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The metamorphosis allegories
The analysis of the novel metamorphosis by franze kafka
Franz kafka related to the metamorphosis
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Gregor’s initial reaction to his transformation shows his preoccupation with work. His confusion over his radical transformation does not last long, quickly becoming concerned with work and disregarding that he woke up physically transformed into a monstrous vermin. Immediately after realizing he had transformed, Gregor explains, “Well, I haven’t given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to [the boss] that will probably take another five to six years… But for the time being I’d better get up, since my train leaves at five” (4). The quick transition of Gregor’s thoughts from the initial shock to his economic duties reveals his ironic nonchalant attitude towards his nonsensical transformation and
He is willing to take on anyone in order to support his family, which plays into the theme of family duty. Also, Gregor’s determination and military experience (pg 12) is displayed in his plan making and strategizing to capture his manager. The loyalty to his family, displayed by working and trying his best to keep a job he doesn’t want, gives insight into Gregor’s character. The unhealthy relationship Gregor has with his family is very common for a character in Franz Kafka’s book. His own tumultuous relation reflected onto his characters lives.
In The Metamorphosis by Frank Kafka cruelty is what stemmed Gregor’s change into a large bug and subconsciously motivated him to end his life. Gregor’s new form was a depiction of how he already felt in his household, trapped, voiceless, and small. As Gregor’s metamorphosis developed so did the characters cruelty which affected both the perpetrators and the victims. The Samasa family’s cruelty was demonstrated both physically and mentally by Gregor’s father driving him back into his room, throwing apples at him and by Grete’s use of the word “it”.
1. Almost from the very beginning of Gregor’s metamorphosis, Mr. Samsa has been unwilling to accept Gregor as his son. Furthermore, Gregor’s transformation into an offensive form of an insect, constantly reminds Mr. Samsa of the grotesque, feeble, and pathetic aberration that he has fathered. Consequently, now that Gregor has genuinely revealed himself in all his audacious behavior, his cruel father is driven to destroy him. In his eyes, Gregor has become everything loathsome to him—scrawny, parasitic, and futile—not the kind of son this once successful and ambitious storekeeper could be proud of.
Most notably, his reaction is extremely calmer than normal people would be. As a human, Gregor accepted the hardships he faces by his family without complaint. He is a naive and decent person. He works in anonymity without uttering words to earn money for the whole family even he did not even like this “exhausting job he’ve picked on”(p89) since his dad’s failure in business. Similarly, when he first realized he had transformed into an insect, he was not disgusted by his looking and condition, he did not wonder how he turned to an insect and how to transform back to a human.
However, his family never realizes these sacrifices and takes Gregor for granted, ultimately leading to his painful demise. Gregors perpetual devotion to his harsh family represents the unconditional love one feels for their own flesh and blood no matter how wicked they may be. The family's reaction to Gregor’s transformation into a bug demonstrates their lack of compassion for
Gregor Samsa’s transition from human to vermin was not the only shift that happened through the duration of Kafka’s The Metamorphosis. The novel is centered around Gregor who wakes up as a vermin, presumably a cockroach, which catalyses a series of emotionally traumatic experiences for him and his family, culminating in Gregor’s death. Yet the most significant change is, in fact, the gender role reversal seen both with Gregor and Grete, his sister, as Gregor becomes more effeminate and Grete becomes more emasculate, directly correlating with their societal and emotional transformation due to Gregor's physical change. From the moment, Gregor wakes up he has transformed. But not just as a vermin.
What is deconstruction in literature? According to Merriam Webster, a deconstructionist literary criticism is a “philosophical or critical method which asserts that meanings, metaphysical constructs, and hierarchical are always rendered unstable by their dependence on ultimately arbitrary signifiers” (Merriam). In other words, a deconstructionist literary criticism looks at the book as a whole and deconstructs the pieces of the novel and how they may seem unstable when compared to the whole meaning. This mindset is exhibited in that of The Metamorphosis by Franz Kafka. Franz Kafka leaves many aspects of the novel unexplained and he includes details that are unstable to the meaning of the novel as a whole.
