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Zora neale hurston spunk analysis
Zora neale hurston spunk analysis
Dramatic irony literary critique
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More handpicked essays just for you.
Zora neale hurston spunk analysis
Zora neale hurston spunk analysis
Dramatic irony literary critique
Don’t take our word for it - see why 10 million students trust us with their essay needs.
When relating to someone you hold similar characteristics as them or consociate on a physical or emotional level. In the novel “Their Eyes Were Watching God” I partially relate to Pheoby Watson who is apart of the community/outsiders. Pheoby Watson is the best friend of the main character Janie after she moves to Maitland/Eatonville. Pheoby is married to Sam Watson and quickly becomes Janie’s confidante due to her being affable. She looks up to Janie for love inspiration even though she is quite beneficent with her own love life.
In her autobiography, One Writer’s Beginnings, Eudora Welty illustrates how early memories of reading and books later inspired her to become a fiction writer. She uses intense diction, hyperbole, quotes, examples, and compare and contrast to support her purpose. She speaks in a reminiscent tone to a general audience. Welty narrates her love for literature and acknowledges the individuals that impacted her, ultimately conveying the intensity and value of these experiences.
Throughout the history of mankind, there has always been a battle between good and evil in one form or another. Whether it be light and dark, God and Devil, virtue and vice, peace and war, love love hate, the two sides are always be at odds. Zora Neale Hurston was no stranger to this age-old conflict. Growing up as a black woman in the south in the early 1900’s, and the daughter of a preacher, she was familiar with both the hate and wickedness or unfailing righteousness that a person could possess (Boyd). In her short story, “Sweat,” Zora Neale Hurston explores the theme of good versus evil, the relationship the two forces share, and the inevitable defeat of wickedness through her main characters, point of view, and symbolism.
The mainstay figure of the short story, "Spunk," whom the story is named after, offers a unique example of the believable, appropriate, and curiously unlikable character. Being a flat character, Spunk thinks of himself as the most dominant man in town which fuels his arrogance, as well as his ego, as shown when he says, "...the dirty sneak shoved me... he didn't dare come to my face"(Hurston). This exemplifies Spunk's firm belief that he is the most powerful man not only between him and Joe Kanty, but between him and the rest of the world. Due to his superiority complex, Spunk exhibits a thirst for control.
Temptation led to forgiveness in aspects of materialistic items. Missie May had an affair with Otis Slemmons, he represents wealth and influence which Missie May does not have the privilege of in her marriage. Zora Neale Hurston emphasizes his wealth in order to
Blame and Pride in Spunk by Zora Neale Hurston The story centers around a love trio between a self-assured man, a feeble husband, and his deceitful wife. The above-mentioned group is unpredictable, also the first to experience blame, from the bar frequenting townsfolk who do nothing but den at the bar and gossip all day. They notice that resident Lena Kanty walks off with “giant of a tan-skinned man”. Spunk, who is not her husband. The men at the store begin talking about the occurrence, and about Spunk.
In the novel, Joe is on his deathbed. Janie comes to visit him and tells him his mistakes, but Joe doesn’t want to listen. Coming back from speaking to him, “she tore off the kerchief from her head and let down her plentiful hair. The weight, the length, the glory [is} there.” (Hurston 87)
That was because Joe never told Janie how jealous he was. He never told her how often he had seen the other men figuratively wallowing in it as she went about things in the store…. She was there in the store for him to look at, not those others. But he never said things like that. It just wasn’t in him.”
He learns that although he was strong and could easily kill Joe, he himself would ultimately be his own downfall. Joe is the antagonist even though he is the weaker one between himself and Spunk. Joe knows that his beloved wife Lena has the hots for Spunk, but he has absolutely no intention of getting her back. There is even a full paragraph on the first page that explains his feelings on the situation. This paragraph allows the reader to understand Joe on a deeper level.
In the late 1890's, growing up in America's first incorporated Black community meant growing up sheltered from the harsh reality of the rest of America. For Zora Neale Hurston, it also meant growing up with a fiery personality as a Black woman. At that time in America, African Americans faced horrifying racial injustice including the Jim Crow Laws, violence, and poverty, with Black woman being even more oppressed. The Black female experience growing up in Eatonville, Florida is illustrated in Zora Neale Hurston's "Dust Tracks on the Road" by employing the use of diction, hyperbole, and details. Hurston utilizes powerful diction in order to describe her home life growing up.
Whoever knew how difficult love can be. Love changes like the season. Summer and Spring are your happy moments. Winter and Fall are the bad moments. In the novel, Their Eyes Were Watching God, by Zora Neale Hurston shows how quick and easy love changes overtime.
One major theme authors universally write their stories around concern the power of human relationships. Though writers may take different paths to communicate this, the strength that comes from these unique connections that exist between individuals resonates with everyone. Authors clearly articulate through a myriad of rhetorical devices that maintaining relationships is a fundamental part in personal growth and allows for a stronger sense of self. In finding companionship and comradery. people become capable of evolving and arriving at better understandings of who they are.
In utilizing the supernatural within the short story “Spunk,” specifically the character of Joe returning from the dead as a bobcat, Zora Neale Hurston illustrates the strong desire for equality commonly seen in literature written during the Harlem Renaissance. Firstly, it is important to note that while alive, Joe faces quite a bit of negative treatment, especially at the hands of Spunk. For example, Spunk ends up taking Joe’s wife, Lena, from him, walking around the village as “big as life an’ brassy as tacks” (Hurston 949). At this moment, Spunk is far from ashamed to be seen with another man’s wife, basically portraying Joe as incapable of being a decent husband and standing up for himself and his marriage.
In the New Masses, an article written by Richard Wright, explores and compares two novels that revolve around the life of African Americans. One of the novels being Their Eyes Were Watching God, by Zora Neale Hurston which Wright says it was a kind of minstrel show. Richard Wright’s critique of Neale Hurston’s Their Eyes Were Watching God proposes that Hurston’s interpretation of African-American life in the 1930’s was falsely portrayed. I, myself have to agree with Richard Wright’s criticism. In his article, he says, “Miss Hurston voluntarily continues in her novel the tradition which was forced upon the Negro in the theatre, that is, the minstrel technique that makes the "white folks" laugh.
Charlotte’s web was an enjoyable book, it is written by E.B White. Charlotte's Web is an adventurous, funny, and even sad book that will make you have mixed emotions. The book starts off when Wilbur was born and Wilbur was the runt of the bunch, so Mr.Arable wants to kill Wilbur. Mr. Arable’s daughter stops her father from killing him and she asked her dad if she could keep Wilbur as a pet.