Julia de Burgos’ poem, Ay, Ay, Ay of the Kinky- Haired Negress frames her poem by adopting an individual persona “I” which allows her to speak with legitimacy on the self. However, some might argue that she also universalized the poem to include the black exploited slaves to create identity for everyone. The poem not only redefines the role of a black woman but it also redefines the foreign and obscure issues in identity. Ay, ay, ay, that am kinky-haired and pure black kinks in my hair, Kafir in my lips; and my flat nose Mozambiques. In the beginning of the stanza, Julia de Burgos describes her physical traits: “kinky-haired, Kafir lips, and flat nose Mozambiques” embracing the innocence of her black physic. Throughout the poem, Julia …show more content…
She suggest that silence “does not protect” anyone and mute chokes us more than death itself. Besides “transforming language into silence, Black women have on one hand always been highly visible, and so, on the other hand, have been rendered invisible through the depersonalization of racism” (42). Julia de Burgos style is prominent to this article when she transforms this poem form silence into language. She reveals history, her identity, and self through a ballad style. While doing so Julia de Burgos’ “sorrow voice that is paradoxically released through the wound…In the complex relation between knowing and not knowing intersect that the language of literature and the psychoanalytic theory or traumatic experience precisely meet” (3) that enables her to retract her conscience from political-historical views to her emotions of justice and liberation. Not only does Julia de Burgos role is bold and risky in speaking up against her
In Julia Alvarez’s novel, In the Time of the Butterflies, a young, naïve girl transforms into a prominent figure in the revolution against Leonidas Trujillo as we read page after page of her most private thoughts. This character is Maria Teresa (Mate), the youngest of the Mirabal sisters. Alvarez weaves Maria Teresa’s story as a coming of age story under a dictatorship, and slowly, but thoroughly, shows us how it corrupts childhood innocence and forms revolutionaries. Mate’s chapters in the novel are solely journal entries. In Julia Alvarez’s words, “Techniques are just tools on the wall to help you get at what best reflects the stories in your heart to tell.
America The Not So Beautiful America is known as the land of the free and home of the brave, but the reality is that not everyone in America was free. This essay is about the influence black romantic writers have on their readers and how black Americans today can relate to the topics of the writings. I will include information about the writings of Frederick Douglass, Harriet Jacobs, and Frances Ellen Watkins Harper. While reading the works of these three writers I noticed some recurring themes within their experiences.
In Evan’s short story, “Snakes,” the construction of a python phobia and its debilitating effects on Tara’s bodily and mental autonomy serves as a metaphor for her embodiment of the racial and familial tension that encompasses her life. Although the phobia is debilitating, the serpent imageries conjure up the desperate mood of Tara, and more broadly Black society, who are struggling to gain ownership and agency over their bodies from the control of others. Moreover, Tara’s grandmother not only utilizes fear as a method of control but she also attempts to control her granddaughter by means of her aesthetics. Both methods of domination allude to a long history of white control over the Black body. Due to this, the desperate mood also stresses the lengths that Tara and other Black bodies would go to reclaim their autonomy and obtain their agency.
Anna Deavere Smith is a very talented woman; she’s a playwright, a journalist, author, and an actress. She focuses mainly on social issues particularly ones with race. Within the plays/books, Twilight Los Angeles 1992, Fires in the Mirror: Crown Heights, Brooklyn and Other Identities, and House Arrest, the race issues she talks about relates to recent events. In this paper, I will do my best to compare and contrast the books and the issues within them. I will also be discussing about how I feel about certain parts within these plays, each play, and them all together.
In “We Wear the Masks,” Dunbar displays the oppression and pressure that the black community faced in the late 19th century. With remaining unjust laws and unforgetting former slaves, Dunbar evaluates the saddened and fake expression that his community faced. His title indicates that the newly freed black population in America could not truly be themselves but had to wear a “mask” that made them acceptable to the white population. Dunbar unites his community by projecting them as a whole encountering a new form slavery together. The poem aims to express how the black population was forced to hide their continued suffering in order to not endanger their newly gained freedom.
To be a woman of color, took bravery along with containing the characteristic grace and patience. A woman who was dark skinned, and obtained harsh conditions without an explanation forced to their will, putting their life in jeopardy without a flinch was a Saint. A Saint of creation for an artistic lifestyle, with all the above characteristics of being a heroine for the future. “Black women whose spiritually was so intense, so deep, so unconscious, that they were themselves unaware of the richness they had”, expressed poet Jean Toomer with that discovery of walking the south in the twenties. A time in American History, in which makes me disgusted to know the land we stand on uprose with slavery.
