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Solitude In Frankenstein

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The creature also takes on a role as a Byronic Hero through his forced isolation, intelligence, traumatic life events, and manipulative skills. The creature begins his life by being abandoned by his creator and forced to develop from the mental stage of a human newborn to an adult on his own. After the initial confusion from waking, he leaves Victor’s apartment, and finds himself in a desolate area by a brook where he is frightened, cold, and completely alone (73). Only knowing solitude, the creature doesn’t know how to interact with other beings because he is unaware that his appearance causes fright in everyone. When he stumbles upon them, he doesn’t understand why they run from him. As one man ran screaming from him upon catching a glimpse, …show more content…

Before he goes through with his plan to meet the family, observing the De Laceys is the creature’s Eden. He is not aware of evil until people are evil to him. The creature is wrong of course when it comes to them accepting him, however, as his appearance is too frightening for anyone, even people he loved from afar to overlook when found near someone or something valuable to them. When the creature is discovered in their cottage, the young De Lacey “darted forward, and with supernatural force tore [the creature] from his father, to whose knees [the creature] clung, in a transport of fury, he dashed [the creature] to the ground and struck [him] violently with a stick” (Shelley 93). This experience, combined with the treatment of other humans toward him, traumatized the creature. The De Lacey’s actions prove that “a refusal of sympathy toward a friendly monster provokes a hostility” (Randel 203). After this moment, he frequently asks his creator why he had let him live. This mentality leads him to declare “everlasting war against the species, and more than all, against him who had formed [the creature] and sent [him] forth to this insupportable misery” (Shelley 94). The abandonment by his creator is really starting to wreak havoc in the creature’s mind. He calls Victor Frankenstein a “heartless creator. [He] had endowed [the creature] with perceptions and passions and then cast [him] abroad an object for the scorn and horror of mankind” (96). He travels to Geneva next, Victor’s hometown. He is livid, and “the nearer [he] approached to [Victor’s] habitation, the more deeply did [he] feel the spirit of revenge enkindled in [his] heart” (96). He is willing at this point to commit any act that would hurt his estranged creator. Mary Shelley insisted that “the monster is naturally good, ... but

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In Shelley’s novel Frankenstein, the creature 's acquisition of knowledge leads to his diversion from benevolence to pure hatred towards mankind. The works of Victor Frankenstein, the monster was created by old body parts and strange chemicals, animated by a spark making him come to life. The Creature enters life as an eight-foot giant only to have been created with the intellect of a newborn. Abandoned by his creator and confused, the Creature attempts to integrate himself into society only to be shunned away in disgust by humanity. The Creature then makes his way and lives next to a human family which is essentially the start for the creatures detestation towards humanity.

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The novel Frankenstein brings to light many problems and situations that shed light on the faults of mankind. Cruelty was a huge factor in the novel; throughout Frankenstein is cruel to his body and to his creation. When he first makes the creature he runs from it, leaving the creature to fend for himself; even when reuniting with the creature he continues displays cruelty. The creature, in turn exhibits Victor cruelty right back. Within Frankenstein cruelty can be attributed, often affecting both Victor and the creature; serving as a crucial motivator and revealing their anger, pain, frustration till eventually both die.

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The creature had anxiety as he was about to talk to De Lacey because all of the previous interactions he had with others has led the creature to believe that no one will love him. The

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This was evidenced by Frankenstein rejecting the creature due to its physical appearance. He was also afraid that the creature resembled how he felt on the inside. Frankenstein tried to run from his emotions while the creature was discovering his. Mary Shelley described this encounter with the De Laceys after observing the family for a considerable time. “I felt sensations of a peculiar and overpowering nature: they were a mixture of pain and pleasure, such as I had never before experienced, either from hunger or cold, warmth or food.”

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“Whosoever is delighted in solitude, is either a wild beast or a god” (Aristotle). Romantic period writer and author, Mary Shelley, depicts two characters in her soft science fiction novel, Frankenstein, that is exquisitely similar to those who “would find delight in solitude” as quoted by Aristotle in his Politics. In Shelley’s Frankenstein, the parallel of Aristotle’s two presented personas consists as Victor Frankenstein as a god and his horrific creation, the Monster, as a wild beast. Unambiguously, Victor is indeed the god of the Monster because he created him, consequently bringing the Monster into existence. The Monster too is merely a wild beast from the perception that he appears to be a frightening and violent creature.

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