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Similarities Between Victor And Frankenstein

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According to the online Merriam Webster dictionary a monster had three meanings, the first is a strange or horrible imaginary creature, the second is something that is extremely or unusually large, and the last is a powerful person or thing that cannot be controlled and that causes many problems. Before even beginning I was curious to ask a peer their thoughts on which monsters in literature they thought to be the scariest? She came up with some interesting answers; the first one she said was IT from Stephen King’s novel, the next was Frankenstein. Now I calmly explained how the monster is not named Frankenstein, and that their choices were a little uninformed. This got me thinking about what it actually means to be a monster? Is it ones appearance? …show more content…

Both of their stories come from some evil they have seen in humanity, weather it be the scary possibilities of science or the simple truth of an unaccepting society. Both stories are not told in a fantasy world but in the world we see around us. Humans in both stories are the creators of the monsters and in the case of Dorian, the monster himself. This idea that the world we live in can create such disfigured beings either inside or out is truly the most worrying fact that these two novels have in common. What is it about our world that allows these monsters to be created? Somewhat regular people create both monsters; a young driven scientist creates the creature, while two very different individuals create Dorian. One could argue that Basil is the true creator of Dorian, but I find that while Basil created the picture of Dorian Grey, we have another to blame for the creation of Dorian the monster. Henry is the true evil mastermind behind Dorian Grey; he leads him down a path that is not paved with good intentions, only material pleasures. Basil recognizes the change in Dorian and …show more content…

When the monster is faced with a choice to do good, or do nothing, he choses to help. The monster comes across a girl in the woods who falls into the river, without hesitation the monster acts to save her. This act of kindness from one who is perceived as a monster is just another instance that shows how benevolent he is. His appearance however proves to be his downfall as this act is met with violence. The creature says, “This was the reward of my benevolence! I had saved a human being from destruction, and as recompense I now writhe under the miserable pain of a wound which shattered the flesh and bone.” (Shelly,

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These creatures can have their origin in the supernatural realm or come about through ominous scientific experiments, often times the two are very hard to differentiate(cf. Hurley 192). A popular reading of this trope is the notion of repressed anxieties and desires manifesting themselves in the form of monsters (cf. Dryden 20, cf. Halberstam 9).

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Discussion Of 'Monster In Grendel' By Josh Gardner

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What makes a monster? In media, monsters are often portrayed as terrifying beings that wreak havoc wherever they go. In fact, the definition of monster is “a strange or horrible and often frightening creature” (“Monster”). However, monsters are not always so easy to identify – they exist in virtually every community in society. If to be strange or horrible is to be a monster, then, in a slightly more abstract line of thinking, humans can also be monsters.

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How do Mary Shelley’s Frankenstein and Tim Burton’s Edward Scissorhands use language features, stylistic features and conventions to explore the theme of difference? Mary Shelley’s Frankenstein was published in 1818. The story focuses on a scientist named Victor Frankenstein and a creature brought to life through electrical currents, a popular idea at the time called galvanism. The second text, Tim Burton’s Edward Scissorhands was released in 1990 and focuses on an artificial being called Edward who has scissors for hands.

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Similarities Between Frankenstein And Edward Scissorhands

488 Words | 2 Pages

It is clear by analysing these stories that both protagonists were first abandoned by their creator and then once again by society. Shelley and Burton both effectively incorporated the techniques of setting and mood to portray moments of abandonment in both Edward and the monster’s lives. Consistent within various chapters of the Frankenstein novel, are scenes of the monster wandering around alone in different environments, portraying him to be a creature disregarded and abandoned by society. The diverse use of both change in setting, and mood of language, effectively displays the moments of abandonment that the monster is experiencing and hence allows the audience tio sympathise with his emotions.

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Similarities Between Frankenstein And Edward Scissorhands

1086 Words | 5 Pages

How does Mary Shelley’s Frankenstein and Tim Burton’s Edward Scissorhands utilise characterisation, imagery and foreshadowing to demonstrate the theme of abandonment and its consequences? Mary Shelley’s Frankenstein and Tim Burton’s Edward Scissorhands both explore the ideas of being misunderstood and rejected by society. Through his curiosity in the field of science, Victor Frankenstein envisions the creation of a being, not knowing what it would later become as a result of his neglect and lack of care towards it. Victor’s passion for science and his ambition to create his ‘monster’ causes him to feel guilt and regret, eventually resulting in his demise. On the other hand, Edward Scissorhands experienced a positive upbringing, with his creator

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War Of The Worlds 'Vs. Wells Monster In The Film Monsters'

928 Words | 4 Pages

To answer the question of “Who is the monster?” when talking about “War of the worlds” and “Monsters”, one must understand what a monster is. A monster is not simply a creature so ugly or monstrous it frightens people, it can also be defined as a person or thing who excites horror by wickedness or cruelty. This second definition establishes that we, humans, can be classed as a monster even if we do not fit the stereotypical description of what a monster looks like. This question is an important

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Mary Shelley’s novel Frankenstein, shows how a character who is portrayed as a tragic hero, in the beginning, can become the monster in the end. Victor and the Monster in Mary Shelley’s captivating novel showed how rival enemies share striking similarities. The similarities between the two tragic characters are driven by their dreary isolation from the secluded world. A large difference is that they were both raised in two completely different environments but understood the meaning of isolation. Physical differences are more noticeable rather than their personalities.

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1760 Words | 8 Pages

Is a creator responsible for the well being of their creation or is the creation responsible for its own happiness? There are various parallels in literature which help analyze Mary Shelley’s Frankenstein, however arguably none of these prove such great worth than the Bible itself. Of these parallels, the idea of creator and creation, a concept which has been fantasized upon for centuries, proves to be the main point of comparison for these two texts. Despite Victor and his monster having some differences to God and Adam, they also have an overwhelming amount of similarities. These relationships demonstrate the importance for a creator and its creation to remain loyal to one another or punishment will occur.

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Frankenstein, a book about a man and a monster both made initially to contrast each other. But what happens when I show you the similarities between the monster and Frankenstein himself? And why, they are in basic and intricate ways, one in the same. Either by loneliness, isolation, playing god, or just being intelligent. These two characters are not just a part of the main Frankenstein allegory, but of something different.

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1370 Words | 6 Pages

In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it; for example, vampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical

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When people hear the word “monster”, most people imagine a massive, horrid, and grotesque figure that haunts people. While pondering what a monster is, mankind thinks of the outward appearance. Seldom do people think of man’s internal qualities as being barbaric or gruesome. Authors allow readers to create their own images of these terrifying beings. Frankenstein is a thought-provoking novel that empowers readers to have their own opinions about who the actual monster is and what it looks like.

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