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What Frank Romero tries to do in this mural is show others who do not live in the city what Los Angeles is known for. But at the time, the painting was used for the Olympics, so
There are exceptional aspects of mise-en-scene in Spike Lee’s film. Towards the end of the film, Radio Raheem (Bill Nunn) and Buggin Out (Giancarlo Esposito) come to Sal’s Pizzeria. Before that, the audience sees a shot of the two talking on the street from (Lee, 1989: 01:26:00-01:30:30). Camera zooms in on an extreme close- up shot of Raheem’s radio.
With Martin, she only ever stuck to the duties a woman normally sticks to, but Arnaud is a merchant. When a woman’s husband is a merchant, she is allowed to engage in merchant activities as well, thus with Arnaud Bertrande’s sphere of freedom expands. She gets more opportunities to experience the world around her aside from the normal confinement a woman has to her house. Bertrande seizes this chance for independence to the fullest, and “What Bertrande had with the new Martin was her dream come true,” (44). For not only does she get more freedom with him by being a merchant, but she also fulfils her previous more mature independent desire for a partner she genuinely likes.
Picasso was exiting his Blue Period and entering into the Rose Period of his art. (Pablo Picasso’s Rose Period). Martin purposely picked this time period in order to create a multitude of clever jokes hidden within the text as commentaries on the period. For instance, Picasso is talking about a vision of his art and “leaving blue behind”, after which he orders a Rose to drink. This is yet another example of the wondrous mind Martin possesses, to make such an intelligent joke so subtly takes an advanced comedic mind.
Auteur theory is an important mode of film criticism that indicates the extent of the director’s involvement in the final output of the film. As it has been previously mentioned, Spike Lee’s films express certain notions about race that emerge from his personal viewpoint as well as from his political and aesthetic beliefs. The focal point of this chapter is the auteur theory and its relativity to Spike Lee. In order to prove the connection between the theory and his works, it is necessary to refer to Lee’s biography, since both his background and distinguishable personality have contributed to his technical skills as well as to his unique style as a film director. The particular chapter will also include the synopsis as well as the technical analysis of each film correspondingly.
The Los Angeles native is still inspired by his surrounding influences and continues to create art that reflects his surrounding environments. With his old days as a Chicano muralist and artist now behind him, Romero is immersed in a peaceful life filled with joy, inspiration, and motivation. As a member of Los Four and as a solo artist, some of his most famous works can still be seen throughout the bustling streets of Los Angeles, while others are immortalized in museums and art institutions worldwide, including some held at the Smithsonian American Art Museum and several others on the campuses of universities renowned for their art such as the University of California-Irvine and Los Angeles and California State University. One of his most popular works, the “Going to the Olympics” mural located near a Los Angeles freeway cemented his place in history as one of the greats. Romero, a great, is an immortal and highly inspirational figure that has left behind a massive impact on his surroundings and has contributed much to the world of art.
The Parisians: A Not So Glamorous Lifestyle The text The Painted Girls by Cathy Marie Buchanan is set in the late 1800's in Paris, France. In the early 1800's, the arts were the heart of European culture and played a large part in defining the European culture in its years to come. With dance as one of the most popular forms of entertainment, it quickly shot to fame and was thoroughly enjoyed, especially in the Romantic Era.
Jacob Lawrence painted the Migration Series in 1941 during the time of the Great Migration in America. Lawrence and others, such as Langston Hughes, have been one of the most prominent artists that portrayed the social commentary of African Americans in the United States during the early 1900s. Lawrence’s sixty panels narrate the historical migration of the numerous African Americans who took the train heading from the South to the North, where they could provide a better life for themselves in the midst of an industrial setting. The depiction of the sixty tempera paintings accompanied by various supporting texts leave an emotional account of this time in history to this day. Jacob Lawrence’s two-dimensional cubistic style of painting throughout this series often
It’s been almost 49 years since the start of artist’s migrating to Barrio Logan began, expressing their pride and joy for their race hoping to unite their community. Although I don’t think that they really thought that their passion for art would go so far beyond what they had expected. See I am a Mexican coffee shop owner and I have here been for the past 20 years. My business is good, although sometimes I wish it could be better.
Depictions of Extravagance The “Roaring Twenties” was a time of great prosperity in America. F. Scott Fitzgerald captures the booming spirit of America in his book The Great Gatsby through his grandiose description of Gatsby’s parties. Baz Luhrmann draws from both The Great Gatsby and Hieronymus Busch’s “The Garden of Earthly Delights” to portray his own cinematic interpretation of this time period. Philippa Hawker analyzes Baz Luhrmann’s Gatsby parties and depicts their lavishness in her article “The subtle art of staging Gatsby's lavish parties.”
Fear occurs within everyone. Whether the fear be of something concrete like spiders or something intangible such as a fear of being alone. No matter the type, fear is something that everyone must learn to overcome. In the book All The Light We Cannot See by Anthony Doerr it is shown that one must confront their fears or risk being overcome by them. This is shown through a variety of characters in the use of literary devices.
Moreover, Romero’s vivid and colorful paintings commemorate Los Angeles culture lowriders accompanied by “rascuache” making
The Parisian night club, The Moulin Rouge itself is the dangerous, greedy and deceitful environment that Christian finds himself confronting in order to complete his call to adventure. As soon as Christian enters the cabaret it becomes apparent that it is an aggressive setting full of boisterous showfolk who share the common violent passion for disorder and physical stimulation, a vastly different experience compared to the one he is familiar with. Whether the threshold be literal as in Orpheus’s situation or symbolic as in Christian’s, it signifies the hero’s commitment to the events in store for him on his
Additionally this artwork showcases concepts that stems from cubism, surrealism and primitivism. Forms look flat and are cut presented geometrically, which make for an interesting composition in the scheme of the painting. It is also through these factors and the subjects that Picasso articulates his story. Briefly this artwork shows 2 fisherman, one holds a spear, and the other looks over the side of the boat and holds the spear with his foot.
Baz Luhrmann is known world wide for his eccentric and flamboyant film-making style. Luhrmann’s signature bright colours, fast-paced camera-cuts and zooms, and bold costumes are all key characteristics of his films and assist Luhrmann in putting forward the themes and motifs he regards as essential in each of his works. However, Luhrmann still receives much criticism for not staying true to the original source material of the stories he introduces to the big screen. One fails to realize the fact that, “Luhrmann’s films are not so much adaptations as re-imaginings” (Vogue Magazine) and through analysis of his various techniques, as well as his overall cinematic language in his films, “Strictly Ballroom” (1992), “Romeo + Juliet” (1996) and “The Great Gatsby”, one can see this clearly, through Luhrmann’s evolution as a director. Luhrmann makes his films his own from the start, the opening scenes of all three of these films implement post-modern techniques which instantly informs the audience that they are entering into Luhrmann’s