Kafka uses diction and symbolism to convey the family’s dissatisfaction and the deterioration in their family ties. Each family member acquires a job to compensate the loss of Gregor’s salary. Kafka writes: “They were fulfilling to the utmost the demands the world makes on the poor: Gregor’s father fetched breakfast for the petty employees at the bank, his mother sacrificed herself for the underclothes of strangers, his sister ran back and forth behind the shop counter at her costumers’ behest... And the wound in Gregor’s back would begin to ache anew when… Gregor’s mother…would say: ‘shut the door now Grete’; and Gregor was left in the dark again” (Kafka
Franz Kafka, heavily influenced by Ovid’s Metamorphoses, devises the character Gregor Samsa in order to portray a detailed experience of an individual’s metamorphosis. Kafka’s narration style differs greatly from Ovid’s, in that, the narration begins with a first person perspective and changes to a third person narration, which remains consistent to the end of the novel. Unlike the stories within the Metamorphoses, there is a clear contrast in the portrayal of Gregor’s transformation. Ovid and Kafka’s depiction of a metamorphosis incorporates the concept of identity in the individual’s transition, however Kafka emphasizes the family dynamic and the hostility Gregor feels. Gregor’s family’s inability to look past Gregor’s exterior appearance
Although Gregor did not like his job he still wanted to work, to help his family. Even right after the metamorphosis Gregor’s first concern was that he wouldn't be able to go to work, not that he just turned into a bug. This is similar to Kafka’s life because he too did not like his job, but only continued to please his father. The second principle that was prominent in The Metamorphosis, was alienation. Although isolation is not the same as alienation, someone who is isolating themselves is alienating themselves.
The Metamorphosis is, in fact; a projection of Kafka’s own existence. Kafka’s inadequacy about his sexuality is represented in Gregor’s persona. Gregor didn’t marry and within the story, there is nothing about his dating with any lady. Here, just as we see an photograph of a photo of a girl and his honor for it: “…the image of the girl dressed in not anything but fur. " Kafka’s father becomes tyrannical, his mother, but, dominated via her husband, cherished her children passionately.
The latter demonstrates the fragility with which society, represented by Samsa’s family, endeavors maintain the thin barrier between it and the void of meaning, while the first is a literary parallel. To elaborate, the title, ’The Metamorphosis’, doesn’t just refer to Gregor. It is an accusation on all men and women, to Grete, to Gregor’s parents, to the lodgers, and even the boss, an accusation that everyone undergoes the ‘Metamorphosis’ when one is separated from one’s values. Indeed, the thematic brunt of the story is that Man can and will be alienated from his values, just as Gregor was from his status as his kin’s caretaker. Finally, by providing a darkly comic ending of the family enjoying life after their son’s and brother’s demise, Kafka underscores the
With such a title, one might expect that this story will express the metamorphosis of a caterpillar to a beautiful butterfly, but with Kafka’s troubled upbringing, abuse and feelings of being devalued for most of his life, it’s easy to see how Kafka felt the need to symbolically dehumanize himself. Kafka’s choice of human-to-insect transformation exudes self-loathing because there’s nothing lower than a cockroach. While Gregor is the one who took on the grotesque transformation, it’s actually his family’s behavior towards his change which conveys complete hostility. Grete, for one, had enough near the end when she said, “If it were Gregor, he would have realized long ago that it isn't possible for human beings to live with such a creature, and he would have gone away of his own free will” (Kafka). It’s very disheartening knowing that his own family couldn’t handle his transformation when his first thought in the morning was getting to work on time for their
Gregor is the main provider within the family for the amount of income he brings, and is idolized for his role. Being raised in the 20th century, Gregor 's view on women had been the same as any other male during this time period and looked down upon women as inadequate, and, in most societies, the man provides and the woman maintains; however, this viewpoint alternates once the unexpected change in their life occurs resulting in a switch of leadership within their household. "Gregor felt very proud that he had been able to provide such a life in so nice an apartment for his parents and his sister. (21)" After his mysterious modification within his physical form, his mentality also weakened.
