Up until the denouement, the relationship between Stella and Stanley enables Williams to demonstrate that power is a means of control. When Stanley says “’Every man is king’” there is a suggestion that Stanley uses power in order for him to be able to control the outspoken Stella that has seemingly been influence by the femme fatale ideology of Blanche. This is because the intertextual reference to Huey Long is a means by which Williams can effectively show his male character as using power to show that he is the authoritative figure that will not tolerate female defiance. Furthermore, what further demonstrates that Williams wanted to present power as something that allows control is Stella’s attitudes to Stanley where prior she states “Stanley’s
Stanley is a blunt, practical, and animalistic man who has no patience for subtleties and refinement. His animalistic character shows the moment he meets Blanche, when he, moving with “animalistic joy” (24), “sizes” Blanche up with “sexual classifications” and “crude image” in his mind (25). Under his stare, Blanche draws “involuntarily back” (25), a movement that foreshadows their later conflict and her subsequent demise. His practical and straightforward side shows when he interrogates Blanche about the sale of Belle Reve to make sure that his wife is not swindled. His straightforward, practical nature makes him “boom” out of impatience (46) and demands Blanche to cut straight to the point when she tries to talk in an indirect, subtle manner as befit a Southern gentlewoman.
The play “A Streetcar Named Desire” is about an emotionally unstable lady named Blanche. She moves in with her youngest sister and her husband because the landlord took the land away from Blanche because they could not pay for it anymore. After being their for a while Blanche starts remembering her horrible past which is something she was trying to do in the first place. The husband of Stella, Stanley Kowalski was also someone that made Blanche’s life miserable for complicating everything and harassing her in every possible way. Death is one of the most symbolic terms in this play.
“In the state of Louisiana we have the Napoleonic code according to which what belongs to the wife belongs to the husband and vice versa” (22). Although he sounds like is supporting Stella in the fact that she was “cheated” out of her property, he is really being self-considerate. This quote shows that Stanley feels entitled to whatever Stella owns. Stanley is a man of the working class, and with this estate and the wealth that comes with it, Stanley feels as though he is also wealthy. With this wealth, Stanley would feel and act more even more superior than
Poker night is a testosterone filled occasion and the stakes are high. When the women arrive at the scene, Stanley is already losing money, is half drunk, and is sharing a home with his unwanted sister in law. It can be foreshadowed immediately
She brings this sense of superiority to Stella who unintentionally tries to distinguish her background from Stanley as well. Stanley recognizes the fact that Blanche looks down on him forcing him to assert his masculinity over her. Stanley’s dominance over the household and Stella is being questioned upon Blanche’s
Was it really worth it? The question most college graduates ask, when they receive their first bill from the US Dept. of education. The idea of student loans can be extremely deceiving, even after reading the fine print. Most students see them as a stepping stool, towards a more promising and financially stable future. Now it’s 4 years later, a degree has been obtained and students find themselves standing in the real world 50,000 dollars in debt and extremely overwhelmed.
1). Williams states that he takes with “the power and pride of a richly feathered bird among hens”(265; sc. 1). This comparison to animals portrays Stanley as the alpha male in this story. He views woman as objects and his sexual desires are strong and primitive. Whenever he fights with Stella, the “things that happen between a man and women in the dark… make everything else seem – unimportant” (321; sc.4).
Stereotypical gender roles have existed as long as human culture has, becoming a natural part of all of our lives. Within each gender lies a variety of stereotypes and expectations. Most notably for men they are often depicted as tough and the family provider. Whereas women are often shown to be soft and vulnerable. Throughout the play A Streetcar Named Desire the author; Tennessee Williams illustrates the main characters, Stanley, Stella, Mitch and Blanche with these stereotypes.
He is verbally and physically abusive towards his wife, Stella, in order to establish his power over her. He is described as giving a ‘loud whack of his hand on her thigh’ to which she merely retaliates ‘That’s not fun, Stanley.’ Whilst ‘the men laugh’. This shows how abusive behaviour towards women is normalised and accepted within this patriarchal society as the men simply choose to ‘laugh’ along with Stanley.
Did you know that cheer is almost as dangerous as football, but it’s not considered a sport?”When the activity began in the 19th century it was only for men. But it has evolved over the next hundred years. It is now a female-dominated activity forming the basis for the popular girls and women cheering in short skirts, and waving pom-poms.” (Devoe,2019) So cheerleading should be considered a sport because cheerleading is as dangerous as football, and is considered to be even harder.
The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.
He had slaps her in her face, when Stanley is in front of his friends he get out of hand. He asks different in front of his wife Stella. In the real world, when men hang out with their friends, they feel like they are the boss, so they start to show out to proof that they are man enough to put women in there place. Knowing that when they are around their wife’s they act so different because if their friends see how men act, they would think that he is a coward. When Stanley is with Stella, he is sober and he is sweet and caring to her.
Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.
In one particular scene in the movie Stanley becomes furious with Blanche’s disrespect towards him and proceeds to tell her that he is the king of the house and she is to do as he says. It seems that Stanley felt a sense of achievement by making women fear him. Tennessee William uses this wicked man to help the audience see how Southern culture displayed unethical
