and life to the movie The Prestige, which yet at the same time reveal extraordinary dissimilarities in between. To begin with the characters in these two classical works, while Angier is just competing with another magician called Borden, Victor is dealing with an impossible mission against a giant monster that is targeting at his family. Victor has pushed himself into the department of Life Science to search the ways of immortality which break the law of nature, however, magic tricks followed by Borden and Angier can be seen as another form of science, but fake science. There is
Throughout Slaughterhouse Five, Kurt Vonnegut intertwines reality and fiction to provide the reader with an anti-war book in a more abstract form. To achieve this abstraction, Kurt Vonnegut utilizes descriptive images, character archetypes, and various themes within the novel. By doing so, he created a unique form of literature that causes the reader to separate reality from falsehood in both their world, and in the world within Vonnegut’s mind. Vonnegut focuses a lot on the characters and their actions in “Slaughterhouse Five.”
Both of these are very powerful tools created by people to really portray the horrible events that occurred and really happened to people in the Holocaust. There are many similarities and difference between the two movies but neither is more or less powerful in getting the point of complete disgust across to the viewer. There
Both the famous movie Blade Runner and the even more famous gothic novel Frankenstein are very different and similar at the same time. Blade Runner also isn’t the only film to be heavily influenced by Frankenstein. There are many more out there just like it and just as
The similarities in both pieces begin with the vague dialogue we begin to read with very little detail or depth between both couples. In “Hills Like White Elephants" actually start to
Compare narrative point of view between “The Story of an Hour” and “Hills Like White Elephants” There are two stories that we have read with our instructor in class both of them agreed on the same point of view. Women should be treated well and care of their emotions. They are humans that the most sensitive in the world. The culture and society was giving rules that the woman have to stayed at the house and just be house maids without any thinking of working outside the house. The other thing, the old culture and society looks that the man have to be over the woman and obey the man with whatever he asks for even if he told something bad to do, the woman have to accept and not refuse.
German Expressionism has influenced thousands of films and filmmakers since the art movement began in the 1920’s. It is known for its dismissal of the standard conventions of Western filmmaking for a more off-kilter style of storytelling. Some film historians consider Metropolis (1927) to be one of the most groundbreaking German Expressionist films ever made. However, there are many instances throughout Metropolis in which it deviates from the eccentric Expressionist style. There are many obvious occurrences of expressionism during Metropolis, for example the opening machine sequence, but conventional Western techniques are also common in the film.
Of some of the many early films, Frankenstein (James Whale, 1931), can be noted for its impact on film history as being one of the first films of its kind. This new genre of film inspired many more films to come in the Universal Hollywood film era, due to its vast amount of new techniques that were used to support German Expressionist film production. German Expressionist film production occurred after World War One, and had the primary goal to create a world much different from which the creator lives in. Frankenstein, itself, also created strong ties to German Expressionism, which called for a new way of cinema. This new wave of Cinema was noted for its “great burst of artistic activity” (Mast, Kawin 104).
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
The Female Desire to be Free The story takes in place in the 1920’s. During that era, women were living under the influence of men. They were not so free to make decisions for themselves without being judged upon by society. Seeing a pregnant woman who was unwed was viewed upon negatively.
Have you ever noticed the differences and similarities between the books and the movie? In the movie “lamb to the Slaughter” and the book There are many differences and similarities in movie and the book. One for example is that the movie has no flashbacks. A similarity is that she kills the man in both the movie and the book. Here are some difference you might not have noticed in the movie or the book.
What does director Tim Burton’s Edward Scissorhands and Mary Shelley’s Frankenstein (1994), directed by Kenneth Branagh, have in common— a mutual underlying story; but their differences are what makes their tales all the more special. Edward Scissorhands is a retelling of Frankenstein, but with a slight twist. In Edward’s case instead of lacking companionship like Frankenstein’s monster, he lacks hands; and is received rather well by the surrounding community. Ironically, in both tales the characters share the same desire to be love; this ignites the question – why do humans want to be love? Are we only important as we are loved?
The desire for love can break the bonds of confinement sometimes leading to positive occurrences and other times to negative ones. Freedom is always wanted, but when it is not available, constraints will be broken. One’s personality in the novel analyzed will decide whether they break the rules or follow them. In Water for Elephants, the main characters are either confined or free, and they deal with and create this underlying theme depending on their personality and character. Jacob, Marlena, and August conflict with each other in the fight for freedom and love.
