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Ancient greek societies womens role
Gender portrayal in literature
Gender portrayal in literature
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But not to give up SEX-there’s nothing like it, Lysistrata!” (Aristophanes, Lysistrata, p.33). If every member of the assembly aren’t willing to follow the conditions, this makes the assembly weak and less effective. Sometimes, having all the women follow the conditions can be difficult which can make keeping the assembly focused
Always Submissive and Sexy Do you believe that the two sexes today are treated differently from one another? In the Odyssey, written by Homer, there is a constant comparison between the opposite sexes. Throughout this book, Odysseus struggles to get home to his submissive wife Penelope. He encounters challenges, one of which is beautiful tempting women who urge him to stay.
Her grace, power, and overall determination gained the respect from all the women. Close to the beginning of the poem Lysistrata states "But if the women gather together here—the Boeotian women, the Peloponnesian women, and ourselves—together we'll be able to rescue Greece." (I. 39). She uses the word rescue to show how detrimental this war is and Lysistrata knew if everyone came together the war would end. She knew what the war was all about and ultimately she knew it was wrong.
To begin with, in the Iliad, a woman 's role depends on her beauty and position in the society, making them look more like a “prop”. For instance, Briseis used to be a respected princess and the wife of Mynes. However, her great beauty made herself became a reward between Achilles and other warriors in the Trojan War—she is no longer a dignified queen but a belonging whose role being manipulated by men. Another example is Helen. She was taken away from
Imagine if everyone had a pre-determined negative image about you? This is what life was like for Marji, the protagonist of the novel Persepolis by Marjane Satrapi. The book is set in the year 1980, in Iran where Islam was a major religion at the time. This is also the time for the Islamic Revolution which kicked the Shau out of office and made Iran a theocracy. In Persepolis, Satrapi challenges negative stereotypes about Iranians through important characters who oppose the Islamic Regime.
The women felt that the war was causing disruption and ruining the unity between the people. Particularly, the main protagonist Lysistrata herself, gathers the power of females in hopes for peace and the reunion of Greece. Although the women initially were dubious about ending the war with a sex strike, it was Lysistrata who brought leadership to the group, encouraging all to contribute their powers for good, as she says, “Our country’s fortunes are in our hands; and whether the Spartans shall perish and the Boeotians shall be completely annihilated” (Aristophane 34-35). During this process, the women were faced with corrupted men, who believed that females should have no participation in the topic of war. Rather than succumbing to the demands of the men, Lysistrata insisted and argued for women to take charge and restore Athens.
This could be due to that fact that gods and goddesses are also shown to have two sets of standards for sexual fidelity. When Calypso was told to release Odysseus she mentioned these unfair standards, “Hard-hearted you are, you gods! You unrivaled lords of jealousy-scandalized when goddesses sleep with mortals.” (The Odyssey, Book 5, pg 317, lines 130-133) Calypso 's complaint shows that even divine beings in Greek culture have different standards for women and men.
They viewed sex in terms of phalluses, of active and passive: something that was done to somebody, rather than with them [Source 2][Source 6][Source 9]. While an adult male was expected to sexually pursue both women and boys [Source 4][Source 9], a grown man who preferred a passive role would have been stereotyped as effeminate and ridiculed [Source 2][Source 4]. Marriages were usually for political or monetary reasons rather than love, so most romantic bonds were between two men [Source 9]. Another thing that separates the Ancient Greeks from the norms, values and definitions of today is that they attached no shame to sex
In ancient times, there is a general sense that women were simply items and slaves to their husbands. Ancient Greece specifically has a renowned reputation of favoring men. Men possessed the dominant role in public affairs and events while most women were pressured to stay at home. Very few records extensively discuss women; the records focus mostly on men. Despite the lacking records, it is certain how ancient Greeks viewed their women and their relationships with their male counterparts.
Throughout society and literature, there are various gender roles that once established, they became a norm which led to many characters and views to blindly follow such roles. Despite that, there are people and authors alike who try to break down gender roles and try get others to rid themselves of traditional gender roles. One such author is Noelle Stevenson, the creator of the graphic novel Nimona, which follows the story of a supposed young girl who can shape shift while being the sidekick of the notorious villain Ballister Blackheart. Stevenson, though breaking away from the majority of gender norms, still purposely includes some inside of Nimona herself, such as the ‘damsel in distress’ trope. This is due to Stevenson attempting to show her readers that
The Greeks did not trust women with any agency or control in their lives, even when they were away. Greek sexual morals were designed to villainize the relationships between men and women, while male homosexual relationships were seen as pure. In contrast, in Roman society, especially among the elites, women were expected women to sometimes participate in decisions of magnitude, either as an active member of the family or as a vessel for economic or political power. Elite Roman women made connections, either thorough formal marriages
Persepolis, published completely in October of 2007, is a graphic memoir which encompasses the childhood and adolescence of Marjane Satrapi in Iran during and following the 1979 Islamic Revolution and her teenage years spent in Austria. Satrapi uses her life experiences from living in these two contrasting societies, as portrayed in the graphic memoir, to break the many stereotypes that those reading from a Western perspective may or may not have by showing them women’s roles, Iranian culture, youth culture, and the everyday action of the average citizen of Iran. Throughout the entire book, we see Satrapi constantly rebelling against the rules put in place by the Islamic regime, starting out when she was only ten. We see Satrapi and many of the other girls are using the veil to jump rope with, use as a monster mask, and basically everything but its intended purpose (3 / 5).
Lysistrata tells the women that they must resist their men in order for them to stop fighting in war. These women swear on oath, by pouring wine in a bowl, to not have sex with their husbands until the war is over. They will try to seek the mens attention by dressing vulgarly and wearing a lot of makeup but they will not have sex. Once the war is over the Spartans and Athens get together with Lysistrata and the goddess Reconciliation. In this scene Lysistrata tells them what to do so they could make peace, she explains to them how they have both done many good things for each other so this is why they should not be going to war.
Lysistrata, a middle-class woman and wife of one of the Athenians soldiers, decides to hold a meeting with all the women within the Greek territory and discuss a way to end the terrible war afflicting
The men of Athens feel threatened when women show agency because their whole patriarchal system depends on female complacency. Although Athenian society