Octavia Butler is an Afrofuturist, science fiction author who writes many dystopian stories that allude to questions about gender, social structures, and an individual’s ability to control her body and sexuality. When people think of speculative and science fiction they tend to think of nerdy white men writing stories about space and light sabers, but Octavia Butler challenges this stereotype herself by being one of the few African American women in this genre. In Octavia Butler’s speculative fiction short story “Speech Sounds” there is a reversal of gender roles and a strong idea of feminism that is portrayed through the main character Rye. There is also the use of simile and metaphor to help point out flaws in the social structure of the story and the world of the reader.
Stressing the immorality behind the oppression of human rights, Julia Alvarez’s In the Time of the Butterflies displays a reverent tone as the heroic actions of the Mirabal sisters against a totalitarian government are described, showing Alvarez’s desire to possess the same courage. Though filled with numerous themes, the most prominent message
4. Abject in “About Face” Similarly to the crucial aspects above, the poem “About Face” represents some issues already mentioned. The poem “About Face”, by Patience Agbabi is a poetic depiction of the mythological painting of the goddess of the hunt Diana and a hunter Actaeon. First of all, the poem has an interesting structure and way of representing and conveying its meaning.
David Dabydeen’s Turner, is a postcolonial response to the authors of colonial atrocities. Dabydeen attempts to convey within his poem a society haunted by the injustices of the past which have been denied recognition and redemption from the prosecutors and historians themselves. Drawing on theoretical concepts of postcolonialism, hauntology and mid-mourning, Dabydeen’s Turner, attempts to highlight the agony and powerlessness of those who were, currently, and will soon be subject to, to overcome the curse of past injustices. Focusing on the physical and psychological marks the colonial project placed and continues to place on the body and psyche of the drowned slave, the narrative of agency being gained through death is problematize. As summarized by Steph Craps, David Dabydeen’s Turner, is essentially a poem which brings to the attention to the reader the immortal presence of past injustices.
June Jordan’s poetry is known for its immediacy and accessibility as well as its interest in identity and the representation of personal experiences. Her poetry is often deeply autobiographical, political and often displays a radical, globalized notion of solidarity amongst the worlds oppressed. “Poem about my rights” by the poet, June Jordan can be seen as spoken word poetry rather than page poetry where oral performance and repetition are used to convey her feelings and messages to the listeners. Poetry can be divided into two groups; written poetry and spoken word poetry. Written poetry, also known as page poetry, is written and is analysed by the reader.
“Poem for My Sister” written by Liz Lochhead, is a poem describing the relationship between two sisters and their experiences. As with almost all siblings, the younger sister looks up to her older sister and strives to be like her whereas the older sister in this poem has been through numerous hardships and troubles in her life and warns her stubborn sister to not follow in her footsteps. The reader can relate to the poem as they are either an adult or a child and both ages apprehend the feelings and emotions that the characters are experiencing. A deeper meaning this poem suggests is that the experience of adulthood should be seen as advice for the upcoming generations.
Throughout the course of African American Experience in Literature, various cultural, historical, and social aspects are explored. Starting in the 16th century, Africa prior to Colonization, to the Black Arts Movement and Contemporary voice, it touches the development and contributions of African American writers from several genres of literature. Thru these developments, certain themes are constantly showing up and repeating as a way to reinforce their significances. Few of the prominent ideas in the readings offer in this this course are the act of be caution and the warnings the authors try to portray. The big message is for the readers to live and learn from experiences.
Sarah Kay is an American educator, reader and a spoken poet, who was born to a Taoist mother and a Brooklynese father. She is also the founder and co-director of Project VOICE, a project whose aim is to entertain, educate, and inspire its audience. Thus, these three aims are important aspects of Kay’s poems and their effect on her audience. Throughout her poems, she tackles social issues widely present in today’s world, and her poem “The Type” is no different. Kay is the speaker of, “The Type” and throughout the poem, she is taking to individuals who identify themselves to be a woman.
Dee approaches culture by decontextualising it, while Maggie and Mama relate to it with a kind of ‘organic criticality’. The former stance is mere rhetoric and the later one is womanist. In one of her interviews, Alice Walker identifies three cycles of Black Woman she would explore in her woman’s writing: 1.