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Gender in popular culture
Gender in popular culture
Gender representation in media
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More handpicked essays just for you.
Gender in popular culture
Gender in popular culture
Gender representation in media
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Rhetorical Précis In her rhetorical essay “From Fly-Girls to Bitches and Hos” (1999), Wesleyan University graduate and feminist Joan Morgan claims that if a man cannot love himself, than he is incapable of loving women in a healthy matter, and it is up to women of color and the African American community to change these threads. Morgan supports her claim using ethos by questioning artists such as B.I.G and their aggressive lyrics, with logos by providing statistics from the U.S Census Bureau in regards to the decrease of the number of black two parent household, and also with pathos by providing a personal example of her family friend. Morgan is hoping to improve the music industry by examining hip hop and rap lyrics in order to raise awareness instead of censoring the industry. Morgan's tone is disdainful, concerned and disappointed in order to establish credibility with her audience, which consist of women of color, feminist, and hip hop artist.
Today’s topic: Police Brutality “Yall haters corny with that illuminati mess, paparazzi catch my fly and my cocky dress. I’m so reckless when I rock my Givenchy dress. I’m so possessive so I rock his Roc necklaces. My daddy alabama, momma louisiana.
Some people make their song or any writing effective by using dictation or foul language. In the song “Hold up”, Beyoncé uses foul language to appeal to pathos/anger by saying, "I'm gonna f*** me up a b****", while holding a bat. In the song “Don’t hurt yourself” ft. Jack White, Beyoncé uses foul language to appeal to pathos/anger by saying, “Who the f*** do you think I am? You ain’t married to no average b****, boy, You can watch my fat a** twist, boy, as I bounce to the next d*** boy”. This appeal to pathos because she’s telling her man that if he keeps messing up, he can easily be replaced and this is similar to the message in her single
The Temptations, as the name would suggest, is a band composed of five African Americans. The Temptations rose to fame in the 1960s, and still to this day, their classic hits can be heard. In 1964, The Temptations released one of their most popular songs to this day, My Girl; which rose to fame and hit number one on the pop charts in 1965. In this essay, I will analyze My Girl from The Temptations, consider the sociohistorical setting in which the song was produced, discuss the genre of music with regards to the elements conveyed, as well as go into depth describing their cohesion of vocal techniques and use of instruments in their performance. Analyzing these aspects of the song will help us better understand the time frame in which the song was produced.
The song our group picked is "Concrete Angel by Martina McBride”. It's about a young girl being physically abused at home. When you listen to the song you will come to understand that this little girl had no one to turn to. Until one day this little girl made friends with this little boy who happens to be her neighbor. Then later that night while the little girl was talking to the little boy through the window her mom came in, scolded her and beat her to the point of killing her.
Tupac destroyed and explained many stereotypes through his music up until his death. His take on conscious, informational rap brought major innovation to the genre. The song Brenda’s Got a Baby, is one of the first notions of Tupac’s explanations of life in the ghetto. The song debuted in 1991, and it was his first solo single. It created a view of what a young girl’s life could result in while living in the ghetto.
The story titled the Long Black Song has a controversial balance of power that is shown throughout the narrative. As time progresses, the struggle between men and women is heightened and there seems to be a passive partner paired with a mastery one. Sarah, a married housewife, was portrayed as being powerless within her own race, but when compared to the white man, Sarah gained physical and mental strength because she was curious about how being with the opposite race would feel, as well as the fact that black men were exceedingly domineering. Sarah was portrayed as a very frail character when equated to her husband, Silas, because the black men are the most dominant partner within an ethnically similar relationship.
Heartbreak Hotel is a song that was recorded by Elvis Presley and was written by a high school teacher named Mae Axton and a steel guitar player named Tommy Durden. It was recorded and released in January 1956 by RCA Studios. Elvis was only 21 and Heartbreak Hotel was his first song with the new record label RCA in Nashville, Tennessee. He recorded the song with his band the Blue moon boys. It was his first million-seller and the bestselling single of 1956.
In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.
In her essay "Hip-Hop's Betrayal of Black Women," Jennifer McLune expresses her stance on the positions some African American women receive from both the songs and music videos pertaining the hip-hop music genre. According to McLune, hip-hop would not be as successful as it is today if it were not for the objectification of African American women. Although this may be true to some extent, McLune seems to not realize that African American women are not the only ones being degraded in the contents of hip-hop, but instead women in general. The author also seems to assume that all African American male rap artists objectify women, when the reality is, many other music artists of different subgenres have been found guilty of committing the same
I have chosen “ Uptown Funk” by Bruno Mars and “ Rock Around The Clock” by Bill Haley as this assessment ‘s topic. Basic information of two songs will be mentioned first, then similarities, differences and connections will be discussed afterwards. First of all, Bruno Mars is a songwriter and popular singer who came from Hawaii, and he released “Uptown Funk” on 2014 , it won the Grammy award for Record of the Year. It is a pop, funk boogie with Minneapolis song. “ Uptown Funk” is talking about how a guy looking good , wearing jewelry and branded shoes , talking about how hot the singer is and how rich he is also it shows the exciting social life of the singer.
Hip-hop is an influential form of music that displays an artist’s honest and revealing story that many of the general public can relate to. One of the many songs that I can relate to is “Love Yourz” written by J Cole. The song talks about how Cole reflects on the most important things in life such as love and happiness. He realizes that the money and fame didn’t bring him the happiness he desired. To gain true happiness, he needed to appreciate himself and those that love him.
It 's being portrayed that being a man equals violence, poorness, being from the hood, can not be a sucker or you 're going to be tested, have your game face all the time, showing no emotion, and when they pick up a microphone they are a totally different person than who they really are. It was once said, ¨We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be a hard man. ¨Men want to have so much power, but they don 't have any power at all. The hip hop artist just has physical power over their body and how they display themselves, so they dress certain ways to get respect to feel powerful which also is hypermasculinity.
In modern music, women are often portrayed as sexual objects and are the targets of rape culture, and this has become a regular occurrence, leaving people to not see the wrong in it anymore. The song I have chosen to analyze, Blurred Lines, by Robin Thicke, featuring T.I. and Pharrell Williams was released in 2013. It talks about a woman who has been “domesticated” by her partner and behaves like a stereotypical “good girl”, while Thicke is saying that there is nothing wrong with exploring her more adventurous sexual side by having sex with Thicke, even though she already has a partner. He cannot let her get away, and assumes that she wants him, even if she says she does not. I believe this song is written around the idea that women are mere objects that claim to not want sex when they “really do”, in the eyes of men, ignoring the idea of consent, which is unacceptable.
The song that I chose was “Unwritten” by Natasha Bedingfield. It was released in 2004, and was nominated for the Grammy Award for Best Female Pop Vocal Performance. It also hit number five on the Billboard Hot 100. Natasha Bedingfield has another popular song “Pocketful of Sunshine” and was really only popular in 2004-2006. You can find her songs on multiple 00’s playlists.